The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso

Number: 23 April 1, 2006
Marta Lysik
EN

The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso

Abstract

Chicano literary critics Francisco Lomelí, María Teresa Márquez, and María Herrera-Sobek maintain that Ana Castillo, Sandra Cisneros, and other Latina/o writers “have forged what is considered to be a second Latina/o literary boom. This renaissance is now part of a multicultural forum in which Puerto Ricans, Cuban Americans, Chicanos/as, and other Latinos are creating a significant corpus of literary writings” 295 . According to these scholars, Latina/o authors in the 1990s produced work which involved “greater interethnic cross-fertilization, a Latin Americanization or ‘tropicalization’ in themes, a definite diversity in terms of experiential perspectives,…an experimentation with forms…, thereby producing a vital unpredictability and a hybrid freshness never before witnessed” 295 . In Show and Tell Karen Christian also marvels at “a ‘boom’ of U.S. Latina/o cultural production“ in the last decades 4 .

References

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  2. Bernal, Martha E. and George P. Knight. “Introduction.” In Ethnic Identity: Formation and Transmission among Hispanics and Other Minorities. Eds. Martha E. Bernal and George P. Knight. Albany, NY: State University of New York Press, 1993. 1-7.
  3. Chao, Patricia. Mambo Peligroso. New York: HarperCollins Publisher, 2005.
  4. Christian, Karen. “Sexual Stereotypes and Ethnic Pastiche in Cuban-American Fiction.“ In Gender, Self, and Society: Proceedings of the IV International Conference on the Hispanic Cultures of the United States. Ed. Renate von Bardeleben. Frankfurt am Main: Peter Lang, 1993. 171-189.
  5. ___. Show and Tell: Identity as Performance in U.S. Latina/o Fiction. Albuquerque: University of New Mexico Press, 1997.
  6. Eysturoy, Annie O. Daughters of Self-Creation: The Contemporary Chicana Novel. Albuquerque: University of New Mexico Press, 1996.
  7. García, Cristina, ed. ¡Cubanísimo! The Vintage Book of Contemporary Cuban Literature. New York: Vintage Books, 2002.
  8. Heyck, Denis L., ed. Barrios and Borderlands: Cultures of Latinos and Latinas in the UnitedStates. New York, London: Routledge, 1994.
  9. Hollinger, David A. Postethnic America: Beyond Multiculturalism [1995]. New York: Basic Books, 2000.
  10. Hye Suh, Seung and Robert Ji-Song Ku. “The New Immigration and the Literature of Asian America.” In Crossings into America: The New Literature of Immigration. eds. Louis Mendoza and S.Shankar. New York, London: The New Press, 2003. 314-326.
APA
Lysik, M. (2006). The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso. Journal of American Studies of Turkey, 23, 75-86. https://izlik.org/JA47RK36LL
AMA
1.Lysik M. The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso. JAST. 2006;(23):75-86. https://izlik.org/JA47RK36LL
Chicago
Lysik, Marta. 2006. “The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso”. Journal of American Studies of Turkey, nos. 23: 75-86. https://izlik.org/JA47RK36LL.
EndNote
Lysik M (April 1, 2006) The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso. Journal of American Studies of Turkey 23 75–86.
IEEE
[1]M. Lysik, “The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso”, JAST, no. 23, pp. 75–86, Apr. 2006, [Online]. Available: https://izlik.org/JA47RK36LL
ISNAD
Lysik, Marta. “The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso”. Journal of American Studies of Turkey. 23 (April 1, 2006): 75-86. https://izlik.org/JA47RK36LL.
JAMA
1.Lysik M. The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso. JAST. 2006;:75–86.
MLA
Lysik, Marta. “The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso”. Journal of American Studies of Turkey, no. 23, Apr. 2006, pp. 75-86, https://izlik.org/JA47RK36LL.
Vancouver
1.Marta Lysik. The Art of Literary Trope L’oeil and the Craft of Literary Imagination: Patricia Chao’s Mambo Peligroso. JAST [Internet]. 2006 Apr. 1;(23):75-86. Available from: https://izlik.org/JA47RK36LL