Review

TRIO “I.N.O. 2” FOR VIOLIN, CELLO AND PIANO BY VLADIMIR ROTARU: PARTICULARITIES OF COMPOSITION AND MUSICAL LANGUAGE

Volume: 4 Number: 2 December 26, 2018
Natalia Costıcova *
TR EN

TRIO “I.N.O. 2” FOR VIOLIN, CELLO AND PIANO BY VLADIMIR ROTARU: PARTICULARITIES OF COMPOSITION AND MUSICAL LANGUAGE

Abstract

The article is dedicated to trio for violin, cello and piano "I.N.O." written by Moldovan composer V. Rotaru in 2004. In the author’s spotlight are the musical language features and structural particularities. It is to be noted, that author’s materials summarize the specifics of musical language of above mentioned opus. Among them are some elements appeared under the influence of national folklore: parlando rubato, specific treatment of rhythm, nontraditional notation principles, The Byzantine monody recreation, etc.

Keywords

Trio,violin,cello,piano,composition,musical language,parlando rubato,neofolklorism

References

  1. 1. Сompozitori şi muzicologi din Moldova. Lexicon biobibliografic. Chişinău. Universitas, 1992, 264 p. 2. Ciobanu-Suhomlin I. Repertoriul general al creatiei muzicale din Republica Moldova (ultimele două decenii ale secolului XX). Chişinău, Editura Cartea Moldovei, 2006, 331 р. 3. Мироненко Е. Композитор Владимир Ротару. Firma editorial-poligrafica «Tipografia Centrală», Chisinau, 2000. 97 c. 1 Currently Academy of Music, Theatre and Fine Arts 2 Since 1976 − Head of the of Chamber Ensemble Chair of the Moldovan Conservatoire 3 1962-1971 – he had the position of the conductor of the Ensemble of Folk Dance “Joc” orchestra and Band Director of the Symphony orchestra of the Radio and Television of Moldova. 4 N. Kozlova - Nadejda Kozlova, University Professor at the Academy of Music, Theatre and Fine Arts, Chisinau, Republic of Moldova 5 It is about Chamber Ensemble of Moldovan Conservatoire “G.Musicescu” in Chisinau, currently known as Academy of Music, Theatre and Fine Arts
APA
Costıcova, N. (2018). TRIO “I.N.O. 2” FOR VIOLIN, CELLO AND PIANO BY VLADIMIR ROTARU: PARTICULARITIES OF COMPOSITION AND MUSICAL LANGUAGE. İnönü Üniversitesi Kültür Ve Sanat Dergisi, 4(2), 11-16. https://doi.org/10.22252/ijca.528574