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Humor and Hemispheric Consciousness:Chicana/o and NativeAmerican Contemporary Art

Year 2003, Issue: 18, 1 - 13, 01.10.2003

Abstract

These reflections made by Durham, a Native American artist, and Trejo, a Chicano artist, bear a striking similitude in their attitude toward the regenerative as well as transgressive power of humor. Scholars in comparative ethnic studies are well aware of the common history, culture and political consciousness between Native American and Chicana/o populations in the United States. Their shared history of displacement, colonization and marginalization has allowed Native and Mexican populations in this country to connect in political, cultural and spiritual ways. Even the traditional markers of difference often established between Native American and indigenous Mexican peoples are ones determined by colonial demarcations and imposed borders. The interdependent and intertwined history between Mexico and the United States further complicated this distinction. In 1848 with the signing of the Treaty of Guadalupe Hidalgo between the two countries, Mexico was forced to cede nearly half of its territory to the United States.

References

  • Ashcroft, Bill, Gareth Griffiths and Helen Tiffin, eds. The Post-Colonial Studies Reader. London: Routledge, 1995.
  • Berlo, Janet C. and Ruth B. Phillips. Native North American Art. Oxford: Oxford UP, 1998.
  • Fusco, Coco, Paula Heredia and Guillermo Gómez-Peña. The Couple in the Cage: A Guatinaui Odyssey. Videocassette. Chicago: Video Data Bank, 1993.
  • Gómez-Peña, Guillermo. Dangerous Border Crossers: The Artist Talks Back. London: Routledge, 2000.
  • Hernández, Guillermo. Chicano Satire: A Study in Literary Culture. Austin: U of Texas P, 1991.
  • Keller, Gary D., Mary Erickson, Kaytie Johnson and Joaquín Alvarado, eds. Contemporary Chicana and Chicano Art. vol. 1. Arizona: Bilingual, 2002.
  • Lincoln, Kenneth. Indi’n Humor: Bicultural Play in Native America. New York: Oxford UP, 1993.
  • Martínez, José Luis. Nezahualcoyotl:Textos Coleccionados con un Estudio Preliminar de Jose Luis Martinez. Mexico City: Sep Diana, 1979.
Year 2003, Issue: 18, 1 - 13, 01.10.2003

Abstract

References

  • Ashcroft, Bill, Gareth Griffiths and Helen Tiffin, eds. The Post-Colonial Studies Reader. London: Routledge, 1995.
  • Berlo, Janet C. and Ruth B. Phillips. Native North American Art. Oxford: Oxford UP, 1998.
  • Fusco, Coco, Paula Heredia and Guillermo Gómez-Peña. The Couple in the Cage: A Guatinaui Odyssey. Videocassette. Chicago: Video Data Bank, 1993.
  • Gómez-Peña, Guillermo. Dangerous Border Crossers: The Artist Talks Back. London: Routledge, 2000.
  • Hernández, Guillermo. Chicano Satire: A Study in Literary Culture. Austin: U of Texas P, 1991.
  • Keller, Gary D., Mary Erickson, Kaytie Johnson and Joaquín Alvarado, eds. Contemporary Chicana and Chicano Art. vol. 1. Arizona: Bilingual, 2002.
  • Lincoln, Kenneth. Indi’n Humor: Bicultural Play in Native America. New York: Oxford UP, 1993.
  • Martínez, José Luis. Nezahualcoyotl:Textos Coleccionados con un Estudio Preliminar de Jose Luis Martinez. Mexico City: Sep Diana, 1979.
There are 8 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Guisela M. Latorre This is me

Publication Date October 1, 2003
Published in Issue Year 2003 Issue: 18

Cite

MLA Latorre, Guisela M. “Humor and Hemispheric Consciousness:Chicana/O and NativeAmerican Contemporary Art”. Journal of American Studies of Turkey, no. 18, 2003, pp. 1-13.

JAST - Journal of American Studies of Turkey