El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance

Number: 42 October 1, 2015
Rachel Combs-gonzalez
EN

El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance

Abstract

This article analyzes La Frontera the border separating the US from Mexico as a performance by studying the relationship between sexuality and politics. Specifically, it compares heterosexual hegemony with political hegemony, and demonstrates how both sexuality and politics engage in a navigation of power through performance by proposing the term el drag guadalupista. An analysis of a virgin-whore complex present in contemporary Mexican and Chicano society, made apparent by the roles of La Virgen de Guadalupe and La Malinche in the creation of Mexican and Chicano national identity, will show how the visual representations of the Virgin created by the artists Alma López, Alex Donis, and Jim Ru challenge both the heterosexual hegemony within Mexicanidad, Chicanidad, and Latinidad, and the political and cultural power of the United States by means of representing, and re-presenting, the sexuality of La Virgen

Keywords

Border, Chicano, hegemony, sexuality, queer studies

References

  1. Anzaldúa, Gloria. Borderlands/La Frontera. 2nd ed. San Francisco: Aunt Lute Books, 1999. Print.
  2. Aracil Varón, Beatriz. “Imágenes de la Malinche en el teatro mexicano contemporáneo.” Gestos: Revista de Teoría y Práctica del Teatro Hispánico 51 (Apr. 2011): 93-113. Print.
  3. Armstrong, Bob. “Kissing Icons.” Progressive Dec. 1997: 16. Print.
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  5. Broyles-González, Yolanda. “El Teatro Campesino and the Mexican Popular Performance.” El Teatro Campesino: Theater in the Chicano Movement. Austin: U. of Texas P., 1994. 3-77. Print.
  6. Butler, Judith, and Gayatri Chakravorty Spivak. Who Sings the Nation-state?: Language, Politics, Belonging. London: Seagull, 2007. Print.
  7. Castillo, Ana. Massacre of the Dreamers: Essays on Xicanisma. Albuquerque: U. of New Mexico P., 1994. Print.
  8. Castillo, Debra A. “Foreword: Sirena Selena Vestida De Pena.” Sirena Selena vestida depena. By Mayra Santos-Febres. xiv-xvi. Doral, FL: Stockcero, 2008. Print.
  9. Cherry, Kittredge. “Queer Lady of Guadalupe: Artists Re-Imagine an Icon.” Jesus in Love Blog: A Place for LGBTQ Spirituality and the Arts. Home of the Gay Jesus and Queer Saints. Uniting Body, Mind, and Spirit. Open to All. Blogspot 12 Dec. 2012. Web. 23 Mar. 2013.
  10. Donis, Alex. “Artist Statement.” Theatre Journal 55.3 (2003): 584. Print. ------. Alex Donis 2012. Web. 23 Mar. 2013.
APA
Combs-gonzalez, R. (2015). El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance. Journal of American Studies of Turkey, 42, 81-105. https://izlik.org/JA76CH88JJ
AMA
1.Combs-gonzalez R. El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance. JAST. 2015;(42):81-105. https://izlik.org/JA76CH88JJ
Chicago
Combs-gonzalez, Rachel. 2015. “El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance”. Journal of American Studies of Turkey, nos. 42: 81-105. https://izlik.org/JA76CH88JJ.
EndNote
Combs-gonzalez R (October 1, 2015) El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance. Journal of American Studies of Turkey 42 81–105.
IEEE
[1]R. Combs-gonzalez, “El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance”, JAST, no. 42, pp. 81–105, Oct. 2015, [Online]. Available: https://izlik.org/JA76CH88JJ
ISNAD
Combs-gonzalez, Rachel. “El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance”. Journal of American Studies of Turkey. 42 (October 1, 2015): 81-105. https://izlik.org/JA76CH88JJ.
JAMA
1.Combs-gonzalez R. El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance. JAST. 2015;:81–105.
MLA
Combs-gonzalez, Rachel. “El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance”. Journal of American Studies of Turkey, no. 42, Oct. 2015, pp. 81-105, https://izlik.org/JA76CH88JJ.
Vancouver
1.Rachel Combs-gonzalez. El Drag Guadalupista: Confronting Hegemony in Mexican and Chicana Feminist and Queer Performance. JAST [Internet]. 2015 Oct. 1;(42):81-105. Available from: https://izlik.org/JA76CH88JJ