Research Note
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Year 2024, Volume: 18 Issue: 1, 163 - 171, 30.06.2024
https://doi.org/10.47777/cankujhss.1507953

Abstract

References

  • Ashton, E. (2015). “Review by Elaine Aston.” Review of Maya Rao's Walk. The Activist's Classroom. theactivistclassroom.wordpress.com/2015/07/27/maya-krishna-raos-walk-demanding-the-right-to-freedom-of-movement-for-all-women-everywhere
  • Basu, A. (2004). “Indian Women’s Movement.” Human Rights, Gender and Environment. All India Women’s Conference.
  • Chatterjee, M. (2017). “Finding Their Own Voice: Women Writers and Directors of Indian Theatre.” Theatre Street Journal, vol. 01, pp. 15–20., theatrestreetjournal.in/wp-content/uploads/2017/01/Finding-their-own-voice-Women-Writers-and-Directors-of-Indian-Theatre-By-Mrinal-Chatterjee.pdf
  • Deshpande, S. (2017). “Remembering Safdar Hashmi and the Play That Changed Indian StreetTheatreForever.” Scroll.in,Https://Scroll.in2017,scroll.in/magazine/825686/remembering-safdar-hashmi-and-the-play-that-changed-indian-street-theatre-
  • Imsarkar, P. D. and Dasardhi, K. (2015). “Feminism- A Perspective Study.” International Journal of English Language, Literature and Humanitites, III, no. IX, pp. 320–331., ijellh.com/wp-content/uploads/2015/11/33.-K.DASARADHI-paper-final.pdf
  • “Gendering the Theatre.” Shodhganga, shodhganga.inflibnet.ac.in/bitstream/10603/11937/8/08_chapter 4.pdf Gopal, P. (2005). Literary Radicalism in India. Routledge.
  • “How Feminist Theatre Emerged in India.” (2017) Feminism in India, feminisminindia.com/2017/08/30/feminist-theatre-india
  • Mallimadugula, N. (2016). “‘Acting Up’ Chronicles Women's Intellectual and Personal Relationships with Theatre.” The Wire, thewire.in/books/acting-up-chronicles-womens-intellectual-and-personal-relationships-with-theatre.
  • Nair, M. (2017). “‘I Was Tired of Hiding’ Delhi-Based Actor Mallika Taneja Turns Onstage Nudity into Act of Protest.” Scroll.in, Https://Scroll.in, 20 Mar. 2017, scroll.in/magazine/831070/i-was-tired-of-hiding-delhi-based-actor-mallika-taneja-turns-onstage-nudity-into-act-of-protest
  • Nath, D. (2015). “In Her Skin: MallikaTaneja on Feminism and Her Play ThodaDhyan Se.” The Indian Express, Thursday, May 03, 2018, , indianexpress.com/article/lifestyle/art-and-culture/in-her-skin-mallika-taneja-on-feminism-and-her-play-thoda-dhyan-se
  • Pattanaik, D. (2018). “Is Hinduism Feminist or Patriarchal?” DailyO - Opinion News & Analysis on Latest Breaking News India, Living Media India Limited, www.dailyo.in/variety/hinduism-feminism-patriarchy-vagina-worship-linga-devdutt-pattanaik-jauhar-sati-rajputs-bollywood/story/1/22114.html.
  • Padmanabhan, M. (2004). Lights Out. City Plays. Intro. Mahesh Dattani. Seagull. pp.133-190.
  • “Poile Sengupta and the Theatre of Protest.” (2013). All Answers Ltd. ukessays.com, November. Web. 9 August 2018. <https://www.ukessays.com/essays/english-literature/poile-sengupta-and-the-theatre-of-protest.php?vref=1>.
  • “Transgender Theatre: As You Like It.” (2017). OPEN Magazine, www.openthemagazine.com/article/theatre/transgender-theatre-as-you-like-it.
  • “The Performance Artists Who Made Feminist History.” (2104). Sleek Magazine, www.sleek-mag.com/article/feminist-performance-art

Feminist Readings of Space, Body, and Performance: An Overview of Emerging Feminist Theatre in India

Year 2024, Volume: 18 Issue: 1, 163 - 171, 30.06.2024
https://doi.org/10.47777/cankujhss.1507953

Abstract

The theatre has been an amalgamation of history, society, and its representation where it connects with the audience directly. It has been a medium of resistance, protest, and entertainment and a cultural and social tradition in various countries. This paper is an analytical study of feminist theatre and its nuances, showing that theatre, which has been used as a mode to protest and resist, becomes a tool to reclaim and re-own space and body for women. It is essential to theorize Feminist Theatre so that its congruency can be established with the socio-cultural and historical paradigm. All the genres that were written to stabilize feminist thought in the discourse fell back on the conventional praxis of mythology and other texts. For example, Indian narratives borrowed feminine tropes from the classical texts whether it was Rabindranath Tagore or Girish Karnad, women were phenomenal yet subdued. Hence, when men wrote women, there was always a hint of “othering” the female gender in these write-ups; there was always a moralistic judgment of these women. Thus, this study is an attempt to theorize women playwrights and feminist performances that have made an attempt to pave the way for feminist scholarships and feminist theatres to evolve.

References

  • Ashton, E. (2015). “Review by Elaine Aston.” Review of Maya Rao's Walk. The Activist's Classroom. theactivistclassroom.wordpress.com/2015/07/27/maya-krishna-raos-walk-demanding-the-right-to-freedom-of-movement-for-all-women-everywhere
  • Basu, A. (2004). “Indian Women’s Movement.” Human Rights, Gender and Environment. All India Women’s Conference.
  • Chatterjee, M. (2017). “Finding Their Own Voice: Women Writers and Directors of Indian Theatre.” Theatre Street Journal, vol. 01, pp. 15–20., theatrestreetjournal.in/wp-content/uploads/2017/01/Finding-their-own-voice-Women-Writers-and-Directors-of-Indian-Theatre-By-Mrinal-Chatterjee.pdf
  • Deshpande, S. (2017). “Remembering Safdar Hashmi and the Play That Changed Indian StreetTheatreForever.” Scroll.in,Https://Scroll.in2017,scroll.in/magazine/825686/remembering-safdar-hashmi-and-the-play-that-changed-indian-street-theatre-
  • Imsarkar, P. D. and Dasardhi, K. (2015). “Feminism- A Perspective Study.” International Journal of English Language, Literature and Humanitites, III, no. IX, pp. 320–331., ijellh.com/wp-content/uploads/2015/11/33.-K.DASARADHI-paper-final.pdf
  • “Gendering the Theatre.” Shodhganga, shodhganga.inflibnet.ac.in/bitstream/10603/11937/8/08_chapter 4.pdf Gopal, P. (2005). Literary Radicalism in India. Routledge.
  • “How Feminist Theatre Emerged in India.” (2017) Feminism in India, feminisminindia.com/2017/08/30/feminist-theatre-india
  • Mallimadugula, N. (2016). “‘Acting Up’ Chronicles Women's Intellectual and Personal Relationships with Theatre.” The Wire, thewire.in/books/acting-up-chronicles-womens-intellectual-and-personal-relationships-with-theatre.
  • Nair, M. (2017). “‘I Was Tired of Hiding’ Delhi-Based Actor Mallika Taneja Turns Onstage Nudity into Act of Protest.” Scroll.in, Https://Scroll.in, 20 Mar. 2017, scroll.in/magazine/831070/i-was-tired-of-hiding-delhi-based-actor-mallika-taneja-turns-onstage-nudity-into-act-of-protest
  • Nath, D. (2015). “In Her Skin: MallikaTaneja on Feminism and Her Play ThodaDhyan Se.” The Indian Express, Thursday, May 03, 2018, , indianexpress.com/article/lifestyle/art-and-culture/in-her-skin-mallika-taneja-on-feminism-and-her-play-thoda-dhyan-se
  • Pattanaik, D. (2018). “Is Hinduism Feminist or Patriarchal?” DailyO - Opinion News & Analysis on Latest Breaking News India, Living Media India Limited, www.dailyo.in/variety/hinduism-feminism-patriarchy-vagina-worship-linga-devdutt-pattanaik-jauhar-sati-rajputs-bollywood/story/1/22114.html.
  • Padmanabhan, M. (2004). Lights Out. City Plays. Intro. Mahesh Dattani. Seagull. pp.133-190.
  • “Poile Sengupta and the Theatre of Protest.” (2013). All Answers Ltd. ukessays.com, November. Web. 9 August 2018. <https://www.ukessays.com/essays/english-literature/poile-sengupta-and-the-theatre-of-protest.php?vref=1>.
  • “Transgender Theatre: As You Like It.” (2017). OPEN Magazine, www.openthemagazine.com/article/theatre/transgender-theatre-as-you-like-it.
  • “The Performance Artists Who Made Feminist History.” (2104). Sleek Magazine, www.sleek-mag.com/article/feminist-performance-art
There are 15 citations in total.

Details

Primary Language English
Subjects World Languages, Literature and Culture (Other)
Journal Section Research Articles
Authors

Anum Fatima This is me 0000-0002-0962-5627

Publication Date June 30, 2024
Published in Issue Year 2024 Volume: 18 Issue: 1

Cite

APA Fatima, A. (2024). Feminist Readings of Space, Body, and Performance: An Overview of Emerging Feminist Theatre in India. Cankaya University Journal of Humanities and Social Sciences, 18(1), 163-171. https://doi.org/10.47777/cankujhss.1507953

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