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XIAOLU GUO'NUN “VILLAGE OF STONE” VE DACIA MARAINI'NIN “THE SILENT DUCHESS” ADLI ROMANLARINDA YALNIZLIK, ŞİDDET VE YENİDEN DOĞUŞ

Year 2018, Volume: 58 Issue: 1, 1 - 11, 01.01.2018

Abstract

The Village ve The Silent Duchess adlı romanlar günümüz ve 18. yüzyıl erkek egemen toplumunda kadına uygulanan baskıyı ele almaktadır. Her iki romanın kahramanı da benzer deneyimlerden geçmekte ve romanlar da benzer şekilde sona ermektedir. Karamsar ve kasvetli başlayan romanlar sonunda geleceğe ümit ve iyimserlikle bakmaktadırlar. Bu çerçevede, bu çalışma kahramanların karşılaştıkları zorlukları ele almakta ve kendi iradelerini ortaya koydukları sürece kadınların zafere ulaşacaklarının kaçınılmaz olduğunu göstermektedir.

References

  • Amatangelo, Susan. “Coming to Her Senses: The Journey of the Mother in La Lunga Vita Di Marianna Ucrìa.” Italica 79.2 (2002):240-256.
  • Cannon, Johan. The Novel as Investigation: Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi. Toronto: U of Toronto P, 2006.
  • Guo, Xiaolu. “My Secret Life as Coral.” Xiaolu's Writings 4 Apr. 2004. Web. 23 Feb 2017.
  • ---. Village of Stone. London: Vintage, 2005.
  • Kun, Xu, et al. “Chinese Women's Literature Since 1995.” Review of Japanese Culture and Society 8 (1996): 23-27.
  • Maraini, Dacia. The Silent Duchess. Trans. Dick Kitto, and Elspeth Spottiswood. New York: The Feminist P, 2011.
  • Ryan-Scheutz, Colleen. “Page, Stage, Screen: The Languages of Silence in Maraini and Faenza's ‘La Lunga Vita Di Marianna Ucrìa.’” MLN 123.1 (2008):56-76.
  • Zhen, Zhang. “‘I’m a Modern Peasant’: Encountering Xiaolu Guo.” World Literature Today 82.6 (2008):45-48

LONELINESS, VIOLENCE AND REBIRTH IN XIALOU GUO'S VILLAGE OF STONE AND DACIA MARAINI'S THE SILENT DUCHESS

Year 2018, Volume: 58 Issue: 1, 1 - 11, 01.01.2018

Abstract

The Village of Stone and The Silent Duchess are contemporary novels which depict clearly the oppression on women in the male-dominated society both in the 18th century and in our times. Both heroines have a similar experience in life and the endings of the novels are identical. The gloomy, depressive atmosphere of each novel turns into hope and optimisim in relation to the future. This paper analyses the hardships both protagonists go through and despite the difculties they face, it suggests that so long as women assert their own will, they are destined to reach victory.

References

  • Amatangelo, Susan. “Coming to Her Senses: The Journey of the Mother in La Lunga Vita Di Marianna Ucrìa.” Italica 79.2 (2002):240-256.
  • Cannon, Johan. The Novel as Investigation: Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi. Toronto: U of Toronto P, 2006.
  • Guo, Xiaolu. “My Secret Life as Coral.” Xiaolu's Writings 4 Apr. 2004. Web. 23 Feb 2017.
  • ---. Village of Stone. London: Vintage, 2005.
  • Kun, Xu, et al. “Chinese Women's Literature Since 1995.” Review of Japanese Culture and Society 8 (1996): 23-27.
  • Maraini, Dacia. The Silent Duchess. Trans. Dick Kitto, and Elspeth Spottiswood. New York: The Feminist P, 2011.
  • Ryan-Scheutz, Colleen. “Page, Stage, Screen: The Languages of Silence in Maraini and Faenza's ‘La Lunga Vita Di Marianna Ucrìa.’” MLN 123.1 (2008):56-76.
  • Zhen, Zhang. “‘I’m a Modern Peasant’: Encountering Xiaolu Guo.” World Literature Today 82.6 (2008):45-48
There are 8 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Dürrin Alpakın Martınez-caro This is me

Publication Date January 1, 2018
Published in Issue Year 2018 Volume: 58 Issue: 1

Cite

APA Alpakın Martınez-caro, D. (2018). LONELINESS, VIOLENCE AND REBIRTH IN XIALOU GUO’S VILLAGE OF STONE AND DACIA MARAINI’S THE SILENT DUCHESS. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 58(1), 1-11.

Ankara University Journal of the Faculty of Languages and History-Geography

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