BibTex RIS Cite
Year 2017, Volume: 2 Issue: 2, 37 - 47, 01.04.2017

Abstract

References

  • Akagawa, N., and Smith, L. eds., 2009. Intangible Heritage. London and New York: Routledge.
  • Arvidsson, A., 2006. Brand: Meaning and value in media culture. London: Routledge.
  • Arvidsson, A., 2008. The Ethical economy of consumer coproduction’. Journal of Macromarketing, [e- journal], 28(4), pp 326 – 338. http://dx.doi.org/10.1177/0276146708326077
  • Berríos, M. and Machuca, G. 2006. Art and Context: Three Decades of Aesthetic Production in Chile. In
  • G. Mosquera, ed. 1980. Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile.
  • Santiago: Ediciones Puro Chile. pp. 84 – 101. Brett, G., 1989. A Radical Leap. In Art in Latin America, The Modern Era, 1820-1980 (exhibition catalogue). London: Hayward Gallery.
  • Brett, G., 1990. Border Crossings. In Transcontinental: Nine Latin American Artists (exhibition catalogue). Birmingham: Ikon.
  • Burdick, C. and Canessa Vicencio, F., 2015. “Popular demands do not fit in ballot boxes”: graffiti as intangible heritage at the Iglesia de San Francisco, Santiago? International Journal of Heritage Studies, e-journal], 21(8), pp. 735 - 756. http://dx.doi.org/10.1080/13527258.2015.1028963.
  • Castillo Espinoza, E., 2006. Puño y Letra: Movimiento Social y Comunicación Gráfica en Chile. Santiago
  • Ocho Libros Editores. Castillo Fernández, S., 2014. El río Mapocho y sus riberas: espacio pşblico e intervención urbana en
  • Santiago de Chile (1885-1918). Santiago: Ediciones Universidad Alberto Hurtado.
  • Consejo Nacional de la Cultural y de las Artes. 2004. Los trabajadores del Sector Cultural en Chile.
  • Estudio de Caracterización. Available at: http://www.cultura.gob.cl/wp-content/uploads/2012/03/Los
  • Trabajadores-del-Sector-Cultural.-Estudio-de-Caracterizaci%C3%B3n.pdf [accessed September 18th Consejo Nacional de la Cultural y de las Artes. 2012. Caracterización del Proceso de Profesionalización de los Artistas Visuales Nacionales. Available at: http://www.observatoriocultural.gob.cl/revista/7- estudios/10-estudio-de-caracterizacion-del-proceso-de-profesionalizacion-de-los-artistas-visuales-en- chile/ [accessed February 8th 2017]
  • Consejo Nacional de la Cultural y de las Artes. 2016. Política de Fomento de las Artes Visuuales: 2010
  • Available at http://www.cultura.gob.cl/wp-content/uploads/2011/11/politica_artesvisuales.pdf accessed February 22nd 2017]
  • Cuevas Vergara, S., 2011. Asesinato Cultural en el Mapocho. Diario El Mostrador [on-line article], 19 de enero 2011 [accessed February 8th 2017].
  • Dezeuze, A., 2006. Thriving on adversity: the art of precariousness. Mute, 2(3), pp. 74 – 87.
  • Errázuriz, L. and Quijada Leiva, G., 2012. El Golpe Estético: Dictadura Militar en Chile 1973 – 1989.
  • Santiago: Ocho Libros. Fison, M., 2015. Graffiti artists the new ad men? Why business is booming for muralists. Cnn.com, [on-line article]. [Accessed August 21st 2015].
  • Gómez Morel, A., 1997. El Río. Santiago: Editorial Sudamericana Chilena
  • Harvey, D., 2001. Heritage Pasts and Heritage Presents: Temporality, Meaning and the Scope of Heritage
  • Studies. International Journal of Heritage Studies, [e-journal], 7(4), pp. 319 – 38. http://dx.doi.org/10.180/13581650120105534.
  • Ilabaca, G., 2014. Valparaíso Roland Bar. Puerto de fama y el olvido. Santiago: Narrative Punto Aparte.
  • Knott, S., 2015. Amateur Craft: History and Theory. London and New York: Bloomsbury.
  • Kunzle, D., 1978. Art and the New Chile: Mural, Poster and Comic Book in a “Revolutionary Process”. In
  • H. Millan and L. Nochlin, eds. 1978. Art and Architecture in the Service of Politics. Cambridge and MA: MIT Press. pp. 356 – 381.
  • Leadbeater, C. and Miller, P., 2004. The pro am revolution: how enthusiasts are changing our economy and society. London: Demos. Available at: http://www.demos.co.uk/files/proamrevolutionfinal.pdf accessed August 10th 2015].
  • Lee, A., 2007. Amateur. Keywords of Media Theory. Available at: http:// csmt.uchicago.edu/glossary2004/amateur.htm [Accessed August 10th 2015].
  • Lindsayt. 2010. El mural ferroviario. FatCap. Available at: http://www.fatcap.com/article/el-mural- ferroviario.html [accessed August 23rd 2015].
  • Longoni, A., 1999. Brigadas muralistas: la persistencia de una práctica de comunicación político-visual.
  • Revista de Critica Cultural, 19, pp. 21-27. Merrrill, S. 2015. Keeping it real? Subcultural Graffiti, street art, heritage and authenticity. International
  • Journal of Heritage Studies, [e-journal], 21(4), pp. 369-389. http://dx.doi.org/DOI: 1080/13527258.2014.934902.
  • MOCAtv, 2013. Global Street Art – Valparaíso, Chile, Series Art in the Streets. Available at: https://www.youtube.com/watch?v=jSB_W7m5AK0 [Accessed February 9th 2017].
  • Mosquera, G. ed., 2006. Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile.
  • Santiago: Ediciones Puro Chile. Muñoz Zuñiga, C., 2012. Vivir a orillas del río Mapocho, o la ocupación de la frontera’. Proposiciones
  • (special edition Chile: Identidad e Identidades), 35, pp. 99-126. Mutate Britain, 2011. Graffiticide in Santiago de Chile . Available at: http://www.mutatebritain.com/tag/chile/ [Accessed February 9th 2017].
  • Next: A Primer on Urban Painting. 2015. [Documentary] Pablo Aravena. Chile.
  • Osess, M. and Vicio, M., 2009. Un Grito en la Pared: Psicodelia, Compromiso Político y Exilio en el Cartel
  • Chileno. Santiago: Ocho Libros. Palmer, R., 2009. ‘Muralismo Graffitero’. In: Street Art en Chile Central (exhibition catalogue). Santiago: Fundación Itau.
  • Palmer, R., 2011. Street Art Chile. London: Eight Books.
  • Rodríguez Plaza, P., 2011. Pintura Callejera Chilena: Manufactura Estética y Provocación Teórica.
  • Santiago: Ocho Libros. Schacter, R., 2008. An ethnography of Iconoclash: An investigation into the production, consumption and destruction of street-art in London. Journal of Material Culture, [e-journal], 13(1), pp. 35-61. http://dx.doi.org/10.1177/1359183507086217.
  • Rojas, C., 2013. Video Museo Arte Luz, [vimeo film]. Available at: https://vimeo.com/43980699 [accessed February 8th 2017]
  • Smith, L., 2006. Uses of Heritage. London and New York: Routledge.
  • Smith, L. and Waterton, E., 2009. “The Envy of the World?” Intangible Heritage in England. In: L. Smith and N. Akagawa, eds. 2009. Intangible Heritage. London and New York: Routledge, pp. 289 – 302.
  • Trumper, C., 2005. Ephemeral Histories: Public Art as Political Practice in Santiago, Chile, 2070 – 1973.
  • In: S. Nagy-Zekmi and F. Leiva, eds. 2005. Democracy in Chile: the Legacy of September 11, 1973.
  • Brighton and Portland: Sussex Academic Press, pp 142-153. Trumper, C., 2016. Ephemeral Histories: Public Art, Politics, and the Struggle for the Streets in Chile.
  • California: University of California Press. UNESCO. 2003. Convention for the Safeguarding of the Intangible Cultural Heritage. Available at http://unesdoc.unesco.org/images/0013/001325/132540e.pdf. Last accessed August 13th 2015.
  • Vodanovic, L., 2013. The New Art of ‘Being’ Amateur: Distance as Participation. Journal of Visual Art
  • Practice, [e-journal], 12(2), pp. 169 -179. http://dx.doi.org/10.1386/jvap.12.2.169_1
  • Waclawek, A., 2011. Graffiti and Street Art. London and New York: Thames and Hudson.

SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART

Year 2017, Volume: 2 Issue: 2, 37 - 47, 01.04.2017

Abstract

This article problematizes the resonance of divisions such as professional/amateur or art/craft in the context of contemporary street art in Chile, a set of practices that provides an interesting window to explore issues of self-organization and new models of making in a country that is usually hailed as one the most successful economy in the region. It uses the recent ‘blanking out’ of the Mapocho river’s bank that for decades has been a favoured canvas for street artists , which aimed to provide a neutral background for a light art project carried out by established artists –the Museo Arteluz—, as the space to articulate this discussion.

References

  • Akagawa, N., and Smith, L. eds., 2009. Intangible Heritage. London and New York: Routledge.
  • Arvidsson, A., 2006. Brand: Meaning and value in media culture. London: Routledge.
  • Arvidsson, A., 2008. The Ethical economy of consumer coproduction’. Journal of Macromarketing, [e- journal], 28(4), pp 326 – 338. http://dx.doi.org/10.1177/0276146708326077
  • Berríos, M. and Machuca, G. 2006. Art and Context: Three Decades of Aesthetic Production in Chile. In
  • G. Mosquera, ed. 1980. Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile.
  • Santiago: Ediciones Puro Chile. pp. 84 – 101. Brett, G., 1989. A Radical Leap. In Art in Latin America, The Modern Era, 1820-1980 (exhibition catalogue). London: Hayward Gallery.
  • Brett, G., 1990. Border Crossings. In Transcontinental: Nine Latin American Artists (exhibition catalogue). Birmingham: Ikon.
  • Burdick, C. and Canessa Vicencio, F., 2015. “Popular demands do not fit in ballot boxes”: graffiti as intangible heritage at the Iglesia de San Francisco, Santiago? International Journal of Heritage Studies, e-journal], 21(8), pp. 735 - 756. http://dx.doi.org/10.1080/13527258.2015.1028963.
  • Castillo Espinoza, E., 2006. Puño y Letra: Movimiento Social y Comunicación Gráfica en Chile. Santiago
  • Ocho Libros Editores. Castillo Fernández, S., 2014. El río Mapocho y sus riberas: espacio pşblico e intervención urbana en
  • Santiago de Chile (1885-1918). Santiago: Ediciones Universidad Alberto Hurtado.
  • Consejo Nacional de la Cultural y de las Artes. 2004. Los trabajadores del Sector Cultural en Chile.
  • Estudio de Caracterización. Available at: http://www.cultura.gob.cl/wp-content/uploads/2012/03/Los
  • Trabajadores-del-Sector-Cultural.-Estudio-de-Caracterizaci%C3%B3n.pdf [accessed September 18th Consejo Nacional de la Cultural y de las Artes. 2012. Caracterización del Proceso de Profesionalización de los Artistas Visuales Nacionales. Available at: http://www.observatoriocultural.gob.cl/revista/7- estudios/10-estudio-de-caracterizacion-del-proceso-de-profesionalizacion-de-los-artistas-visuales-en- chile/ [accessed February 8th 2017]
  • Consejo Nacional de la Cultural y de las Artes. 2016. Política de Fomento de las Artes Visuuales: 2010
  • Available at http://www.cultura.gob.cl/wp-content/uploads/2011/11/politica_artesvisuales.pdf accessed February 22nd 2017]
  • Cuevas Vergara, S., 2011. Asesinato Cultural en el Mapocho. Diario El Mostrador [on-line article], 19 de enero 2011 [accessed February 8th 2017].
  • Dezeuze, A., 2006. Thriving on adversity: the art of precariousness. Mute, 2(3), pp. 74 – 87.
  • Errázuriz, L. and Quijada Leiva, G., 2012. El Golpe Estético: Dictadura Militar en Chile 1973 – 1989.
  • Santiago: Ocho Libros. Fison, M., 2015. Graffiti artists the new ad men? Why business is booming for muralists. Cnn.com, [on-line article]. [Accessed August 21st 2015].
  • Gómez Morel, A., 1997. El Río. Santiago: Editorial Sudamericana Chilena
  • Harvey, D., 2001. Heritage Pasts and Heritage Presents: Temporality, Meaning and the Scope of Heritage
  • Studies. International Journal of Heritage Studies, [e-journal], 7(4), pp. 319 – 38. http://dx.doi.org/10.180/13581650120105534.
  • Ilabaca, G., 2014. Valparaíso Roland Bar. Puerto de fama y el olvido. Santiago: Narrative Punto Aparte.
  • Knott, S., 2015. Amateur Craft: History and Theory. London and New York: Bloomsbury.
  • Kunzle, D., 1978. Art and the New Chile: Mural, Poster and Comic Book in a “Revolutionary Process”. In
  • H. Millan and L. Nochlin, eds. 1978. Art and Architecture in the Service of Politics. Cambridge and MA: MIT Press. pp. 356 – 381.
  • Leadbeater, C. and Miller, P., 2004. The pro am revolution: how enthusiasts are changing our economy and society. London: Demos. Available at: http://www.demos.co.uk/files/proamrevolutionfinal.pdf accessed August 10th 2015].
  • Lee, A., 2007. Amateur. Keywords of Media Theory. Available at: http:// csmt.uchicago.edu/glossary2004/amateur.htm [Accessed August 10th 2015].
  • Lindsayt. 2010. El mural ferroviario. FatCap. Available at: http://www.fatcap.com/article/el-mural- ferroviario.html [accessed August 23rd 2015].
  • Longoni, A., 1999. Brigadas muralistas: la persistencia de una práctica de comunicación político-visual.
  • Revista de Critica Cultural, 19, pp. 21-27. Merrrill, S. 2015. Keeping it real? Subcultural Graffiti, street art, heritage and authenticity. International
  • Journal of Heritage Studies, [e-journal], 21(4), pp. 369-389. http://dx.doi.org/DOI: 1080/13527258.2014.934902.
  • MOCAtv, 2013. Global Street Art – Valparaíso, Chile, Series Art in the Streets. Available at: https://www.youtube.com/watch?v=jSB_W7m5AK0 [Accessed February 9th 2017].
  • Mosquera, G. ed., 2006. Copiar el Eden: Arte Reciente en Chile/Copying Eden: Recent Art from Chile.
  • Santiago: Ediciones Puro Chile. Muñoz Zuñiga, C., 2012. Vivir a orillas del río Mapocho, o la ocupación de la frontera’. Proposiciones
  • (special edition Chile: Identidad e Identidades), 35, pp. 99-126. Mutate Britain, 2011. Graffiticide in Santiago de Chile . Available at: http://www.mutatebritain.com/tag/chile/ [Accessed February 9th 2017].
  • Next: A Primer on Urban Painting. 2015. [Documentary] Pablo Aravena. Chile.
  • Osess, M. and Vicio, M., 2009. Un Grito en la Pared: Psicodelia, Compromiso Político y Exilio en el Cartel
  • Chileno. Santiago: Ocho Libros. Palmer, R., 2009. ‘Muralismo Graffitero’. In: Street Art en Chile Central (exhibition catalogue). Santiago: Fundación Itau.
  • Palmer, R., 2011. Street Art Chile. London: Eight Books.
  • Rodríguez Plaza, P., 2011. Pintura Callejera Chilena: Manufactura Estética y Provocación Teórica.
  • Santiago: Ocho Libros. Schacter, R., 2008. An ethnography of Iconoclash: An investigation into the production, consumption and destruction of street-art in London. Journal of Material Culture, [e-journal], 13(1), pp. 35-61. http://dx.doi.org/10.1177/1359183507086217.
  • Rojas, C., 2013. Video Museo Arte Luz, [vimeo film]. Available at: https://vimeo.com/43980699 [accessed February 8th 2017]
  • Smith, L., 2006. Uses of Heritage. London and New York: Routledge.
  • Smith, L. and Waterton, E., 2009. “The Envy of the World?” Intangible Heritage in England. In: L. Smith and N. Akagawa, eds. 2009. Intangible Heritage. London and New York: Routledge, pp. 289 – 302.
  • Trumper, C., 2005. Ephemeral Histories: Public Art as Political Practice in Santiago, Chile, 2070 – 1973.
  • In: S. Nagy-Zekmi and F. Leiva, eds. 2005. Democracy in Chile: the Legacy of September 11, 1973.
  • Brighton and Portland: Sussex Academic Press, pp 142-153. Trumper, C., 2016. Ephemeral Histories: Public Art, Politics, and the Struggle for the Streets in Chile.
  • California: University of California Press. UNESCO. 2003. Convention for the Safeguarding of the Intangible Cultural Heritage. Available at http://unesdoc.unesco.org/images/0013/001325/132540e.pdf. Last accessed August 13th 2015.
  • Vodanovic, L., 2013. The New Art of ‘Being’ Amateur: Distance as Participation. Journal of Visual Art
  • Practice, [e-journal], 12(2), pp. 169 -179. http://dx.doi.org/10.1386/jvap.12.2.169_1
  • Waclawek, A., 2011. Graffiti and Street Art. London and New York: Thames and Hudson.
There are 53 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Lucıa Vodanovıc This is me

Publication Date April 1, 2017
Published in Issue Year 2017 Volume: 2 Issue: 2

Cite

APA Vodanovıc, L. (2017). SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART. International Journal of Social Sciences and Interdisciplinary Studies, 2(2), 37-47.
AMA Vodanovıc L. SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART. International Journal of Social Sciences and Interdisciplinary Studies. April 2017;2(2):37-47.
Chicago Vodanovıc, Lucıa. “SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART”. International Journal of Social Sciences and Interdisciplinary Studies 2, no. 2 (April 2017): 37-47.
EndNote Vodanovıc L (April 1, 2017) SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART. International Journal of Social Sciences and Interdisciplinary Studies 2 2 37–47.
IEEE L. Vodanovıc, “SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART”, International Journal of Social Sciences and Interdisciplinary Studies, vol. 2, no. 2, pp. 37–47, 2017.
ISNAD Vodanovıc, Lucıa. “SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART”. International Journal of Social Sciences and Interdisciplinary Studies 2/2 (April 2017), 37-47.
JAMA Vodanovıc L. SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART. International Journal of Social Sciences and Interdisciplinary Studies. 2017;2:37–47.
MLA Vodanovıc, Lucıa. “SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART”. International Journal of Social Sciences and Interdisciplinary Studies, vol. 2, no. 2, 2017, pp. 37-47.
Vancouver Vodanovıc L. SOCIAL AESTHETICS: OLD AND NEW MAKINGS IN CHILE’S STREET ART. International Journal of Social Sciences and Interdisciplinary Studies. 2017;2(2):37-4.