The Re-emergence of the Silent Film in Contemporary Cinema and Culture

Number: 41 April 1, 2015
Arnold Anthony Schmidt
EN

The Re-emergence of the Silent Film in Contemporary Cinema and Culture

Abstract

This essay looks at the ways in which silent film conventions have been re-employed in modern movies. It is particularly concerned with the ways in which directors manipulate the audience’s preconceived ideas as to what to expect from silent films. This point is exemplified through a casestudy of Martin Scorsese’s film Hugo 2011

Keywords

Silent film, Oscars, Martin Scorsese, Méliès, Hugo

References

  1. The Arrival of the Train (aka L’Arrivée d’un train à la Ciotat). Dir. Auguste Lumière, Louis Lumière. Lumière, 1897. Film.
  2. The Artist. Dir. Michel Hazanavicius. Perf. Jean Dujardin, Bérénice Bijo, John Goodman. Studio 37/ La Petite Reine, 2011. Film.
  3. “BBC One orders silent comedy series from Matt Lucas.” British Comedy Guide, 25 Mar. 2013. Web. 28 Sep. 2014.
  4. Exiting the Factory (aka La Sortie de l’Usine Lumière à Lyon). Dir. Louis Lumière. Lumière, 1895. Film.
  5. Faust. Dir. F. W. Murnau. Perf. Gösta Ekman, Emil Jannings, Camilla Horn. UFA, 1926. Film.
  6. Hugo. Dir. Martin Scorsese. Perf. Asa Butterfield, Christopher Lee, Sacha Baron Cohen. Paramount Pictures/ GK Films, 2011. Film.
  7. The Magic Flute. Prod. Barrie Kosky. Perf. Lawrence Brownlee, Rodion Pogossov. Los Angeles Opera, 2014. Opera.
  8. Metropolis. Dir. Fritz Lang. Perf. Brigitte Helm, Alfred Abel, Gustav Frölich. UFA, 1927. Film.
  9. Modern Times. Dir. Charlie Chaplin. Perf. Chaplin, Paulette Goddard, Henry Bergman. Charles Chaplin Productions, 1936. Film.
  10. Pompidou. Dir. Charlie Hanson, Matt Lucas. Perf. Lucas, Andy Heath, Yvonne Stone. John Stanley Productions/ BBC, 2015. TV Series.
APA
Schmidt, A. A. (2015). The Re-emergence of the Silent Film in Contemporary Cinema and Culture. Journal of American Studies of Turkey, 41, 107-113. https://izlik.org/JA24DT89LG
AMA
1.Schmidt AA. The Re-emergence of the Silent Film in Contemporary Cinema and Culture. JAST. 2015;(41):107-113. https://izlik.org/JA24DT89LG
Chicago
Schmidt, Arnold Anthony. 2015. “The Re-Emergence of the Silent Film in Contemporary Cinema and Culture”. Journal of American Studies of Turkey, nos. 41: 107-13. https://izlik.org/JA24DT89LG.
EndNote
Schmidt AA (April 1, 2015) The Re-emergence of the Silent Film in Contemporary Cinema and Culture. Journal of American Studies of Turkey 41 107–113.
IEEE
[1]A. A. Schmidt, “The Re-emergence of the Silent Film in Contemporary Cinema and Culture”, JAST, no. 41, pp. 107–113, Apr. 2015, [Online]. Available: https://izlik.org/JA24DT89LG
ISNAD
Schmidt, Arnold Anthony. “The Re-Emergence of the Silent Film in Contemporary Cinema and Culture”. Journal of American Studies of Turkey. 41 (April 1, 2015): 107-113. https://izlik.org/JA24DT89LG.
JAMA
1.Schmidt AA. The Re-emergence of the Silent Film in Contemporary Cinema and Culture. JAST. 2015;:107–113.
MLA
Schmidt, Arnold Anthony. “The Re-Emergence of the Silent Film in Contemporary Cinema and Culture”. Journal of American Studies of Turkey, no. 41, Apr. 2015, pp. 107-13, https://izlik.org/JA24DT89LG.
Vancouver
1.Arnold Anthony Schmidt. The Re-emergence of the Silent Film in Contemporary Cinema and Culture. JAST [Internet]. 2015 Apr. 1;(41):107-13. Available from: https://izlik.org/JA24DT89LG