Transgressive Appropriations in Lucha Corpi’s Detective Fiction

Number: 23 April 1, 2006
Carmen Flys-junquera
EN

Transgressive Appropriations in Lucha Corpi’s Detective Fiction

Abstract

Popular fiction is characterized by its formulaic nature and its tendency to portray the dominant value system of a culture. By following the formulas and conventions of the genre, readability is ensured and therefore, little strain is placed on the reader. The reader finds him/herself competent by recognizing the conventions and having his or her expectations fulfilled. Cawelti states that “formula stories affirm existing interests and attitudes by presenting an imaginary world that is aligned with these interests and attitudes” Adventure 35 . This is true since the formula dictates how the writer manipulates the readers’ response to the text. Detective fiction, as a popular genre follows this trend, having as its primary purpose that of producing pleasure, the pleasure of solving the crime, of undoing the puzzle. Thus, these genres, by definition, Porter argues, are a form of literature that do not offend the taste or values of the readers 5 . It does not confuse or produce conflict in the reader and it achieves its purpose by embodying the ideological presuppositions that elicit recognition and approbation of the mass audience. It acknowledges a shared community of values.

References

  1. Barthes, Roland. “Delay and the Hermeneutic Sentence” Most and Stowe, eds: 118-121.
  2. Bird, Delys, ed. Killing Women: Rewriting Detective Fiction. Sydney: Angus and Robertson, 1993.
  3. Cawelti, John G. Adventure, Mystery, and Romance. Formula Stories as Art and Popular Culture. Chicago: The U of Chicago P, 1976.
  4. ___. “Canonization, Modern Literature, and the Detective Story.” In Delamater and Prigozy, eds: 5-16.
  5. Corpi, Lucha. Eulogy for a Brown Angel. Houston: Arte Público Press, 1992.
  6. ___. Cactus Blood. Houston: Arte Público Press, 1995.
  7. ___. Black Widow’s Wardrobe. Houston: Arte Público Press, 1999.
  8. ___. Crimson Moon. Houston: Arte Público Press, 2004.
  9. Delamater, J. And Ruth Prigozy, eds. Theory and Practice of Classic Detective Fiction. Westport, Conn.: Greenwood Press, 1997.
  10. Fiske, John. “Popular Discrimination.” J. Naremore and P. Brantlinger, eds. 103-16.
APA
Flys-junquera, C. (2006). Transgressive Appropriations in Lucha Corpi’s Detective Fiction. Journal of American Studies of Turkey, 23, 1-14. https://izlik.org/JA77FW45BS
AMA
1.Flys-junquera C. Transgressive Appropriations in Lucha Corpi’s Detective Fiction. JAST. 2006;(23):1-14. https://izlik.org/JA77FW45BS
Chicago
Flys-junquera, Carmen. 2006. “Transgressive Appropriations in Lucha Corpi’s Detective Fiction”. Journal of American Studies of Turkey, nos. 23: 1-14. https://izlik.org/JA77FW45BS.
EndNote
Flys-junquera C (April 1, 2006) Transgressive Appropriations in Lucha Corpi’s Detective Fiction. Journal of American Studies of Turkey 23 1–14.
IEEE
[1]C. Flys-junquera, “Transgressive Appropriations in Lucha Corpi’s Detective Fiction”, JAST, no. 23, pp. 1–14, Apr. 2006, [Online]. Available: https://izlik.org/JA77FW45BS
ISNAD
Flys-junquera, Carmen. “Transgressive Appropriations in Lucha Corpi’s Detective Fiction”. Journal of American Studies of Turkey. 23 (April 1, 2006): 1-14. https://izlik.org/JA77FW45BS.
JAMA
1.Flys-junquera C. Transgressive Appropriations in Lucha Corpi’s Detective Fiction. JAST. 2006;:1–14.
MLA
Flys-junquera, Carmen. “Transgressive Appropriations in Lucha Corpi’s Detective Fiction”. Journal of American Studies of Turkey, no. 23, Apr. 2006, pp. 1-14, https://izlik.org/JA77FW45BS.
Vancouver
1.Carmen Flys-junquera. Transgressive Appropriations in Lucha Corpi’s Detective Fiction. JAST [Internet]. 2006 Apr. 1;(23):1-14. Available from: https://izlik.org/JA77FW45BS