Review Article
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Year 2023, Volume: 9 Issue: 1, 23 - 47, 01.05.2024

Abstract

References

  • Allen, K., & Ingulsrud, J. E. (2003). Manga literacy: Popular culture and the reading habits of Japanese college students. Journal of Adolescent & Adult Literacy, 46(8), 674-683.http://www.jstor.org/stable/40017172
  • Allison, A. (2000). A challenge to Hollywood? Japanese character goods hit the US. Japanese Studies, 20(1), 67-88. https://doi. org/10.1080/10371390050009075
  • Appignanesi, R., et al. (2022). Manga Shakespeare Hamlet. Self MadeHero.
  • Bainbridge, J., & Norris, C. (2010). Hybrid manga: Implications for the global knowledge economy. In T. Johnson-Woods (Ed.), Manga:An anthology of global and cultural perspectives (pp. 253-266). The Continuum International Publishing Group.
  • Boissou, J.-M. (2010). Manga: A historical overview. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 17- 33). The Continuum International Publishing Group.
  • Brenner, R. E. (2007). Understanding manga and anime. Libraries Unlimited.
  • Encyclopaedia Britannica. (2023, August 18). Meiji Restoration Encyclopedia Britannica. www.britannica.com/event/Meiji-Restoration
  • Hayley, E. (2010). Manga Shakespeare. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 267-280). The Continuum International Publishing Group.
  • Hobgood, A. P. (2019). Shakespeare in Japan: Disability and a Pedagogy of Disorientation. In H. Eklund & W. B. Hyman (Eds.), Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now (pp. 46–54). Edinburgh University Press. http://www.jstor.org/stable/10.3366/j.ctvrs912p.8
  • Johnson-Woods, T. (2010). Introduction. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 1-14). The Continuum International Publishing Group.
  • Lent, J. A. (2010). Manga in East Asia. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 297-314). The Continuum International Publishing Group.
  • Malone, P. M. (2010). The manga publishing scene in Europe. In T. Johnson- Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 315-331). The Continuum International Publishing Group.
  • Minami, R., & Yoshihara, Y. (2022, August 18). Shakespeare in Japan [Video]. YouTube. https://www.youtube.com/watch?v=A1HelKY4tE4&t=380s
  • Minami, R. (2016). Hello Sha-kitty-peare?: Shakespeares Cutified in Japanese Anime Imagination. Journal for Early Modern Cultural Studies, 16(3), 116–137. https://www.jstor.org/stable/jearlmodcultstud.16.3.116
  • Nayar, P. K. (2015). Branding Bill: The Shakespearean Commons. Economic and Political Weekly, 50(12), 41–47. http://www.jstor.org/ stable/24481941
  • Sanderson, P., et al. (2023, August 25). Superhero. Encyclopaedia Britannica. www.britannica.com/art/superhero
  • Sato, S. (1985). Hamlet, Polonius, and Ophelia in Meiji Japan. Comparative Literature Studies, 22(1), 23–33. http://www.jstor.org/stable/40246513
  • Schodt, F. L. (1983). Manga! Manga!: The world of Japanese comics (1st ed.). Kodansha International.
  • Schwarz, G. (2006). Expanding literacies through graphic novels. The English Journal, 95(6), 58-64. https://doi.org/10.2307/30046629
  • Sexton, A. (2008). Shakespeare’s Hamlet: The manga edition (T. Pantoja, Illus.). Wiley Publishing, Inc.
  • Thompson, J. (2007). Manga: The complete guide. Ballantine Books/Del Rey.
  • Vendrell, D. (2023, April 26). An anime and manga boom is a boon for Japan. The Future Party. www.futureparty.com/manga-anime-popularjapan- us/
  • William, Shakespeare. Hamlet. 2nd ed., Dejavu Publication, 2012, Istanbul. Wong, W. S. (2006). Globalizing manga: From Japan to Hong Kong and beyond. Mechademia, 1, 23-45. http://www.jstor.org/stable/41510876
  • Yoshihara, Y. (2022). Shakespeare in Japanese pop culture: Focusing on manga as an intercultural collaboration genre. INContext: Studies in Translation and Interculturalism, 2(1), 167-182.
  • Yoshihara, Y. (2013). Tacky ‘Shakespeares’ in Japan. Multicultural Shakespeare: Translation, Appropriation and Performance, 10(25), 83-97.
  • Yoshihara, Y. (2016). Toward ‘Reciprocal Legitimation’ between Shakespeare’s works and manga. Multicultural Shakespeare: Translation, Appropriation and Performance, 14(29), 107-122.

Shakespeare’s Hamlet in Manga Form

Year 2023, Volume: 9 Issue: 1, 23 - 47, 01.05.2024

Abstract

This article explores the evolution of manga from its historical roots in Japan's Meiji Period to its global influence and differentiation from Western comics, particularly focusing on the role of manga adaptations of Shakespeare's works, like Hamlet. It delves into the cultural and technological factors that contributed to manga's rise, the unique characteristics that distinguish it from other comics, and the specific ways manga has embraced and adapted Shakespearean narratives to appeal to contemporary audiences globally. The analysis includes the impact of manga adaptations on understanding and engaging with Shakespeare's plays, highlighting the interplay between traditional literature and modern manga art forms in both educational and entertainment contexts. The text further examines the commercial success and cultural significance of manga adaptations of Shakespeare, underscoring the medium's flexibility and its role in globalizing Shakespeare's works.

References

  • Allen, K., & Ingulsrud, J. E. (2003). Manga literacy: Popular culture and the reading habits of Japanese college students. Journal of Adolescent & Adult Literacy, 46(8), 674-683.http://www.jstor.org/stable/40017172
  • Allison, A. (2000). A challenge to Hollywood? Japanese character goods hit the US. Japanese Studies, 20(1), 67-88. https://doi. org/10.1080/10371390050009075
  • Appignanesi, R., et al. (2022). Manga Shakespeare Hamlet. Self MadeHero.
  • Bainbridge, J., & Norris, C. (2010). Hybrid manga: Implications for the global knowledge economy. In T. Johnson-Woods (Ed.), Manga:An anthology of global and cultural perspectives (pp. 253-266). The Continuum International Publishing Group.
  • Boissou, J.-M. (2010). Manga: A historical overview. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 17- 33). The Continuum International Publishing Group.
  • Brenner, R. E. (2007). Understanding manga and anime. Libraries Unlimited.
  • Encyclopaedia Britannica. (2023, August 18). Meiji Restoration Encyclopedia Britannica. www.britannica.com/event/Meiji-Restoration
  • Hayley, E. (2010). Manga Shakespeare. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 267-280). The Continuum International Publishing Group.
  • Hobgood, A. P. (2019). Shakespeare in Japan: Disability and a Pedagogy of Disorientation. In H. Eklund & W. B. Hyman (Eds.), Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now (pp. 46–54). Edinburgh University Press. http://www.jstor.org/stable/10.3366/j.ctvrs912p.8
  • Johnson-Woods, T. (2010). Introduction. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 1-14). The Continuum International Publishing Group.
  • Lent, J. A. (2010). Manga in East Asia. In T. Johnson-Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 297-314). The Continuum International Publishing Group.
  • Malone, P. M. (2010). The manga publishing scene in Europe. In T. Johnson- Woods (Ed.), Manga: An anthology of global and cultural perspectives (pp. 315-331). The Continuum International Publishing Group.
  • Minami, R., & Yoshihara, Y. (2022, August 18). Shakespeare in Japan [Video]. YouTube. https://www.youtube.com/watch?v=A1HelKY4tE4&t=380s
  • Minami, R. (2016). Hello Sha-kitty-peare?: Shakespeares Cutified in Japanese Anime Imagination. Journal for Early Modern Cultural Studies, 16(3), 116–137. https://www.jstor.org/stable/jearlmodcultstud.16.3.116
  • Nayar, P. K. (2015). Branding Bill: The Shakespearean Commons. Economic and Political Weekly, 50(12), 41–47. http://www.jstor.org/ stable/24481941
  • Sanderson, P., et al. (2023, August 25). Superhero. Encyclopaedia Britannica. www.britannica.com/art/superhero
  • Sato, S. (1985). Hamlet, Polonius, and Ophelia in Meiji Japan. Comparative Literature Studies, 22(1), 23–33. http://www.jstor.org/stable/40246513
  • Schodt, F. L. (1983). Manga! Manga!: The world of Japanese comics (1st ed.). Kodansha International.
  • Schwarz, G. (2006). Expanding literacies through graphic novels. The English Journal, 95(6), 58-64. https://doi.org/10.2307/30046629
  • Sexton, A. (2008). Shakespeare’s Hamlet: The manga edition (T. Pantoja, Illus.). Wiley Publishing, Inc.
  • Thompson, J. (2007). Manga: The complete guide. Ballantine Books/Del Rey.
  • Vendrell, D. (2023, April 26). An anime and manga boom is a boon for Japan. The Future Party. www.futureparty.com/manga-anime-popularjapan- us/
  • William, Shakespeare. Hamlet. 2nd ed., Dejavu Publication, 2012, Istanbul. Wong, W. S. (2006). Globalizing manga: From Japan to Hong Kong and beyond. Mechademia, 1, 23-45. http://www.jstor.org/stable/41510876
  • Yoshihara, Y. (2022). Shakespeare in Japanese pop culture: Focusing on manga as an intercultural collaboration genre. INContext: Studies in Translation and Interculturalism, 2(1), 167-182.
  • Yoshihara, Y. (2013). Tacky ‘Shakespeares’ in Japan. Multicultural Shakespeare: Translation, Appropriation and Performance, 10(25), 83-97.
  • Yoshihara, Y. (2016). Toward ‘Reciprocal Legitimation’ between Shakespeare’s works and manga. Multicultural Shakespeare: Translation, Appropriation and Performance, 14(29), 107-122.
There are 26 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture
Journal Section Research Article
Authors

Metin Say 0009-0005-8305-5414

Publication Date May 1, 2024
Submission Date February 9, 2024
Acceptance Date February 12, 2024
Published in Issue Year 2023 Volume: 9 Issue: 1

Cite

APA Say, M. (2024). Shakespeare’s Hamlet in Manga Form. International Journal of Media Culture and Literature, 9(1), 23-47.


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