Abstract
The author, Nil Palabıyık-Pektaş, requested the following corrections to
her article entitled ‘The beginnings of Printing in the Ottoman Capital’
published in vol. XVI, issue 2, pp. 3-32 of the Studies in Ottoman Science..
p. 4, note 6: Add reference: J.R. Osborn, 'The Type of Calligraphy:
Writing, Print, and Technologies of the Arabic Alphabet', PhD thesis,
University of California, San Diego, 2008, p. 153."
p. 5: Replace: The first Quran was also printed with Arabic typeface in
Fano in 1537 or 1538 by the Venetian printer Alessandro Paganino (fl. 1509–
1538). WITH: The first Quran was also printed with Arabic typeface in 1537 or
1538 by the Venetian printer Alessandro Paganino (fl. 1509–1538).
p. 5: Add quotation marks: The Islamic world 'cultivated a robust
calligraphic tradition', and 'calligraphy persisted as a celebrated art' with everevolving techniques and sophisticated abstract motifs even after the arrival of
print. Add citation: J.R. Osborn, 'The Type of Calligraphy', p. 105.
p. 5: Delete: (e.g. dal for dhal and ayn for ghayn, both of which are
distinguished from the former with a dot (nokta) placed above the stem).
Keywords
References
- -
Abstract
The author, Nil Palabıyık-Pektaş, requested the following corrections to
her article entitled ‘The beginnings of Printing in the Ottoman Capital’
published in vol. XVI, issue 2, pp. 3-32 of the Studies in Ottoman Science..
p. 4, note 6: Add reference: J.R. Osborn, 'The Type of Calligraphy:
Writing, Print, and Technologies of the Arabic Alphabet', PhD thesis,
University of California, San Diego, 2008, p. 153."
p. 5: Replace: The first Quran was also printed with Arabic typeface in
Fano in 1537 or 1538 by the Venetian printer Alessandro Paganino (fl. 1509–
1538). WITH: The first Quran was also printed with Arabic typeface in 1537 or
1538 by the Venetian printer Alessandro Paganino (fl. 1509–1538).
p. 5: Add quotation marks: The Islamic world 'cultivated a robust
calligraphic tradition', and 'calligraphy persisted as a celebrated art' with everevolving techniques and sophisticated abstract motifs even after the arrival of
print. Add citation: J.R. Osborn, 'The Type of Calligraphy', p. 105.
p. 5: Delete: (e.g. dal for dhal and ayn for ghayn, both of which are
distinguished from the former with a dot (nokta) placed above the stem).
Keywords
References
- -
Details
| Primary Language | English |
|---|---|
| Journal Section | Düzeltmeler |
| Authors | |
| Publication Date | June 1, 2016 |
| Published in Issue | Year 2016 Volume: 17 Issue: 2 |