'Sanatçının Bir Genç Adam Olarak Portresi’ Romanında Paradoks ve Gerçeklik Kavramı

Year 2020, Issue: 23, 147 - 158, 01.07.2020

Sadagat Abbasova

Abstract

James Joyce yaratıcılığının esas ana konusu epidemiyoloji olarak İrlanda kültürünü, onun edebi ve sanatsal değerlerini tüm benliğiyle ortaya koymasındadır. Bu makalede, “A Portrait of the Artist as a Young Man” adlı romanında bilinci akışı paradokslar ve ekstra bireysel uyumsuzluklar konusu ile ilgili görüşler irdelenecek. Aslında romanda “uyum ve paradoks” olarak Joyce’nin ulaşabileceği hedefi sadece zihinsel veya psikolojik bir faktör değil, aynı zamanda yazar insan zihninde var olan ve tam da bu noktada devreye giren eşsiz bir sanatsal kavram tekniğini göstermek istemiştir. Bazen insan zihninde kesin olarak doğru veya yanlış bilinen kavramlar çelişki olarak ters sonuçlana bilir ve bu özdeşleştirmeler insan mantığının gücü ve idealarına göre paradoks olarak değişik türde tanımlanabilir. James Joyce göre, insan kendini keşfederken gerçek ve bağımsız olur. Estetik güzellik, sanat, aşk ve bu gibi hassas duygular sadece kişinin kendi benliğinin bir parçası olarak görülebilir. Tüm bunlardan yol alarak, yazar "A Portrait of the Artist as a Young Man” adlı romanında Stephan Dedalus’un sanatçı görüşünü gerçek bir prototip olarak değerlendirir ve ayrıca, yazar XIX yüzyılın İrlanda edebi kültüründe modern insanın yaşam mekanizmasını ana paradoks olarak ortaya çıkarıyor.

Keywords

Sanatsal, teknik, paradokslar, prototip, estetik.

The Concept of Paradox and Reality in the Novel ‘Portrait of the Artist as a Young Man’

Abstract

The main theme of James Joyce's creativity, epistemologically, it reveals the literary and artistic values of Irish culture, within its entirety. In this paper, it will be discussed and be examined the views on the flow of consciousness paradoxes and extra individual mismatches in the novel of “A Portrait of the Artist as a Young Man". The goal that Joyce can reach as a “harmony and paradox” in the novel, is not just a mental or psychological factor, along with, he wanted to show a unique artistic and consciousness concept technique that existed in the human mind precisely at this moment. Sometimes, the concepts that people want to know correctly in their minds, it may result in the opposite. And in hence, these identifications can be defined in different types of as paradoxically, according to the power and claims of human logic. According to the writer, human beings become real and independent, while they discover themselves. Aesthetic beauty, art, love, and such sensitive emotions can only be seen as part of one's own self. Based on all these, the author considers the creative vision of Stefan Dedalus as a real prototype in his novel of “Portrait of an Artist as a Young Man”. And also, the author, however, manages to reveal as the main paradox the mechanism of modern human life in the XIX th century Irish literary culture.

Keywords

Artistic, technical, paradoxes, prototype, aesthetics.

References

• Azizmohammadi, F. and Kamarzade Sepide (2014). “Study of Stephen Dedalus “, The Main Protagonist of a Portrait of the Artist as a Young Man”, Advances in Language and Literary Studies, Copy- right © Australian International Academic Centre, Australia
• Bulson, Eric (2006). The Cambridge Introduction to James Joyce. Cam- bridge: Cambridge University Press.
• Fargnolı, A. N. and Gıllespıe, M. P. (2006). Critical Companion to James Joyce”, A Literary Reference to His Life and Work, Printed in the United States of America, “An imprint of Infobase Publish- ing”, xi. http://www.factsonfile.com
• Holt, Rınehart and Wınston (2004). “ Adventures in English Litera- ture”, Athena Edition”, Harcourt Brace & Company.
• Hulle, D.V. (2009). “Genetic Joyce Criticism”, in the book “James Joyce Context” edited by John McCourt, Cambridge University Press.
• James Joyce. (2011). “A Portrait of the Artist as a Young Man” , World Classıcs, Novel. Printed by Kayhan Matbaacılık SAN.VE TİC.LTD.ŞTİ.
• Jeri Johnson(1993). “Ulysses”, The World’s Classıcs”, OXFORD UNİVERSİTY PRESS.
• Matos, N.A. and A. Oliveira, L.D. (2017). “Ernest Hemingway and James Joyce: a brief analysis of the modernist traits in their short stories/ Ernest Hemingway e James Joyce: Uma breve análise de traços modernistas em seus contos”, ISSN: 2317-2347 – v.6, n.1.
• Minodora Otilia SIMION (2013). “Modernist Techniques in “A POR- TRAIT OF THE
• ARTIST AS A YOUNG MAN BY JAMES JOYCE”, Annals of the „Con- stantin Brâncuși” University of Târgu Jiu, Letter and Social Sci- ence Series, Issue 4/2013.
• Михаил Эпштейн (1988). “Пагадоксы Новизны” О литературном развитии XIX- XX веков, Москва Советский писатель.
• Oscar Wilde (2011). “The Picture of Dorian Gray”, Kayhan Matbaacılık San. Ve Tic. TD. ŞTI.
• Rıchard Brown (1985). “James Joyce and Sexuality”, Cambridge Uni- versity Press.
• Secil ERKOC. (2018). “AN ARTIST IN THE MAKING: STEPHEN'S SEARCH
• FOR SELF-IDENTITY IN JAMES JOYCE'S A PORTRAIT OF
• THE ARTIST AS A YOUNG MAN”, DTCF Derdisi, Cilt 58, Sayı 1,s.383.
• Tobias Boes. (2008). “A Portrait of the Artist as a Young Man” and the “Individuating Rhythm” of Modernity”, Published by: The Johns Hopkins University Press.
• Watts, C. (2010). “Ulysses” James Joyces, Text Wordsworth Editions Limited, Introduction, Cedric Watts.