Gore Vidal in the Cinema

Number: 35 June 1, 2012
Laurence Raw
EN

Gore Vidal in the Cinema

Abstract

Throughout his writing life Gore Vidal had an ambivalent relationship with the world of films in general, and Hollywood in particular. On the one hand he understood how Hollywood was a dominant cultural force in twentieth century American cultures, helping to shape people’s beliefs as well as embodying changing political moods. One character remarks in his novel Hollywood 1989 : “We [Hollywood producers] are now supplying the world with all sorts of dreams and ideas. Well, why don’t we shape these dreams, deliberately?” Vidal, Hollywood 447 .

References

  1. Altman, Dennis. Gore Vidal’s America. Cambridge, UK, and Malden, VA: Polity Press, 2005. Print.
  2. “AMC Backstory: Myra Breckinridge.” Dir. Rex Hastings. Perf. Raquel Welch, Michael Sarne. AMC, 2001. Television.
  3. Bahrenburg, Bruce. “An Opening Night in the Old Style.” Newark Sunday News, 5 Jul. 1970: 3. Print.
  4. Ben Hur. Dir. William Wyler. Perf. Charlton Heston, Stephen Boyd, Jack Hawkins. MGM, 1959. Film.
  5. Bob Roberts. Dir. Tim Robbins. Perf. Tim Robbins, Susan Sarandon, Alan Rickman. Warner Brothers/ Live Entertainment/ Polygram Filmed Entertainment, 1992. Film.
  6. Caligula. Dir. Tinto Brass. Perf. Malcolm McDowell, Helen Mirren, John Gielgud. Penthouse Films International/ Felix Cinematografica, 1979. Film.
  7. The Best Man. Dir. Franklin J. Schaffner. Perf. Henry Fonda, Cliff Robertson, Margaret Leighton. Millar/Turman Productions/ United Artists, 1964. Film.
  8. Dick, Bernard F. “The Passenger and Literary Existentialism.” Literature/ Film Quarterly 5, 1 (1977): 66-74. Print.
  9. Diffrient, David Scott. “Hard to Handle? Camp Criticism, Trash – Film Reception and the Transgressive Pleasures of Myra Breckinridge.” Cinema Journal 52.2 (Winter 2013): 46-65. Print.
  10. Disch, Thomas. The Dreams Our Stuff is Made Of. New York: Free Press, 1998. Print.
APA
Raw, L. (2012). Gore Vidal in the Cinema. Journal of American Studies of Turkey, 35, 111-132. https://izlik.org/JA27PA66YH
AMA
1.Raw L. Gore Vidal in the Cinema. JAST. 2012;(35):111-132. https://izlik.org/JA27PA66YH
Chicago
Raw, Laurence. 2012. “Gore Vidal in the Cinema”. Journal of American Studies of Turkey, nos. 35: 111-32. https://izlik.org/JA27PA66YH.
EndNote
Raw L (June 1, 2012) Gore Vidal in the Cinema. Journal of American Studies of Turkey 35 111–132.
IEEE
[1]L. Raw, “Gore Vidal in the Cinema”, JAST, no. 35, pp. 111–132, June 2012, [Online]. Available: https://izlik.org/JA27PA66YH
ISNAD
Raw, Laurence. “Gore Vidal in the Cinema”. Journal of American Studies of Turkey. 35 (June 1, 2012): 111-132. https://izlik.org/JA27PA66YH.
JAMA
1.Raw L. Gore Vidal in the Cinema. JAST. 2012;:111–132.
MLA
Raw, Laurence. “Gore Vidal in the Cinema”. Journal of American Studies of Turkey, no. 35, June 2012, pp. 111-32, https://izlik.org/JA27PA66YH.
Vancouver
1.Laurence Raw. Gore Vidal in the Cinema. JAST [Internet]. 2012 Jun. 1;(35):111-32. Available from: https://izlik.org/JA27PA66YH