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The Politics of the Personal: Constructions of Identity in Elmore Leonard’s Bandits

Year 1998, Issue: 7, 13 - 21, 01.04.1998

Abstract

Elmore Leonard’s picaresque crime novel Bandits 1987 is a popular novel by an author who in his many novels relies on the narrative strategies of westerns and crime stories. In his fiction Leonard explores the underside of contemporary American society, the world of unsuccessful criminals, corrupt cops, and pimps. In its own way Leonard’s writing gives voice to today’s cunning little man hero, one who struggles hard but is not too successful. In the body of Leonard’s work this novel marks a break from the past because of its description of a transition from the unashamed individualism evident in many of his crime stories to a more committed collectivism. In contrast to some of Leonard’s unpoliticized writings, in this novel politics play an emphatic role

References

  • Bennett, Tony. “Introduction: Popular Culture and the Turn to Gramsci.” In Bennett, Mercer, and Woollacott. xi-xix.
  • Bennett, Tony, Colin Mercer and Janet Woollacott, eds. Popular Culture and Social Relations. Milton Keynes: Open University Press, 1986.
  • Gramsci, Antonio. Selections from the Prison Notebooks. Eds. and trans. Quintin Hoare and Geoffrey Nowell Smith. London: Lawrence and Wishart, 1971.
  • Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. London: Routledge, 1992.
  • Leonard, Elmore. Bandits. 1987. London: Penguin, 1988.
  • O’Shea, Alan. “What a Day for a Daydream: Modernity, Cinema and the Popular Imagination in the Late Twentieth Century.” In Modern Times: Reflections on a Century of English Modernity. Ed. Alan O’Shea and Mica Nava. London: Routledge, 1996. 239-268.
  • Suleiman, Susan Rubin. Authoritarian Fictions: The Ideological Novel as a Literary Genre. New York: Columbia University Press, 1983.
  • Woollacott, Janet. “Fictions and Ideologies: The Case of Situation Comedy.” In Bennett, Mercer, and Woollacott. 196-218.
Year 1998, Issue: 7, 13 - 21, 01.04.1998

Abstract

References

  • Bennett, Tony. “Introduction: Popular Culture and the Turn to Gramsci.” In Bennett, Mercer, and Woollacott. xi-xix.
  • Bennett, Tony, Colin Mercer and Janet Woollacott, eds. Popular Culture and Social Relations. Milton Keynes: Open University Press, 1986.
  • Gramsci, Antonio. Selections from the Prison Notebooks. Eds. and trans. Quintin Hoare and Geoffrey Nowell Smith. London: Lawrence and Wishart, 1971.
  • Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. London: Routledge, 1992.
  • Leonard, Elmore. Bandits. 1987. London: Penguin, 1988.
  • O’Shea, Alan. “What a Day for a Daydream: Modernity, Cinema and the Popular Imagination in the Late Twentieth Century.” In Modern Times: Reflections on a Century of English Modernity. Ed. Alan O’Shea and Mica Nava. London: Routledge, 1996. 239-268.
  • Suleiman, Susan Rubin. Authoritarian Fictions: The Ideological Novel as a Literary Genre. New York: Columbia University Press, 1983.
  • Woollacott, Janet. “Fictions and Ideologies: The Case of Situation Comedy.” In Bennett, Mercer, and Woollacott. 196-218.
There are 8 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Jopi Nyman This is me

Publication Date April 1, 1998
Published in Issue Year 1998 Issue: 7

Cite

MLA Nyman, Jopi. “The Politics of the Personal: Constructions of Identity in Elmore Leonard’s Bandits”. Journal of American Studies of Turkey, no. 7, 1998, pp. 13-21.

JAST - Journal of American Studies of Turkey