Chained into That Machine: John Jesurun’s Mediaturgical Adaptations

Number: 39 April 1, 2014
Christophe Collard
EN

Chained into That Machine: John Jesurun’s Mediaturgical Adaptations

Abstract

Communication unites, but communication also divides. This wellworn media studies tenet was never more applicable than in Everything That Rises Must Converge, a 1990 experimental echo of Flannery O’Connor’s short story staged by John Jesurun, the Pope of Greenwich Village’s “postsurrealist” Feingold 85 theater scene. It is an avant-garde adaptation of a work within a larger collection itself inspired by French philosopher’s Pierre Teilhard de Chardin’s conceptualization of the “Omega Point,” wherein the latter urges his readers to Remain true to yourself, but move ever upward toward greater consciousness and greater love! At the summit you will find yourselves united with all those who, from the same direction, have made the same ascent. For everything that rises must converge 11 .

References

  1. Auslander, Philip. Liveness: Performance in a Mediatized Culture. 2nd ed. New York: Routledge, 2008. Print.
  2. Bassnett, Susan. “Translating Genre.” Genre Matters. Eds. Garin Dowd, Lesley Stevenson, and Jeremy Strong. Bristol: Intellect, 2006. 85-95. Print.
  3. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. 2nd ed.. New York: Oxford UP., 1997. Print.
  4. Bolter, Jay David with Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999. Print.
  5. Callens, Johan. “The Builders Association: S/he Do the Police in Different Voices.” The Wooster Group and its Traditions. Ed. Johan Callens. Brussels: PIE-Peter Lang, 2004. 247-261. Print.
  6. Cattrysse, Patrick. “Media Translation: Plea for an Interdisciplinary Approach.” Versus: Quaderni di studi semiotici 85-87 (2000): 251- 269. Print.
  7. Chardin, Pierre Teilhard de. Building the Earth and the Psychological Conditions of Human Unification. New York: Avon, 1969. Print.
  8. Farley, Kathrin. “Review of Faust/How I Rose.” Theatre Journal 57.3 (2005): 507-509. Print.
  9. Feingold, Michael. “Faust Things First: Bilingual, Time-Jumping, and Polycultural, John Jesurun Scrambles Goethe’s Mystic Egghead.” Village Voice 7 Sep. 2004: 85. Print.
  10. Fried, Ronald K. “John Jesurun’s Chang in a Void Moon.” The Drama Review 27.2 (1983): 73-77. Print.
APA
Collard, C. (2014). Chained into That Machine: John Jesurun’s Mediaturgical Adaptations. Journal of American Studies of Turkey, 39, 31-42. https://izlik.org/JA24WW44ZY
AMA
1.Collard C. Chained into That Machine: John Jesurun’s Mediaturgical Adaptations. JAST. 2014;(39):31-42. https://izlik.org/JA24WW44ZY
Chicago
Collard, Christophe. 2014. “Chained into That Machine: John Jesurun’s Mediaturgical Adaptations”. Journal of American Studies of Turkey, nos. 39: 31-42. https://izlik.org/JA24WW44ZY.
EndNote
Collard C (April 1, 2014) Chained into That Machine: John Jesurun’s Mediaturgical Adaptations. Journal of American Studies of Turkey 39 31–42.
IEEE
[1]C. Collard, “Chained into That Machine: John Jesurun’s Mediaturgical Adaptations”, JAST, no. 39, pp. 31–42, Apr. 2014, [Online]. Available: https://izlik.org/JA24WW44ZY
ISNAD
Collard, Christophe. “Chained into That Machine: John Jesurun’s Mediaturgical Adaptations”. Journal of American Studies of Turkey. 39 (April 1, 2014): 31-42. https://izlik.org/JA24WW44ZY.
JAMA
1.Collard C. Chained into That Machine: John Jesurun’s Mediaturgical Adaptations. JAST. 2014;:31–42.
MLA
Collard, Christophe. “Chained into That Machine: John Jesurun’s Mediaturgical Adaptations”. Journal of American Studies of Turkey, no. 39, Apr. 2014, pp. 31-42, https://izlik.org/JA24WW44ZY.
Vancouver
1.Christophe Collard. Chained into That Machine: John Jesurun’s Mediaturgical Adaptations. JAST [Internet]. 2014 Apr. 1;(39):31-42. Available from: https://izlik.org/JA24WW44ZY