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Bağlantı ve Ayrım Sınırları: Guare’ın Altı Derece Uzak’ında Bir Dışlanmışın Manevraları, Pratikleri ve Beğenileri

Year 2013, Volume: 53 Issue: 2, 497 - 518, 01.01.2013

Abstract

John Guare’ın Altı Derece Uzak adlı oyununda, ana karakter Paul sahte kimlikler kullanarak başka insanların hayatlarına dâhil olmaktadır. Sahtekâr Paul aslında sınıf, ırk ve cinsel yönelim gibi farklı etmenler tarafından şekillenen sınırları aşmayı istemektedir. Bu sınırlar bağlantı kurma ve sosyal ayrım belirleyicilerini aşma olasılığı üzerine yapılan değerlendirmenin temelini oluşturmaktadır. Bu makale, Guare’ın oyunundaki bağlantı ve ayrım karşıtlığı hakkındaki tartışmayı canlandırmak için, bu ikiliğin mekân, mekânsal manevralar, pratik ve beğeni sunumuna dayandığını savunmaktadır. Bu çalışma öncelikle de Certeau’nun mekân, taktik, strateji ve pratik incelemeleri ışığında sınırlar üzerinde mekân ve mekânsal manevraların önemine dikkat çeker; daha sonra Bourdieu’nun habitus, beğeni ve kapital üzerine çalışmaları ışığında üyeliği belirleyen etmenleri inceler.

References

  • BIGSBY, Christopher. (2004). “John Guare”. In Contemporary American Playwrights. (1-46). New York: Cambridge UP.
  • BOURDIEU, Pierre. (1986). Distinction: A Social Critique of Judgment of Taste. (Trans. Richard Nice). London: Routledge & Kegan Paul.
  • ---. (1996). “Physical Space, Social Space and Habitus.” In Rapport 10: 1996. Oslo: Institutt for sociologi og samfunnsgeografi, University of Oslo.
  • BRYER, Jackson R., ed. (1995). “John Guare”. In The Playwright’s Art: Conversations with Contemporary American Dramatists. (70-85). New Brunswick: Rutgers UP.
  • CHEEVER, Abigail. (2010). Real Phonies: The History of Authenticity, 1947— 1998. Athens: U of Georgia P.
  • CLUM, John M. (1992). Acting Gay: Male Homosexuality in Modern Drama. New York: Columbia UP.
  • DARGIS, Manoh, and A. O. Scott. (2009, January 18). “How the Movies Made a President.” New York Times.
  • DEANS, Jill R. (1998). ‘Divide the living child in two’: Adoption and the Rhetoric of Legitimacy in Twentieth-Century American Literature. (Doctoral dissertation). U of Massachusetts, Amherst.
  • DE CERTEAU, Michel. (1984). The Practice of Everyday Life. (Trans. Steven F. Rendall). Berkeley: U of California P.
  • EVANS, Nicola. (2002). “The Family Changes Colour: Interracial Families in Contemporary Hollywood Film”. Screen. 43 (3): 271-92.
  • FOUCAULT, Michel. (1986). “Of Other Spaces”. Diacritics. 16 (1): 22-27.
  • GILLIAN, Jennifer. (2001). “‘No One Knows You’re Black!’: ‘Six Degrees of Separation’ and the Buddy Formula”. Cinema Journal. 40 (3): 47-68.
  • ---. (2002). “Staging a Staged Crisis in Masculinity: Race and Masculinity in Six Degrees of Separation”. In New Readings in American Drama: Something's Happening Here. (Ed. Norma Jenckes). (23-38). New York: Peter Lang.
  • GUARE, John. (1992). Six Degrees of Separation. London: Cox & Wyman Ltd.
  • LEFEBVRE, Henri. (1991). The Production of Space. (Trans. Donald Nicholson Smith). Oxford: Blackwell.
  • NEWMAN, M. E. J. (2000). “Models of the Small World”. Journal of Statistical Physics. 101 (3/4): 819- 841.
  • PLUNKA, Gene A. (2002). The Black Comedy of John Guare. Newark: U of Delaware P.
  • ROMÁN, David. (1993). “Fierce Love and Fierce Response: Intervening in the Cultural Politics of Race, Sexuality, and AIDS”. In Critical Essays: Gay and Lesbian Writers of Color. (Ed. Emmanuel S. Nelson). (195-219). New York: Harrington Park.
  • SCHULTZ, Ray. (2004). “Six Degrees of Separation/The Seagull”. Theatre Journal. 56 (1): 109-113.
  • SLETHAUG, Gordon E. (2000). Beautiful Chaos: Chaos Theory and Metachaotics in Recent American Fiction. Albany: State U of New York.
  • SMITH, Neil, and Cindi Katz. (1993). “Grounding Metaphor: Towards a Spatialized Politics”. In Place and the Politics of Identity. (Ed. Michael Keith and Steve Pile). (67-83). London: Routledge.
  • SOJA, Edward W. (1989). Postmodern Geographies: The Reassertion of Space in Critical Social Theory. London: Verso.
  • ---. (1996). Third Space Journeys to Los Angeles and Other Read-and-Imagined Places. Massachusetts: Blackwell.
  • WARF, Barney, and Santa Arias. (2009). “Introduction: The Reinsertion of Space into the Social Sciences and Humanities”. In The Spatial Turn: Interdisciplinary Perspectives. (Ed. Barney Warf and Santa Arias). (1-10). New York: Routledge.
  • ZIMMERMAN, David A. (1999). “Six Degrees of Distinction: Connection, Contagion, and the Aesthetics of Anything”. Arizona Quarterly: A Journal of American Literature, Culture, and Theory. 55 (3): 107-33.

BOUNDARIES OF CONNECTION AND DISTINCTION: AN OUTSIDER’S MANEUVERS, PRACTICES, AND TASTES IN GUARE’S SIX DEGREES OF SEPARATIO

Year 2013, Volume: 53 Issue: 2, 497 - 518, 01.01.2013

Abstract

In John Guare’s Six Degrees of Separation, the protagonist Paul integrates himself in other people’s lives, using fake identities. The imposter Paul indeed yearns to overcome the boundaries formed by distinct factors such as class, race, and sexual orientation. These boundaries provide a basis for a consideration of the possibility to connect and to transcend markers of social distinction. In order to revive the discussion about the dichotomy between connection and distinction in Guare’s play, this article argues that this dichotomy is based on the depiction of space, spatial maneuvers, practices, and tastes. This study primarily draws attention to the outstanding role of space and spatial maneuvers in the commentary on boundaries through de Certeau’s examination of space, tactics, strategies, and practices and then investigates the determiners of membership through Bourdieu’s scrutiny on habitus, taste, and capital.

References

  • BIGSBY, Christopher. (2004). “John Guare”. In Contemporary American Playwrights. (1-46). New York: Cambridge UP.
  • BOURDIEU, Pierre. (1986). Distinction: A Social Critique of Judgment of Taste. (Trans. Richard Nice). London: Routledge & Kegan Paul.
  • ---. (1996). “Physical Space, Social Space and Habitus.” In Rapport 10: 1996. Oslo: Institutt for sociologi og samfunnsgeografi, University of Oslo.
  • BRYER, Jackson R., ed. (1995). “John Guare”. In The Playwright’s Art: Conversations with Contemporary American Dramatists. (70-85). New Brunswick: Rutgers UP.
  • CHEEVER, Abigail. (2010). Real Phonies: The History of Authenticity, 1947— 1998. Athens: U of Georgia P.
  • CLUM, John M. (1992). Acting Gay: Male Homosexuality in Modern Drama. New York: Columbia UP.
  • DARGIS, Manoh, and A. O. Scott. (2009, January 18). “How the Movies Made a President.” New York Times.
  • DEANS, Jill R. (1998). ‘Divide the living child in two’: Adoption and the Rhetoric of Legitimacy in Twentieth-Century American Literature. (Doctoral dissertation). U of Massachusetts, Amherst.
  • DE CERTEAU, Michel. (1984). The Practice of Everyday Life. (Trans. Steven F. Rendall). Berkeley: U of California P.
  • EVANS, Nicola. (2002). “The Family Changes Colour: Interracial Families in Contemporary Hollywood Film”. Screen. 43 (3): 271-92.
  • FOUCAULT, Michel. (1986). “Of Other Spaces”. Diacritics. 16 (1): 22-27.
  • GILLIAN, Jennifer. (2001). “‘No One Knows You’re Black!’: ‘Six Degrees of Separation’ and the Buddy Formula”. Cinema Journal. 40 (3): 47-68.
  • ---. (2002). “Staging a Staged Crisis in Masculinity: Race and Masculinity in Six Degrees of Separation”. In New Readings in American Drama: Something's Happening Here. (Ed. Norma Jenckes). (23-38). New York: Peter Lang.
  • GUARE, John. (1992). Six Degrees of Separation. London: Cox & Wyman Ltd.
  • LEFEBVRE, Henri. (1991). The Production of Space. (Trans. Donald Nicholson Smith). Oxford: Blackwell.
  • NEWMAN, M. E. J. (2000). “Models of the Small World”. Journal of Statistical Physics. 101 (3/4): 819- 841.
  • PLUNKA, Gene A. (2002). The Black Comedy of John Guare. Newark: U of Delaware P.
  • ROMÁN, David. (1993). “Fierce Love and Fierce Response: Intervening in the Cultural Politics of Race, Sexuality, and AIDS”. In Critical Essays: Gay and Lesbian Writers of Color. (Ed. Emmanuel S. Nelson). (195-219). New York: Harrington Park.
  • SCHULTZ, Ray. (2004). “Six Degrees of Separation/The Seagull”. Theatre Journal. 56 (1): 109-113.
  • SLETHAUG, Gordon E. (2000). Beautiful Chaos: Chaos Theory and Metachaotics in Recent American Fiction. Albany: State U of New York.
  • SMITH, Neil, and Cindi Katz. (1993). “Grounding Metaphor: Towards a Spatialized Politics”. In Place and the Politics of Identity. (Ed. Michael Keith and Steve Pile). (67-83). London: Routledge.
  • SOJA, Edward W. (1989). Postmodern Geographies: The Reassertion of Space in Critical Social Theory. London: Verso.
  • ---. (1996). Third Space Journeys to Los Angeles and Other Read-and-Imagined Places. Massachusetts: Blackwell.
  • WARF, Barney, and Santa Arias. (2009). “Introduction: The Reinsertion of Space into the Social Sciences and Humanities”. In The Spatial Turn: Interdisciplinary Perspectives. (Ed. Barney Warf and Santa Arias). (1-10). New York: Routledge.
  • ZIMMERMAN, David A. (1999). “Six Degrees of Distinction: Connection, Contagion, and the Aesthetics of Anything”. Arizona Quarterly: A Journal of American Literature, Culture, and Theory. 55 (3): 107-33.
There are 25 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Evrim Ersöz Koç This is me

Publication Date January 1, 2013
Published in Issue Year 2013 Volume: 53 Issue: 2

Cite

APA Ersöz Koç, E. (2013). BOUNDARIES OF CONNECTION AND DISTINCTION: AN OUTSIDER’S MANEUVERS, PRACTICES, AND TASTES IN GUARE’S SIX DEGREES OF SEPARATIO. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 53(2), 497-518.

Ankara University Journal of the Faculty of Languages and History-Geography

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