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Modern İngiltere'nin İlk Dönemleri Ve Kültür Temsilcileri Olarak Shakespeare Kadınları

Year 2003, Volume: 43 Issue: 2, 165 - 174, 01.01.2003

Abstract

Modern İngiltere 'nin ilk dönemlerinde, Rönesans ve Reformasyonun getirdiği değişimlerle birlikte cinsiyet kavramı yeni bir boyut kazanmıştır. Kadın imajını güçlendirmek için yeni yasal ve toplumsal düzenlemeler getirilmiştir. Ancak dönemin egemen politik ideolojisi — erkek egemensi düşünce ısrarla geleneksel kadın motifini savunmuştur. Shakespeare, bu dönemde yazan bir edebiyatçı olarak, toplumdaki karmaşık görüşlere oyunlarında yer vermektedir. Yazar oyunlarında zaman zaman standard Rönesans kadın tiplemesini yansıtırken zaman zaman ise kadın karakterlerini geleneksel kalıpların dışına taşımaktadır.

References

  • Bordo, Susan. (2001) "Unbearable Weight: Feminism, Western Culture and the Body", The Norton Anthology of Theory and Criticism. (Ed.) Vincent B. Leitch, New York: W.W. Norton&Company, 2360-2376.
  • Butler, Judith. (2001) "From Gender Trouble", The Norton Anthology of Theory and Criticism. (Ed.) Vincent B. Leitch, New York: W.W. Norton&Company, 2485-2490.
  • Dusinberre, Juliet. (1975) Shakespeare and the Nature of Women. New York: Macmillan Press.
  • French, Marilyn. (1981) Shakespeare's Division Of Experience. New York: Ballantine Books.
  • Gallaghan, Dympna. (1989) Woman and Gender Studies in Renaissance Tragedy. Atlantic: Humanitress Press.
  • Greene Gayle. (1995) "This That You Call Love: Sexual and Social Tragedy in Othello", Shakespeare and Gender. (Ed. Deborah E. Barker), London:Verso Press, 50-62.
  • McLuskie, Kathleen. (1985) "The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure", Political Shakespeare. (Ed.Jonathan Dollimore), London: Manchester University Press, 88-108.
  • Neely, Carol Thomas. (1985) Broken Nuptials in Shakespeare's Plays . New Haven: Yale University Press.
  • Rackin, Phyllis. (1999) "Androgyny, Mimesis and the Marriage of the Boy Heroine on the English Renaissance Stage", Shakespeare and Gender. (Ed. Stephen Orgel), New York: Garland Series, 53-65.
  • Rogers, Nicole. (1996) Mutuality and Patriarchy in the Renaissance Family and Shakespeare's Macbeth. U.S.A:University of Victoria Press.
  • Sanders, Andrew. (1991) Short History of English Literature. New York: Macmillan Press.
  • Shakespeare, William. (1994) King Lear. The Complete Works of William Shakespeare. New York: Macmillan Press
  • Othello. The Complete Works of William Shakespeare. New York: Macmillan Press.
  • Macbeth. The Complete Works of William Shakespeare. New York: Macmillan Press.
  • Stone, Lawrence. (1977) Family, Sex and Marriage: In England 1500- 1800. New York: Harper Press.

Early Modern England And Shakespeare's Women As Cultural Representatıons

Year 2003, Volume: 43 Issue: 2, 165 - 174, 01.01.2003

Abstract

In Early Modern England definitions of gender roles were reconsidered in the light of the innovations brought about both by Renaissance and Reformation. New legal and social arrangements were made with the aim of improving the female image. Yet, the dominant ideology of the period - the patriarchal system stili held on to the traditional role ofyvoman in society. Shakespeare writing his plays in this period inevitably reflected the paradoxical visions in gender criticism. At times Shakespeare supports the English Renaissance stereotypes of women and he is also a playwright who auestions the standard female image.

References

  • Bordo, Susan. (2001) "Unbearable Weight: Feminism, Western Culture and the Body", The Norton Anthology of Theory and Criticism. (Ed.) Vincent B. Leitch, New York: W.W. Norton&Company, 2360-2376.
  • Butler, Judith. (2001) "From Gender Trouble", The Norton Anthology of Theory and Criticism. (Ed.) Vincent B. Leitch, New York: W.W. Norton&Company, 2485-2490.
  • Dusinberre, Juliet. (1975) Shakespeare and the Nature of Women. New York: Macmillan Press.
  • French, Marilyn. (1981) Shakespeare's Division Of Experience. New York: Ballantine Books.
  • Gallaghan, Dympna. (1989) Woman and Gender Studies in Renaissance Tragedy. Atlantic: Humanitress Press.
  • Greene Gayle. (1995) "This That You Call Love: Sexual and Social Tragedy in Othello", Shakespeare and Gender. (Ed. Deborah E. Barker), London:Verso Press, 50-62.
  • McLuskie, Kathleen. (1985) "The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure", Political Shakespeare. (Ed.Jonathan Dollimore), London: Manchester University Press, 88-108.
  • Neely, Carol Thomas. (1985) Broken Nuptials in Shakespeare's Plays . New Haven: Yale University Press.
  • Rackin, Phyllis. (1999) "Androgyny, Mimesis and the Marriage of the Boy Heroine on the English Renaissance Stage", Shakespeare and Gender. (Ed. Stephen Orgel), New York: Garland Series, 53-65.
  • Rogers, Nicole. (1996) Mutuality and Patriarchy in the Renaissance Family and Shakespeare's Macbeth. U.S.A:University of Victoria Press.
  • Sanders, Andrew. (1991) Short History of English Literature. New York: Macmillan Press.
  • Shakespeare, William. (1994) King Lear. The Complete Works of William Shakespeare. New York: Macmillan Press
  • Othello. The Complete Works of William Shakespeare. New York: Macmillan Press.
  • Macbeth. The Complete Works of William Shakespeare. New York: Macmillan Press.
  • Stone, Lawrence. (1977) Family, Sex and Marriage: In England 1500- 1800. New York: Harper Press.
There are 15 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Rümeysa Çavuş This is me

Publication Date January 1, 2003
Published in Issue Year 2003 Volume: 43 Issue: 2

Cite

APA Çavuş, R. (2003). Early Modern England And Shakespeare’s Women As Cultural Representatıons. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 43(2), 165-174.

Ankara University Journal of the Faculty of Languages and History-Geography

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