Review

D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE

Volume: 3 Number: 1 July 11, 2017
Natalia Costicova
EN TR

D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE

Abstract

This work tells about a brief history of the origin of the people of Gagauz. Where and how they came to Moldova. Melisms of the musical language

The author talks about the invaluable contributions of musicologist and composer Dmitri Gagauz in the preservation and development of Gagavuz music. On the example of his piano trio “Oglan”, shows the synthesis of the classical model with folk techniques of playing in music. A short analysis of the form and some technical recommendations for players.

Pathetic lyricism combined with technical difficulties, comprehensible figurativeness (in this play we talk about love), allows us to recommend this trio as a fertile material for the expansion of the concert repertoire.

Keywords

Gagavuz music,Composer Dmitriy Gagauz,Classical trio,Violoncello,Musical performance

References

  1. 1. Gagavuzia. (2017). Gagavuzians'ın kökeni. (02.02. 2017). Erişim: http://gagauzia.ru/news/proiskhozhdenie_gagauzov/1-0-1 2. Wikipedia. (2017). Gagavuz müzik. (15.02.2017) Erişim: https://ru.wikipedia.org/wiki/%D0%93%D0%B0%D0%B3%D0%B0%D1%83%D0%B7%D1%81%D0%BA%D0%B0%D1%8F_%D0%BC%D1%83%D0%B7%D1%8B%D0%BA%D0%B0 3. Koltsa M.. Gagauzların müzikal folkloru, Sovyet müzik, 1981, № 1. 4. Koltsa M. Gagauz müzikal folklorun perde: Ukraynalı müzikoloji, Kiev, 1983, № 18. 5. Serin.(2017). Kvilinkova E. Gagauz folkloründe teamül hukuku elemanlarının yansıması. (02.02.2017). Erişim: http://serin.su/publ/kvilinkova_e_n_otrazhenie_ehleientov_obychnogo_prava_v_gagauzskom_folklore/1-1-0-25 6. Kvilinkova E. Gagauz halk şarkıları – «hayat dilbilgisi», Kişinev, 2011, 567 s. 7. 7. Topor. (2017). Gagavuz başkenti ünlü Gagavuz bestecisi bir jubile konseri olacak. (02.02.2017). Erişim: http://topor.od.ua/v-stolitse-gagauzskoy-avtonomii-sostoitsya-yubileyny-kontsert-izvestnogo-gagauzskogo-kompozitora/ 8. Kozlova N., Tsvirkunova S. Moldova Cumhuriyeti'nde Oda ensemble müziği: teori, tarih ve öğretim yöntemleri soruları. Chişinău: Pontos, 2014 (CEASM), 256 s.
APA
Costicova, N. (2017). D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE. İnönü Üniversitesi Kültür Ve Sanat Dergisi, 3(1), 187-197. https://doi.org/10.22252/ijca.337024
AMA
1.Costicova N. D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE. IJCA. 2017;3(1):187-197. doi:10.22252/ijca.337024
Chicago
Costicova, Natalia. 2017. “D. GAGAUZ’S TRIO ‘OGLAN’ AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE”. İnönü Üniversitesi Kültür Ve Sanat Dergisi 3 (1): 187-97. https://doi.org/10.22252/ijca.337024.
EndNote
Costicova N (July 1, 2017) D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE. İnönü Üniversitesi Kültür ve Sanat Dergisi 3 1 187–197.
IEEE
[1]N. Costicova, “D. GAGAUZ’S TRIO ‘OGLAN’ AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE”, IJCA, vol. 3, no. 1, pp. 187–197, July 2017, doi: 10.22252/ijca.337024.
ISNAD
Costicova, Natalia. “D. GAGAUZ’S TRIO ‘OGLAN’ AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE”. İnönü Üniversitesi Kültür ve Sanat Dergisi 3/1 (July 1, 2017): 187-197. https://doi.org/10.22252/ijca.337024.
JAMA
1.Costicova N. D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE. IJCA. 2017;3:187–197.
MLA
Costicova, Natalia. “D. GAGAUZ’S TRIO ‘OGLAN’ AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE”. İnönü Üniversitesi Kültür Ve Sanat Dergisi, vol. 3, no. 1, July 2017, pp. 187-9, doi:10.22252/ijca.337024.
Vancouver
1.Natalia Costicova. D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE. IJCA. 2017 Jul. 1;3(1):187-9. doi:10.22252/ijca.337024