Mobilya Tasarımında Biyomimikriden Yararlanmanın Tasarım Sürecine Etkileri

Year 2026, Volume: 14 Issue: 1 , 49 - 63 , 31.03.2026

Emine Yavuz Pakih

https://izlik.org/JA58GD25TL

Abstract

Doğa, sayısız zorluğa yanıt olarak uyum sağlama ve evrimleşme konusundaki olağanüstü yeteneğini uzun zamandır sergilemekte ve dünya sürekli değişim geçirirken kendini geliştirmeye devam etmektedir. Bu doğal yaratıcılıktan kaynaklanan bir kavram olan biyomimikri, doğanın ilkelerini ve stratejilerini taklit etmeyi amaçlamaktadır. Son yıllarda, bu yenilikçi yaklaşım çeşitli tasarım sektörlerini giderek daha fazla etkilemiş ve mühendislik, kimya, mimari ve mobilya tasarımı gibi alanlarda ekolojik uyumla uyumlu sürdürülebilir çözümlerin ve araçların geliştirilmesini teşvik etmiştir. Bu bakış açısına uygun olarak, Atatürk Üniversitesi Mimarlık Fakültesi İç Mimarlık Bölümü'nün “Mobilya Tasarımı 1” dersine kayıtlı öğrencilere, doğanın formlarından ve mekanizmalarından ilham alan oturma üniteleri yaratma gibi ilgi çekici bir görev verildi. Bu proje, öğrencileri tasarım ve üretim süreçlerinde biyomimikrinin dönüştürücü potansiyeline daldırırken, yaratıcı düşünme becerilerini geliştirmeye teşvik etmeyi amaçladı. Bu deneyime daha derinlemesine bir bakış açısı kazanmak için, elli öğrencinin katıldığı iki bölümlü bir anket gerçekleştirildi. Öğrencilerin yanıtları, kavramsallaştırma ve uygulama gibi önemli aşamalarda doğadan ilham alan fikirlerin etkisini ortaya koydu. Ayrıca, geri bildirimler, tasarlanmış bir mobilya parçasının üretimine aktif olarak katılmanın mesleki gelişim ve yetkinliğe nasıl katkıda bulunduğunu vurguladı. Bulgular, biyomimikrinin bir tasarım felsefesi olarak oynadığı önemli rolü vurguladı ve tasarım süreci boyunca yaratıcılığı artırma ve yeniliği yeniden tanımlama kapasitesini gösterdi. Ayrıca, uygulamalı bilimleri içeren iç mimarlık gibi bölümlerde üretim atölyelerinin önemi vurgulandı.

Keywords

Mobilya Tasarımı , Biyomimikri , Tasarım süreci , Doğadan esinlenme

The of Utilizing Biomimicry in Furniture Design on the Design Process

https://izlik.org/JA58GD25TL

Abstract

Nature has long showcased its remarkable ability to adapt and evolve in response to numerous challenges, refining itself as the world undergoes constant change. Biomimicry, a concept rooted in this natural ingenuity, seeks to emulate nature's principles and strategies. In recent years, this innovative approach has increasingly influenced various design sectors, driving the development of sustainable solutions and tools aligned with ecological harmony across fields like engineering, chemistry, architecture, and furniture design. In line with this perspective, students enrolled in the "Furniture Design 1" course at Atatürk University's Faculty of Architecture, Department of Interior Architecture, were presented with the intriguing challenge of creating seating units inspired by nature's forms and mechanisms. This project aimed to immerse students in the transformative potential of biomimicry during both the design and production processes while encouraging them to expand their creative thinking abilities. To gain deeper insight into this experience, a two-part survey was conducted involving fifty students. Their responses shed light on the influence of nature-inspired ideas during key stages such as conceptualization and execution. Additionally, the feedback highlighted how active participation in crafting a designed piece of furniture contributes to professional development and competence. The findings highlighted the important role biomimicry plays as a design philosophy and demonstrated its capacity to enhance creativity and redefine innovation throughout the design process. Additionally, the importance of production workshops in departments such as interior architecture, which involve applied sciences, was emphasized.

Keywords

Furniture Design , Biomimicry , Design Process , Inspiration from Nature

References

• [1] Anderson, I. F. (2020, April). The history of handmade and industrial chair design. ResearchGate. Retrieved September 19, 2025, from https://www.researchgate.net/publication/340535695_breve_historia_occidental_del_diseno_de_muebles_parte_2
• [2] Aytar Sever, İ., & Yavuz, E. (2017). Back to nature with furniture design. In ARCHDESIGN’17 V. International Architectural Design Conference (pp. xx–xx). Istanbul: Dakam.
• [3] Başaran Uzunarslan, H. Ş. (2006). Antique furniture guide. In F. Özel (Ed.), Antique furniture guide (p. 10). Istanbul: House Beautiful.
• [4] Benami, O., & Jin, Y. (2015). Understanding and supporting designers’ exploration, interpretation, and transformation of inspirational sources. Journal of Mechanical Design, 137(7), 071102. https://doi.org/10.1115/1.4030216
• [5] Benyus, J. M. (1997). Biomimicry: Innovation inspired by nature. New York: William Morrow.
• [6] Bilmen, M. M. (2019). The concept of biomimicry in architecture: A study of Antoni Gaudi and Michael Pawlyn's works and their reflections in the 21st century (Master’s thesis). Mimar Sinan Fine Arts University, Graduate School of Science, Istanbul.
• [7] Goss, D., Mistry, Y., Niverty, S., Noe, C., Santhanam, B., Ozturk, C., ... & Bhate, D. (2020). Bioinspired honeycomb core design: An experimental study of the role of corner radius, coping and interface. Biomimetics, xx(x), xx–xx.
• [8] Gruber, P. (2011). Biomimetics in architecture: Architecture of life and buildings. Vienna: Springer.
• [9] Helms, M., Wattam, S., & Goel, A. (2009). Biologically inspired design: Process and products. Design Studies, 30(5), 606–622. https://doi.org/10.1016/j.destud.2009.04.003
• [10] IKSV. (2020, October 15). 5th Istanbul Design Biennial. Istanbul Foundation for Culture and Arts. Retrieved September 17, 2025, from https://tasarimbienali.iksv.org/en/biennial-archive/5th-istanbul-design-biennial
• [11] Kuday, I. (2009). Examining the concept of biomimicry as a supportive factor in the design process (Master’s thesis). Mimar Sinan Fine Arts University, Graduate School of Science, Istanbul.
• [12] Lenau, T. A. (2009). Biomimetic design thinking. In Proceedings of NordDesign 2008 Conference (pp. 289–296). Tallinn, Estonia: NordDesign.
• [13] Özel, F. (2006). Antique furniture guide II. Istanbul: House Beautiful.
• [14] Pawlyn, M. (2011). Biomimicry in architecture. London: RIBA Publishing.
• [15] Pedersen, K. (2014). Nature-inspired design: Students’ use of biological analogies and their effects on creative ideation. International Journal of Technology and Design Education, 24(3), 367–389. https://doi.org/10.1007/s10798-013-9268-1
• [16] Söğüt, M. A., & Kandemir, A. (2023). Examining the relationship between the biomimicry approach in furniture design and sustainability. International Journal of Humanities and Art Researches, 7(2), 332–349.
• [17] Tavşan, F., & Sönmez, E. (2015). Biomimicry in furniture design. Procedia - Social and Behavioral Sciences, 210, 2285–2292. https://doi.org/10.1016/j.sbspro.2015.11.322
• [18] Vincent, J., Bogatyreva, O., Bogatyrev, N., & Bow, A. (2006). Biomimetics: Its practice and theory. Journal of the Royal Society Interface, 3(9), 471–482. https://doi.org/10.1098/rsif.2006.0127
• [19] Yeşilyurt, E. (2008). The relationship between biology-based scientific theories and architectural design (Master’s thesis). Istanbul Technical University, Graduate School of Science, Istanbul.
• [20] Zari, M. P. (2007). Biomimetic approaches to architectural design for increased sustainability. In Sustainable Building Conference (pp. 33–43). New Zealand.