Review Article

Digital Morphology: The Final Frontier

Number: 2 December 29, 2022
TR EN

Digital Morphology: The Final Frontier

Abstract

Morphology is central to biological anthropology and its allied fields of anatomical sciences, forensics, and other related disciplines. Many biological anthropology students have their first real foray into the discipline after completing a course in osteology, craniometry, or vertebrate morphology. Unfortunately, the natural history collections that support this type of research and training have not grown. Many countries have strict rules about natural history specimen collections, and these collections seem to be concentrated in a few developed countries, regardless of where the specimens had been collected. Thus, access to comparative material can be problematic where such collections are not readily available. Even if collections are available, accessing them can be severely restricted due to external circumstances, as the prolonged pandemic has shown. Luckily, digital morphology has emerged over the last decade as a new field that stands to change the landscape of specimenbased research and training. Concerted 2D and 3D digitization efforts, the emergence of online aggregate specimen repositories, and availability of comprehensive open-source software tools (such as 3D Slicer) for utilizing these resources has conveniently transformed the field of quantitative and comparative morphology. In this brief review, I will focus explicitly on the 3D Slicer ecosystem and how it can be leveraged as part of a curriculum or research program on digital morphology. In a nutshell, the primary differentiator of the 3D Slicer is not that it is just free but that it is open-source and extensible, making access to digital data more equitable for everyone. I will particularly focus on the 3D Slicer’s SlicerMorph extension, which facilitates 3D geometric morphometric data collection and analysis within the Slicer ecosystem, so all the steps in the digital morphology workflow from import, visualization, and data collection to visualizing the morpho-space can be achieved in a single, well-documented environment.

Keywords

Supporting Institution

National Science Foundation

Project Number

BIO 1759883

Thanks

I thank more than 200 participants of our short courses and workshops for their valuable feedback which keep improving SlicerMorph.

References

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Details

Primary Language

English

Subjects

Anthropology

Journal Section

Review Article

Publication Date

December 29, 2022

Submission Date

September 13, 2022

Acceptance Date

November 14, 2022

Published in Issue

Year 2022 Number: 2

APA
Maga, A. M. (2022). Digital Morphology: The Final Frontier. Istanbul Anthropological Review, 2, 45-59. https://doi.org/10.26650/IAR2022-1174374
AMA
1.Maga AM. Digital Morphology: The Final Frontier. IAR. 2022;(2):45-59. doi:10.26650/IAR2022-1174374
Chicago
Maga, A. Murat. 2022. “Digital Morphology: The Final Frontier”. Istanbul Anthropological Review, nos. 2: 45-59. https://doi.org/10.26650/IAR2022-1174374.
EndNote
Maga AM (December 1, 2022) Digital Morphology: The Final Frontier. Istanbul Anthropological Review 2 45–59.
IEEE
[1]A. M. Maga, “Digital Morphology: The Final Frontier”, IAR, no. 2, pp. 45–59, Dec. 2022, doi: 10.26650/IAR2022-1174374.
ISNAD
Maga, A. Murat. “Digital Morphology: The Final Frontier”. Istanbul Anthropological Review. 2 (December 1, 2022): 45-59. https://doi.org/10.26650/IAR2022-1174374.
JAMA
1.Maga AM. Digital Morphology: The Final Frontier. IAR. 2022;:45–59.
MLA
Maga, A. Murat. “Digital Morphology: The Final Frontier”. Istanbul Anthropological Review, no. 2, Dec. 2022, pp. 45-59, doi:10.26650/IAR2022-1174374.
Vancouver
1.A. Murat Maga. Digital Morphology: The Final Frontier. IAR. 2022 Dec. 1;(2):45-59. doi:10.26650/IAR2022-1174374