Research Article

A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman

Number: 51 November 1, 2019
Sultan Komut Bakınç *

A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman

Abstract

Amiri Baraka’s well-known and both vastly praised and criticized play Dutchman is a primary example of Revolutionary Theater, which Baraka conceptualizes as a theater that “forces” its audience to confront the realities of social injustice, and “accuse” and “attack” its practitioners. In this sense, Dutchman is a model text of Baraka’s compulsion toward destruction through art. This article argues that the prevalent view in the scholarship on this play reduces Clay and Lula as victim and victimizer. This article aims to present these characters in a postmodernist light, as more complex and less stereotyped. Thus, they can be seen as having equally the potential to change and the potential to destroy (themselves and/or the society). In the final analysis, Baraka presents a true piece of Revolutionary Theater in Dutchman: powerful, accusatory and destructive.

Keywords

Amiri Baraka, American Literature, American Poetry, LeRoi Jones/Amiri Baraka, Dutchman, Revolutionary Theatre, Myths, Intertextuality, Deconstruction

References

  1. Achilles, Jochen. “Allegory and Iconography in African American Drama of the Sixties: Imamu Amiri Baraka’s Dutchman and Alice Childress’s Wine in the Wilderness.” Amerikastudien/ American Studies, vol. 45, no. 2, 2000, pp. 219–238. JSTOR, www.jstor.org/stable/41157564.
  2. Adams, George R. “My Christ in Dutchman.” College Language Association Journal, vol. 15, 1971, pp. 54-58.
  3. Alfaro, María Jesús Martínez. “Intertextuality: Origins and Development of the Concept.” Atlantis, vol. 18, no. 1/2, 1996, pp. 268-285. JSTOR, www.jstor.org/stable/41054827.
  4. Baker, Christopher. “A Trip with the Strange Woman: Amiri Baraka’s Dutchman and the Book of Proverbs.” South Atlantic Review, vol. 78, no. 3/4, 2013, pp. 110-128. JSTOR, www.jstor.org/ stable/43739218.
  5. Baraka, Amiri. Dutchman. Anthology of American Literature. Vol II: Realism to the Present, edited by George McMichael, et. al., MacMillan Publishing, 1980, pp. 1896-1908.
  6. ---. The Autobiography of LeRoi Jones. Lawrence Hill Books, 1997.
  7. ---. “The Revolutionary Theater” Liberator, July 1965 National Humanities Center Resource Toolbox: The Making of African American Identity: Vol. III, 1917-1968, pp.1-3.
  8. Bonner, Willard Hallam. “The Flying Dutchman of the Western World.” Journal of American Folklore, vol. 59, no. 233, 1946, pp. 282- 288. JSTOR, www.jstor.org/stable/536251.
  9. Brown, Lloyd W. Amiri Baraka. G.B. Hall and Co., 1964. Derrida, Jacques. Margins of Philosophy. Translated by Alan Bass, U of Chicago P, 1982.
  10. Fanon, Frantz. Black Skins, White Masks. Pluto Books, 2008.
APA
Komut Bakınç, S. (2019). A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman. Journal of American Studies of Turkey, 51, 49-71. https://izlik.org/JA42WG45XR
AMA
1.Komut Bakınç S. A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman. JAST. 2019;(51):49-71. https://izlik.org/JA42WG45XR
Chicago
Komut Bakınç, Sultan. 2019. “A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman”. Journal of American Studies of Turkey, nos. 51: 49-71. https://izlik.org/JA42WG45XR.
EndNote
Komut Bakınç S (November 1, 2019) A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman. Journal of American Studies of Turkey 51 49–71.
IEEE
[1]S. Komut Bakınç, “A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman”, JAST, no. 51, pp. 49–71, Nov. 2019, [Online]. Available: https://izlik.org/JA42WG45XR
ISNAD
Komut Bakınç, Sultan. “A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman”. Journal of American Studies of Turkey. 51 (November 1, 2019): 49-71. https://izlik.org/JA42WG45XR.
JAMA
1.Komut Bakınç S. A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman. JAST. 2019;:49–71.
MLA
Komut Bakınç, Sultan. “A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman”. Journal of American Studies of Turkey, no. 51, Nov. 2019, pp. 49-71, https://izlik.org/JA42WG45XR.
Vancouver
1.Sultan Komut Bakınç. A Rereading and Repositioning of Roles in Amiri Baraka’s Dutchman. JAST [Internet]. 2019 Nov. 1;(51):49-71. Available from: https://izlik.org/JA42WG45XR