D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE

Year 2017, Volume: 3 Issue: 1, 187 - 197, 11.07.2017

Natalia Costicova

https://doi.org/10.22252/ijca.337024

Abstract

This work tells about a brief history of the origin of the people of Gagauz. Where and how they came to Moldova. Melisms of the musical language

The author talks about the invaluable contributions of musicologist and composer Dmitri Gagauz in the preservation and development of Gagavuz music. On the example of his piano trio “Oglan”, shows the synthesis of the classical model with folk techniques of playing in music. A short analysis of the form and some technical recommendations for players.

Pathetic lyricism combined with technical difficulties, comprehensible figurativeness (in this play we talk about love), allows us to recommend this trio as a fertile material for the expansion of the concert repertoire.

Keywords

Gagavuz music, Composer Dmitriy Gagauz, Classical trio, Violoncello, Musical performance

D. GAGAUZ’S TRIO “OGLAN” AS THE BRIGHTEST EXAMPLE OF GAGAUZIAN MUSIC CULTURE

Abstract

This work tells about a brief history of the origin of
the people of Gagauz. Where and how they came to Moldova. Melisms of the
musical language

The author talks about the invaluable contributions of
musicologist and composer Dmitri Gagauz in the preservation and development of
Gagavuz music. On the example of his piano trio “Oglan”, shows the synthesis of
the classical model with folk techniques of playing in music. A short analysis
of the form and some technical recommendations for players.

Pathetic lyricism combined with technical
difficulties, comprehensible figurativeness (in this play we talk about love),
allows us to recommend this trio as a fertile material for the expansion of the
concert repertoire.

Keywords

Gagavuz music, Composer Dmitriy Gagauz, Classical trio, Violoncello, Musical performance

References

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