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A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER

Year 2013, Volume: 5 Issue: 2, 14 - 25, 01.12.2013

Abstract

Inasmuch as marketing is based on creating value for consumers and receiving values in
return, needs of consumers and requests thereof arising incident thereto is of substantial
importance for marketers. Should the marketers be oriented to meet the needs of people in
societies that have passed to the consumption of experiences for the sake of creating value for
consumers by considering this, such an approach will be recognized as a 'value' they look for
through the members/ consumers of cited societies and turn back again as a 'value' to
businesses in return.
Aesthetics is of the essence in order to create customer value however strategic management
of aesthetics, as well as other tools creating value, is also required for ensuring the full
potential of the value expected in return of the investment made. The vitality of aesthetics in
customers’ lives provides opportunities for organizations to appeal to customers through a
variety of sensory experiences and thereby benefit both the customers and the organizations
through customer satisfaction and loyalty. These opportunities are not limited to industries
such as fashion, cosmetics and entertainment that are concerned with aesthetic products as
such. They are not limited to exclusive, luxury products for high-end segments. Any
organization whatsoever,in any industry, for any customer base, for profit or not for profit,
governmental or private, consumer, industrial or service can benefit from using aesthetics.
In this study, the concept of aesthetics is evaluated within the purview of product-focused
marketing aesthetics and importance of aesthetics in terms of brand and people, and
pioneering businesses that create brand identities knowingly and by planning will be
discussed with examples germane thereto.

References

  • Aaker, D. A. (1996). Building Strong Brands. First Edition. New York: The Free Press.
  • Alladi Venkatesha & Laurie A. Meamber, “The Aesthetics of Consumption and The Consumer as an Aesthetic Subject”, Consumption Markets & Culture, Vol. 11, No.1, (March ), p.45–70 Arnould E. J. ve L. Price, “River Magic: Extraordinary Experience and The Extended Service Encounter”, Journal of Consumer Research, (June 1993), s.24–45
  • Atkinson, R., L. and others, (1993). “Introduction to Psychology”, Auburn, W.A, USA: Thriftbooks, p.547
  • Bender, J. W. and H.G. Blocker. (1993). Contemporary Philosophy of Art:Read-ings in
  • Analytical Aesthetics. NJ:Prentice-Hall. Brown, S. and A. Patterson. (2000). Imagining Marketing: Art, Aesthetics and The Avantgarde. New York: Routledge.
  • Clercq R. D., “The Concept of an Aesthetic Property”, The Journal of Aesthetics and Art Criticism, No. 2 (Spring 2002), s. 168.
  • Deighton J., “The Consumption of Performance”, Journal of Consumer Research, No. 19 (December 2002), s. 362–72.
  • Dickie, G. (1971). Art and The Aesthetic. Ithaca, NY: Cornell University Press.
  • Ducasse C. J., “Aesthetics and the Aesthetic Activities”, The Journal of Aesthetics & Art Criticism, No. 3 (March 1947), s. 166.
  • Heilbrun, B. (2002). Alessi: Italian Design and The Re-enchantment of Everyday Objects. In
  • Consumer Behavior: A European Perspective, Harlow, UK: Prentice Hall. Holbrook M. B. and E. C. Hirschman, “The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun”, Journal of Consumer Research, No.9 (September 1982), s.132–
  • Kapferer, J.N. (1992), Strategic Brand Management: New Approaches to Creating and Evaluating Brand Equity. Kogan Page, London, U.K
  • Murray J. B., “The Politics of Consumption: A Re-inquiry on Thompson and Haytko’s “Speaking of Fashion”, Journal of Consumer Research, No. 29 (December 2002), s. 427–40.
  • Schmitt, B. and A. Simonson. (1997). Marketing Aesthetics: the Strategic Management of
  • Brands, Identity, and Image, New York: The Free Press. Temporal P. (2011) “Advanced Brand Management: Managing Brands in Changing World”, JohnWiley&Sons, Inc..
  • Thompson C. J., “The Lived Meaning of Free Choice: An Existential-Phenomenological Description of Everyday Consumer Experiences of Contemporary Married Women”, Journal of Consumer Research, No. 17 (December 1990), s.346–61.
  • “What is the Aesthetics”, http://www.tdk.gov.tr, Accessed on 7th July 2013
  • “Turkish Airlines”, http://www.thy.com.tr, Accessed on 7 July 2013 th
Year 2013, Volume: 5 Issue: 2, 14 - 25, 01.12.2013

Abstract

References

  • Aaker, D. A. (1996). Building Strong Brands. First Edition. New York: The Free Press.
  • Alladi Venkatesha & Laurie A. Meamber, “The Aesthetics of Consumption and The Consumer as an Aesthetic Subject”, Consumption Markets & Culture, Vol. 11, No.1, (March ), p.45–70 Arnould E. J. ve L. Price, “River Magic: Extraordinary Experience and The Extended Service Encounter”, Journal of Consumer Research, (June 1993), s.24–45
  • Atkinson, R., L. and others, (1993). “Introduction to Psychology”, Auburn, W.A, USA: Thriftbooks, p.547
  • Bender, J. W. and H.G. Blocker. (1993). Contemporary Philosophy of Art:Read-ings in
  • Analytical Aesthetics. NJ:Prentice-Hall. Brown, S. and A. Patterson. (2000). Imagining Marketing: Art, Aesthetics and The Avantgarde. New York: Routledge.
  • Clercq R. D., “The Concept of an Aesthetic Property”, The Journal of Aesthetics and Art Criticism, No. 2 (Spring 2002), s. 168.
  • Deighton J., “The Consumption of Performance”, Journal of Consumer Research, No. 19 (December 2002), s. 362–72.
  • Dickie, G. (1971). Art and The Aesthetic. Ithaca, NY: Cornell University Press.
  • Ducasse C. J., “Aesthetics and the Aesthetic Activities”, The Journal of Aesthetics & Art Criticism, No. 3 (March 1947), s. 166.
  • Heilbrun, B. (2002). Alessi: Italian Design and The Re-enchantment of Everyday Objects. In
  • Consumer Behavior: A European Perspective, Harlow, UK: Prentice Hall. Holbrook M. B. and E. C. Hirschman, “The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun”, Journal of Consumer Research, No.9 (September 1982), s.132–
  • Kapferer, J.N. (1992), Strategic Brand Management: New Approaches to Creating and Evaluating Brand Equity. Kogan Page, London, U.K
  • Murray J. B., “The Politics of Consumption: A Re-inquiry on Thompson and Haytko’s “Speaking of Fashion”, Journal of Consumer Research, No. 29 (December 2002), s. 427–40.
  • Schmitt, B. and A. Simonson. (1997). Marketing Aesthetics: the Strategic Management of
  • Brands, Identity, and Image, New York: The Free Press. Temporal P. (2011) “Advanced Brand Management: Managing Brands in Changing World”, JohnWiley&Sons, Inc..
  • Thompson C. J., “The Lived Meaning of Free Choice: An Existential-Phenomenological Description of Everyday Consumer Experiences of Contemporary Married Women”, Journal of Consumer Research, No. 17 (December 1990), s.346–61.
  • “What is the Aesthetics”, http://www.tdk.gov.tr, Accessed on 7th July 2013
  • “Turkish Airlines”, http://www.thy.com.tr, Accessed on 7 July 2013 th
There are 18 citations in total.

Details

Other ID JA32GN57PJ
Journal Section Articles
Authors

Ayça Can Kırgız This is me

Publication Date December 1, 2013
Published in Issue Year 2013 Volume: 5 Issue: 2

Cite

APA Kırgız, A. C. (2013). A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER. International Journal of Social Sciences and Humanity Studies, 5(2), 14-25.
AMA Kırgız AC. A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER. IJ-SSHS. December 2013;5(2):14-25.
Chicago Kırgız, Ayça Can. “A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER”. International Journal of Social Sciences and Humanity Studies 5, no. 2 (December 2013): 14-25.
EndNote Kırgız AC (December 1, 2013) A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER. International Journal of Social Sciences and Humanity Studies 5 2 14–25.
IEEE A. C. Kırgız, “A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER”, IJ-SSHS, vol. 5, no. 2, pp. 14–25, 2013.
ISNAD Kırgız, Ayça Can. “A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER”. International Journal of Social Sciences and Humanity Studies 5/2 (December 2013), 14-25.
JAMA Kırgız AC. A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER. IJ-SSHS. 2013;5:14–25.
MLA Kırgız, Ayça Can. “A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER”. International Journal of Social Sciences and Humanity Studies, vol. 5, no. 2, 2013, pp. 14-25.
Vancouver Kırgız AC. A MARKETING PARADIGM: LEADING ORGANISATIONS THAT CREATE BRAND IDENTITY IN A CONSCIOUSLY AND WELL DESIGNED AESTHETICS-FOCUSED MANNER. IJ-SSHS. 2013;5(2):14-25.