Research Article

Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts

Number: 57 June 14, 2023
Lovorka Gruić Grmuša Grmuša

Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts

Abstract

This study recognizes reciprocal interplay of cinematography and literature, which constitute one another in a dynamic process of remediation, while highlighting intermedial reflexivity from screen to paper and how its “cinematic,” multifaceted dimensions of imagery, art, movement, technology, and industry interact with paper-based writings of Robert Coover. Embracing the techniques and forms of screen technologies, as well as exposing their ideological constructions and stereotypes, Coover’s texts reveal filmlike texture, spectacle, theatricality, and violence, disclosing the disintegration of the confines in-between media, as well as relative non-distinction of the frontier between the real and the mediated, where virtuality imposes as a cultural force and dominates actuality. The study is informed by Paul Virilio’s, Jean Baudrillard’s, and Gilles Deleuze’s accounts on how media and image-manipulation imprison the viewers through means of identification, and how cinematography contributes to the genesis of a new notion of reality.

Keywords

American Studies, American Film, Film Studies

References

  1. Amerika, Mark. Remixthebook. University of Minnesota Press, 2011.
  2. Bass, Thomas A. “An Encounter with Robert Coover.” The Antioch Review, vol. 40, no. 3, 1982, pp. 287–302. JSTOR, www.jstor.org/ stable/4611123. Accessed 3 Mar. 2021.
  3. Baudrillard, Jean. America. Translated by Chris Turner, Verso, 1988. ---. Selected Writings, edited by Mark Poster, Stanford UP, 1988.
  4. ---. Simulacra and Simulation. Translated by Shella Glaser, University of Michigan Press, 1995.
  5. Bergson, Henri. The Creative Mind. Translated by Mabelle Andison, Philosophical Library, 1946.
  6. Bolter, Jay David, and David Gruisin. Remediation: Understanding New Media. MIT, 1999.
  7. Burn, Stephen. Jonathan Franzen at the End of Postmodernism. Continuum, 2008.
  8. Coover, Robert. The Adventures of Lucky Pierre: Directors’ Cut. Grove, 2002.
  9. ---. Gerald’s Party. Grove, 1985.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
  10. ---. Ghost Town: A Novel. 1998. Grove, 2000.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
APA
Grmuša, L. G. G. (2023). Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts. Journal of American Studies of Turkey, 57, 5-26. https://izlik.org/JA77KJ54CX
AMA
1.Grmuša LGG. Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts. JAST. 2023;(57):5-26. https://izlik.org/JA77KJ54CX
Chicago
Grmuša, Lovorka Gruić Grmuša. 2023. “Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts”. Journal of American Studies of Turkey, nos. 57: 5-26. https://izlik.org/JA77KJ54CX.
EndNote
Grmuša LGG (June 1, 2023) Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts. Journal of American Studies of Turkey 57 5–26.
IEEE
[1]L. G. G. Grmuša, “Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts”, JAST, no. 57, pp. 5–26, June 2023, [Online]. Available: https://izlik.org/JA77KJ54CX
ISNAD
Grmuša, Lovorka Gruić Grmuša. “Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts”. Journal of American Studies of Turkey. 57 (June 1, 2023): 5-26. https://izlik.org/JA77KJ54CX.
JAMA
1.Grmuša LGG. Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts. JAST. 2023;:5–26.
MLA
Grmuša, Lovorka Gruić Grmuša. “Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts”. Journal of American Studies of Turkey, no. 57, June 2023, pp. 5-26, https://izlik.org/JA77KJ54CX.
Vancouver
1.Lovorka Gruić Grmuša Grmuša. Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover’s Texts. JAST [Internet]. 2023 Jun. 1;(57):5-26. Available from: https://izlik.org/JA77KJ54CX