Occidentalism as a Strategy for Self-exclusion and Recognition in Mohja Kahf’s The Girl in the Tangerine Scarf

Year 2019, Volume: 13 Issue: 1, 27 - 38, 30.06.2019

İshak Berrebbah

Abstract

Arab American women’s literature has emerged noticeably in the early years of the 21st century. The social and political atmosphere of post 9/11 America encouraged the growth of such literature and brought it to international attention. This diasporic literature is imbued with the discourse of Occidentalism; this not only creates a set of counter-stereotypes and representations to challenge Orientalism and write back to Orientalists, but it also works as a strategy for self-exclusion—by which Arab Americans exclude themselves from wider US society—and paves the way to selfrealization. Taking Mohja Kahf’s novel The Girl in the Tangerine Scarf (2006) as a sample of Arab American literature, this paper examines the extent to which Arab American characters including Téta, Wajdy, and Khadra represent and identify white Americans from an Occidentalist point of view to exclude themselves from wider American society, and promote their self-realization and recognition. The arguments and analysis in this paper are outlined within a social identity theoretical framework. 

Keywords

Diaspora, exclusion, recognition, representation, stereotypes

Mohja Kahf’ın The Girl in the Tangerine Scarf adlı Eserinde Kendini-dışlama ve Tanınma Stratejisi Olarak Oksidentalizm

Abstract

21. yüzyılın ilk yıllarında Arap Amerikalı kadın yazını büyük önem kazanmaya başlamıştır. 11 Eylül sonrası Amerika’daki toplumsal ve siyasi atmosfer bu edebiyatın büyümesini beraberinde getirmiş, uluslararası bir önem kazanmasının yolunu açmıştır. Bu diaspora edebiyatı Oksidentalist bir söylemle doludur; bu durum sadece Oryantalizme meydan okuyan ve Oryantalistlere cevap veren bir dizi karşıtstereotipi ve temsili oluşturmakla kalmaz, aynı zamanda Arap Amerikalıların kendilerini Amerikan toplumunun genelinin dışında tuttukları bir kendini-dışlama stratejisi olarak da işlev görür; böylelikle kendini gerçekleştirmenin de yolu açılmış olur. Bu makalede, Arap Amerikan edebiyatının bir örneği olarak Mohja Kahf’ın The Girl in the Tangerine Scarf adlı romanı üzerinden, Téta, Wajdy ve Khadra gibi Arap Amerikan karakterlerin kendilerini Amerikan toplumundan ayrı tutarak beyaz Amerikalıları ne kadar Oksidentalist bir bakış açısıyla yansıttığı ve tanımladığı, bu sayede kendilerini gerçekleştirmeleri ve tanımaları irdelenmiştir. Bu çalışmanın öne sürdüğü argüman ve analizler sosyal kimlik kuramı çerçevesi temelinde şekillenmiştir.

Keywords

Diaspora, dışlama, tanıma, temsil, stereotip

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