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ROLE OF PRINTMAKING IN MEXICAN REVOLUTION

Year 2019, , 181 - 198, 31.10.2019
https://doi.org/10.31566/arts.2.013

Abstract

At the beginning of
the 20th century, Mexican Art was in close contact with the political processes
in the country. The emergence of different focuses in the struggle for power
and the political process exhibited a very dynamic structure politicized not
only the Mexican people but also the Mexican art. It has been shown in the
study that the repression in the political productions of the artists existed
in a privileged structure before and after the Mexican Revolution. Printmaking,
which became a political artistic production tool without detaching from the
artistic context in the process, constitutes the important productions of
Mexican Art during this period. As emphasized in the study, the printmaking
productions of artists that relate to social structure, reflect their
ideological perspectives and reflect their reflexes to daily and political
events are therefore an integral part of the Mexican Revolution. These
productions, which have survived until today, are among the most important
parts of the most productive period of Mexican Art.

References

  • ADES, D. and MC CLEAN, A. (2009) Revolution on Paper - Mexican Prints 1910-1960, University of Texas Press, Austin, First edition
  • AZUELA, A., (1993) "El Machete and Frente a Frente: Art Committed to Social Justice in Mexico." Art Journal 52, no. 1: 82-87. doi:10.2307/777306.
  • CAPLOW, D., (1999) Leopoldo Méndez: Revolutionary Art and the Mexican Print: In Service of the People, University of Washington, First edition
  • CASTLEMAN, R., (1988) Prints of the 20th Century, Thames and Hudson, Revised and Expanded Edition, ISBN-10: 9780500202289
  • LEAR, J., (2014) Representing Workers, the Workers Represented, Third Text, 28:3, 235-255, DOI: 10.1080/09528822.2014.903605
  • LEAR, J., (2017) Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940, University of Texas Press,
  • MCDONALD, M., “Printmaking in Mexico, 1900–1950.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/prmx/hd_prmx.htm September, 2016
  • MOORE, C., (2010), Propaganda Prints: A History of Art in the Service of Social and Political Change, A&C Black Publisher Limited, London
  • RİVERA M. S., (2018). The Workers of the National Graphic Workshop: From Union Struggles to State Centralization (1934-1940). Historia Mexicana, 68(2), 611-656. doi: http://dx.doi.org/10.24201/hm.v68i2.3747
  • URL-1. A movement in a Moment: The Mexican Renaissance’ https://uk.phaidon.com/agenda/art/articles/2016/july/06/a-movement-in-a-moment-the-mexican-renaissance/
  • URL-2. Los Talleres Grafıcos De La Nacıon, Jesús Orozco Castellanos, 1938, https://archivos.juridicas.unam.mx/www/bjv/libros/4/1679/13.pdf

ROLE OF PRINTMAKING IN MEXICAN REVOLUTION

Year 2019, , 181 - 198, 31.10.2019
https://doi.org/10.31566/arts.2.013

Abstract

At the beginning of
the 20th century, Mexican Art was in close contact with the political processes
in the country. The emergence of different focuses in the struggle for power
and the political process exhibited a very dynamic structure politicized not
only the Mexican people but also the Mexican art. It has been shown in the
study that the repression in the political productions of the artists existed
in a privileged structure before and after the Mexican Revolution. Printmaking,
which became a political artistic production tool without detaching from the
artistic context in the process, constitutes the important productions of
Mexican Art during this period. As emphasized in the study, the printmaking
productions of artists that relate to social structure, reflect their
ideological perspectives and reflect their reflexes to daily and political
events are therefore an integral part of the Mexican Revolution. These
productions, which have survived until today, are among the most important
parts of the most productive period of Mexican Art.

References

  • ADES, D. and MC CLEAN, A. (2009) Revolution on Paper - Mexican Prints 1910-1960, University of Texas Press, Austin, First edition
  • AZUELA, A., (1993) "El Machete and Frente a Frente: Art Committed to Social Justice in Mexico." Art Journal 52, no. 1: 82-87. doi:10.2307/777306.
  • CAPLOW, D., (1999) Leopoldo Méndez: Revolutionary Art and the Mexican Print: In Service of the People, University of Washington, First edition
  • CASTLEMAN, R., (1988) Prints of the 20th Century, Thames and Hudson, Revised and Expanded Edition, ISBN-10: 9780500202289
  • LEAR, J., (2014) Representing Workers, the Workers Represented, Third Text, 28:3, 235-255, DOI: 10.1080/09528822.2014.903605
  • LEAR, J., (2017) Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940, University of Texas Press,
  • MCDONALD, M., “Printmaking in Mexico, 1900–1950.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/prmx/hd_prmx.htm September, 2016
  • MOORE, C., (2010), Propaganda Prints: A History of Art in the Service of Social and Political Change, A&C Black Publisher Limited, London
  • RİVERA M. S., (2018). The Workers of the National Graphic Workshop: From Union Struggles to State Centralization (1934-1940). Historia Mexicana, 68(2), 611-656. doi: http://dx.doi.org/10.24201/hm.v68i2.3747
  • URL-1. A movement in a Moment: The Mexican Renaissance’ https://uk.phaidon.com/agenda/art/articles/2016/july/06/a-movement-in-a-moment-the-mexican-renaissance/
  • URL-2. Los Talleres Grafıcos De La Nacıon, Jesús Orozco Castellanos, 1938, https://archivos.juridicas.unam.mx/www/bjv/libros/4/1679/13.pdf
There are 11 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Özgür Uğuz 0000-0002-9096-0608

Publication Date October 31, 2019
Published in Issue Year 2019

Cite

APA Uğuz, Ö. (2019). ROLE OF PRINTMAKING IN MEXICAN REVOLUTION. Journal of Arts, 2(4), 181-198. https://doi.org/10.31566/arts.2.013