Abstract
References
- Azani Mehri. (1392). Investigating Sama dance: A Symbol of Faith in Literary-Religious Tourism in Iran (Sama in the Shams's point of view) Proceedings of the National Conference of Tourism, Nature and Geography, University of Shahid Mofateh, Hamedan.
- Ashti Kleshter , Lioner. (2009). Anthropological Analysis, translated by Farinaz Mokhtari , Austria, Vienna University, published in Anthropology and Culture Database.
- Berner Peter. (1385). Introduction to Anthropology of Tourism, translated by H.Houshmandi,Tehran, Afkar Publication.
- Paeizi, J. (1393). Anthropology of Tourism, Analytical Database of Ecosystems). (Zistboom.com)
- Zolfaghari, H. (1389). Climate and Tourism, First printing, Tehran, Samt Press.
- Rahgani, Roohangiz., (1377). History of Iran Music, Tehran, Pishro Press.
- Zndbaf, H), 1379, Sociology of Iran Music, Tehran, Ganjineye Farhang Press.
- Farrokhnia Rahim Ebrahim Mohammadi, (1389). The Central Issues in Ethnomusicology of Iranian Kurds, Fine Art Journal, drama and Music, No, 40 Ss.27-37.
- Gholikhani, Kambiz, (1391). Anthropology of Tourism, Book of Social Sciences, No. 60, pp.70-73.
Abstract
Abstract. The present study has tried to associate the themes of Kurdish music with tourist attraction activities. On the other hand, it has tried to pave the way to attract cultural tourists to Kurdistan through theme diversity and inspiration by natural ecological phenomena and also to attract those tourists with different tastes who are interested in local and traditional music. To achieve the above goals, different methods have been used including interviewing with celebrities, using existing resources such as audio versions of the traditional Kurdish music in the form of DVDs, CDs and also its video versions. Kurdish language is one of the most original languages in Iran that over the time has maintained its identity despite foreigners' onslaught and has not been subjected to too many changes. Many experts have expressed that the traditional Kurdish music is one of the richest traditional Iranian music. Using different themes, inspiring by ecological and natural phenomena and also social and cultur-al themes are some of the characteristics of the Kurdish music.Taking advantages of the available potentials in each region promotes the Iranian tourism identity all around the world. Using traditional Kurdish music along with the other attractions in the Kurdistan region improves the internal or domestic tourism. In addition to increasing the internal trips, it establishes friendship among people all around the country (Iran).
References
- Azani Mehri. (1392). Investigating Sama dance: A Symbol of Faith in Literary-Religious Tourism in Iran (Sama in the Shams's point of view) Proceedings of the National Conference of Tourism, Nature and Geography, University of Shahid Mofateh, Hamedan.
- Ashti Kleshter , Lioner. (2009). Anthropological Analysis, translated by Farinaz Mokhtari , Austria, Vienna University, published in Anthropology and Culture Database.
- Berner Peter. (1385). Introduction to Anthropology of Tourism, translated by H.Houshmandi,Tehran, Afkar Publication.
- Paeizi, J. (1393). Anthropology of Tourism, Analytical Database of Ecosystems). (Zistboom.com)
- Zolfaghari, H. (1389). Climate and Tourism, First printing, Tehran, Samt Press.
- Rahgani, Roohangiz., (1377). History of Iran Music, Tehran, Pishro Press.
- Zndbaf, H), 1379, Sociology of Iran Music, Tehran, Ganjineye Farhang Press.
- Farrokhnia Rahim Ebrahim Mohammadi, (1389). The Central Issues in Ethnomusicology of Iranian Kurds, Fine Art Journal, drama and Music, No, 40 Ss.27-37.
- Gholikhani, Kambiz, (1391). Anthropology of Tourism, Book of Social Sciences, No. 60, pp.70-73.
Details
| Journal Section | Special |
|---|---|
| Authors | |
| Publication Date | May 13, 2015 |
| Published in Issue | Year 2015 Volume: 36 Issue: 3 |