AN OVERVIEW ON ASTANA NATIONAL LIBRARY THROUGH GILLES DELEUZE'S PHILOSOPHICAL CONCEPTS

Year 2020, Volume: 8 Issue: 4, 761 - 773, 28.12.2020

Çağrı Burak Başkol , Semra Arslan Selçuk

Abstract

Today, the architectural paradigm faces a different theoretical and practical mind shift with the emergence of digital design tools. Besides these changes, changing rational systems; art, social situations and philosophy are also influential in changing the architectural paradigm, and it would be possible to say that these are the parameters have influenced architecture since the beginning of architectural history. Philosophical movements have always influenced the productive minds of the period they belong to. The effects of this situation on architecture can be observed inevitably in the 19th and 20th centuries. From this context, this paper has discussed the “effects of philosophy” and “changing digital design technologies” on architectural theory and practice through Gilles Deleuze’s philosophical corpus. Among the many philosophers and philosophical movements that influenced the history of architecture, the main reason for selecting Deleuze is that his philosophical concepts can provide more interactive and up-to-date responses to the emerging technological productions of today. Based on this discussion, "How can Deleuze's concepts affect a design process?" and “What are the potentials of the Deleuze’s concepts in design process?”. The research was conducted through these two main questions. After theoretical discussion and analysis on the case study of the BIG Architects’ Astana National Library, results have shown that Deleuzian influence on design process has potentials and positive impact throughout the conception to production.

Keywords

Architectural forms and Digital architecture, Deleuze, Philosophical concepts, BIG Architects, Astana National Library

References

• [1] Ballantyne, A., Deleuze & Guattari for Architects, New York, (2007).
• [2] Carpo, M. The Digital Turn in Architecture 1992-2012, Sussex, (2013).
• [3] Colman, F. J., Rhizome. In A. Parr (Ed.), The Deleuze Dictionary Revised Editio, Edinburgh, (2010).
• [4] Crockett, C. Deleuze Beyond Badiou: Ontology, Multiplicity, and Event, New York (2013).
• [5] DeLanda, M., Space: Extensive and Intensive, Actual and Virtual. In I. Buchanan & G. Lambert (Eds.), Deleuze and Space, Edinburgh, 80-88 , (2005)
• [6] Deleuze, G., The Fold: Leibniz and the Baroque, Minneapolis, (1993).
• [7] Deleuze, G. and Guattari, F., A thousand plateaus : capitalism and schizophrenia, Minneapolis, (1987).
• [8] Deleuze, G. & Patton, P., Difference and Repetition, New York, (1994).
• [9] Eisenman, P. and Rocker, I. The Virtual: The Unform in Architecture, ANY: Architecture New York, 20, 20-23, (1997).
• [10] Frichot, H. and Loo, S. Introduction:The Exhaustive and the Exhausted – Deleuze AND Architecture. In H. Frichot & S. Loo (Eds.), Deleuze and Architecture, Edinburgh, 1-12, (2013).
• [11] Grobman, Y. J. and Neuman, E., Performalism : Form and Performance in Digital Architecture , London, (2011).
• [12] Grosz, E., Deleuze, Theory, And Space. Log, 1, 77-86. (2003).
• [13] Horvath, L. B. and Maicher, M. Rethinking the City as a Body without Organs. In H. Frichot, C. Gabrielsson & J. Metzger (Eds.), Deleuze and the City, Edinburgh, 33-45, (2016).
• [14] Kolarevic, B., Architecture in the Digital Age: Design and Manufacturing, London, (2003).
• [15] Kolarevic, B. and Malkawi, A. M., Performative Architecture: Beyond Instrumentality, London, (2005) . [16] Marble, S., Digital Workflows in Architecture : Design - Assembly - Industry, Switzerland, (2012).
• [17] Marenko, B., Digital Materiality, Morphogenesis and the Intelligence of the Technodigital Object Materiality, Morphogenesis and the Technodigital Object. In B. Marenko & J. Brassett (Eds.), Deleuze and Design , Edinburgh, 107-138 (2015).
• [18] Massumi, B., A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari: Massachusetts, (1992).
• [19] May, T., Gilles Deleuze : An Introduction. Cambridge, UK (2005).
• [20] Mennan, Z., The Question of Non-standard Form. METU JFA, 25:2, 172-183. (2008)
• [21] Mennan, Z., Mind the Gap: Reconciling Formalism and Intuitionism in Computational Design Research, Footprint(2), 33. (2014).
• [22] Migayrou, F., The Orders of Non-Standard. In R. Oxman & R. Oxman (Eds.), The Theories of the Digiital in Architecture, UK, (2016). [23] Oxman, R. and Oxman, R., Theories of the Digital in Architecture, UK, (2014).
• [24] Rahim, A., Catalytic Formations: Architecture and Digital Design, New York, (2006).
• [25] Roffe, J., Multiplicity In A. Parr (Ed.), The Deleuze Dictionary (Rev. Ed.)., Edinburgh, (2010).
• [26] Sutton, D. and Martin-Jones, D., Deleuze Reframed: Interpreting Key Thinkers for the Arts, London, (2008).
• [27] Vyzoviti, S., Folding Architecture: Spatial, Structural and Organizational Diagrams, Amsterdam, (2003).
• [28] W. Jabi, R. Woodbury, & B. Johnson., Parametric Design for Architecture, London, (2013).