Abstract
This paper addresses the emerging concept of cyberization of music through
a particular focus on the changing representation of music. In this context, the
first part presents a historical overview on the representation of music for a
better understanding of today’s digitalization of music. The second part revolves
around the intertwining relationship between technology and society and its
impact on cultural preferences and taste in music. The last part focuses
particularly on the emerging concept of cyberization of music and questions the
ways it transformed the musical representation. The evaluations expose an
ever-changing musical representation in our contemporary era, with a lack of
live interaction where music followers tend to be influenced by the shared view
of the others. Since there is no single and absolute correct way of analyzing
the cyberspace for it has become an overarching term used to describe a
multitude of aspects of the new communication technologies, the evaluations herein
wishes to contribute to the interpretation of music on cyberspace.
Keywords
References
- Alderman, J. (2008). Sonic boom: Napster, MP3, and the new pioneers of music. NY: Basic Books. Becker, H. (1997). Art worlds. Berkeley: University of California Press. Featherstone, M., Burrows, R. (Eds.). (1996). Cyberspace, cyberbodies, cyberpunk: Cultures of technological embodiment. London: Sage. Kaplan, A. M., & Haenlein, M. (2010). Users of the world, unite! The challenges and opportunities of Social Media. Business horizons, 53(1), 59-68. Lichty, P. (2000). The cybernetics of performance and new media art. Leonardo, 33(5), pp.351-354 Liu, C. C., & Tsai, P. J. (2001). Content-based retrieval of mp3 music objects. Proceedings of the tenth international conference on Information and knowledge management, 506-511. Magaudda, P. (2011). When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization. Journal of Consumer Culture, 11(1), 15-36. Weber, M. (1958). Social and rational foundations of music. Illinois: Southern Illinois University Press. Say, A. (2006). Müzik tarihi. İstanbul: Müzik Ansiklopedisi Yayınları. Spotify Verileri (2017). Erişim 3 Şubat 2017, https://press.spotify.com/us/about/ TÜİK Hanehalkı Bilişim Teknolojileri Kullanım Verisi (2017). Erişim 6 Mart 2017, http://www.tuik.gov.tr/PreHaberBultenleri.do?id=24862 Wiener, N. (1954). Cybernetics in history. In Craig, R & Muller, H. (Eds.), Theorizing in communication: Readings across traditions (pp. 267-273), London: Sage Publications. Wright, C. R. (1959). Mass communication: A sociological perspective. New York : Random House. Yates, C. D. (1994). Overview: An introduction to music history. MA: Simon & Schuster Custom Publishing.
Abstract
References
- Alderman, J. (2008). Sonic boom: Napster, MP3, and the new pioneers of music. NY: Basic Books. Becker, H. (1997). Art worlds. Berkeley: University of California Press. Featherstone, M., Burrows, R. (Eds.). (1996). Cyberspace, cyberbodies, cyberpunk: Cultures of technological embodiment. London: Sage. Kaplan, A. M., & Haenlein, M. (2010). Users of the world, unite! The challenges and opportunities of Social Media. Business horizons, 53(1), 59-68. Lichty, P. (2000). The cybernetics of performance and new media art. Leonardo, 33(5), pp.351-354 Liu, C. C., & Tsai, P. J. (2001). Content-based retrieval of mp3 music objects. Proceedings of the tenth international conference on Information and knowledge management, 506-511. Magaudda, P. (2011). When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization. Journal of Consumer Culture, 11(1), 15-36. Weber, M. (1958). Social and rational foundations of music. Illinois: Southern Illinois University Press. Say, A. (2006). Müzik tarihi. İstanbul: Müzik Ansiklopedisi Yayınları. Spotify Verileri (2017). Erişim 3 Şubat 2017, https://press.spotify.com/us/about/ TÜİK Hanehalkı Bilişim Teknolojileri Kullanım Verisi (2017). Erişim 6 Mart 2017, http://www.tuik.gov.tr/PreHaberBultenleri.do?id=24862 Wiener, N. (1954). Cybernetics in history. In Craig, R & Muller, H. (Eds.), Theorizing in communication: Readings across traditions (pp. 267-273), London: Sage Publications. Wright, C. R. (1959). Mass communication: A sociological perspective. New York : Random House. Yates, C. D. (1994). Overview: An introduction to music history. MA: Simon & Schuster Custom Publishing.
Details
| Primary Language | English |
|---|---|
| Journal Section | Collection |
| Authors | |
| Publication Date | July 31, 2018 |
| Acceptance Date | July 15, 2018 |
| Published in Issue | Year 2018 Volume: 3 Issue: 5 |