Twentieth-century American Indian Artists: An Issue of Identity

Number: 5 April 1, 1997
Catherine Baldit
EN

Twentieth-century American Indian Artists: An Issue of Identity

Abstract

American artists of ethnic background usually encounter many obstacles on their way to recognition by the art world because the latter is not familiar with what the former paint or sculpt: American Indian artists, for instance, almost always use their cultures songs, legends, traditions and religions as their source of inspiration. In the Southwest region, American Indians have decorated walls— petroglyphs, pictographs, pueblo kiva murals—and objects—pottery, blankets, baskets—for centuries. They started painting on flat surfaces, such as paper, for example in New Mexico, only at the beginning of the twentieth century, when ethnologists encouraged them to draw religious dances and daily activities performed in their villages.

References

  1. “Allan Houser.” Albuquerque Journal June 26, 1994, F7.
  2. “Allan Houser: A Life In Art.” Exhibition catalog. Santa Fe: Museum of New Mexico, 1991.
  3. Archuleta, Margaret and Rennard Strickland. Shared Visions. Native American Painters and Sculptors in the Twentieth Century. New York: The New Press, 1991
  4. Ash-Milby, Kathleen (Assistant Curator, National Museum of the American Indian, New York). Interviewed by the author, August 27, 1996.
  5. Barash, Leah. “ On the Cutting Edge. New Mexico Artist Allan Houser Is the Patriarch of American Indian Sculptors.” National Wildlife 30.5 (August 1992): 29.
  6. Bird, Kay. “President to Honor Santa Fe Sculptor at National Medal of Arts Ceremony.” The New Mexican July 22, 1992, A1.
  7. “Bob Haozous: The Dartmouth Exhibition.” Exhibition catalog. Hanover, NH: Dartmouth College, 1989.
  8. Broder, Patricia Janis. American Indian Painting and Sculpture. New York: Abbeville Press, 1981.
  9. Daniels, Mary. “Unending Reach. The Hands of Allan Houser Sculpt the Legacies of His Apache Ancestors.” Chicago Tribune January 2, 1994, sec. 15: 3.
  10. Dunn, Dorothy. American Indian painting of the Southwest and Plains Areas. Albuquerque: University Press of New Mexico, 1968.
APA
Baldit, C. (1997). Twentieth-century American Indian Artists: An Issue of Identity. Journal of American Studies of Turkey, 5, 27-41. https://izlik.org/JA92NH37SH
AMA
1.Baldit C. Twentieth-century American Indian Artists: An Issue of Identity. JAST. 1997;(5):27-41. https://izlik.org/JA92NH37SH
Chicago
Baldit, Catherine. 1997. “Twentieth-Century American Indian Artists: An Issue of Identity”. Journal of American Studies of Turkey, nos. 5: 27-41. https://izlik.org/JA92NH37SH.
EndNote
Baldit C (April 1, 1997) Twentieth-century American Indian Artists: An Issue of Identity. Journal of American Studies of Turkey 5 27–41.
IEEE
[1]C. Baldit, “Twentieth-century American Indian Artists: An Issue of Identity”, JAST, no. 5, pp. 27–41, Apr. 1997, [Online]. Available: https://izlik.org/JA92NH37SH
ISNAD
Baldit, Catherine. “Twentieth-Century American Indian Artists: An Issue of Identity”. Journal of American Studies of Turkey. 5 (April 1, 1997): 27-41. https://izlik.org/JA92NH37SH.
JAMA
1.Baldit C. Twentieth-century American Indian Artists: An Issue of Identity. JAST. 1997;:27–41.
MLA
Baldit, Catherine. “Twentieth-Century American Indian Artists: An Issue of Identity”. Journal of American Studies of Turkey, no. 5, Apr. 1997, pp. 27-41, https://izlik.org/JA92NH37SH.
Vancouver
1.Catherine Baldit. Twentieth-century American Indian Artists: An Issue of Identity. JAST [Internet]. 1997 Apr. 1;(5):27-41. Available from: https://izlik.org/JA92NH37SH