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O’Neill’s The Emperor Jones and The Hairy Ape:The Alienation of the American Anti-hero

Year 2003, Issue: 18, 35 - 48, 01.10.2003

Abstract

Roughly speaking, realism was a movement that originated in Europe around the 1850s. It represented a reaction against Romanticism. Realists proposed to depict reality as it was, that is to say, art should be an exact imitation of life. Naturalism, we may say, was basically a radicalization of realism. It was in fashion approximately from the 1870s till the 1910s. Naturalism was a social response to Darwinism in science, positivism of Auguste Compte in philosophy and the Industrial Revolution in economy. In realism, the artists were worried about form, thus, they chose themes that could interest the reader of the time such as melodramatic love stories, mainly dealing with the upper classes.

References

  • Alexander, Doris. O'Neill and His Plays: Four Decades of Criticism. Eds. Oscar Cargill, et al. New York: New York UP, 1961.
  • Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. 3 vols. Cambridge: Cambridge UP, 1983.
  • Bogard, Travis. Contour in Time: The Plays of Eugene O’Neill. New York: Oxford UP, 1972.
  • Falk, Doris V. Eugene O'Neill and the Tragic Tension. New Brunswick, NJ: Rutgers UP, 1958.
  • Fanon, Franz. Black Skin, White Masks. Trans. Charles Lam Markman. London: Pluto, 1986.
  • Goldberg, Isaac. O'Neill and His Plays: Four Decades of Criticism. Eds. Oscar Cargill, et al. New York: New York UP, 1961.
  • Hornstein, Lillian Herlands, et al. The Reader’s Companion to World Literature. New York: Mentor, 1984.
  • O’Neill, Eugene. The Emperor Jones. New York: Vintage, 1972.
  • ———. Hairy Ape. New York: Vintage, 1972.
  • Sheaffer, Louise. O'Neill: Son and Playwright. Boston: Little Brown, 1968.
  • Tisuanen, Timo. O'Neill Scenic Images. Princeton, NJ: Princeton UP, 1968.
Year 2003, Issue: 18, 35 - 48, 01.10.2003

Abstract

References

  • Alexander, Doris. O'Neill and His Plays: Four Decades of Criticism. Eds. Oscar Cargill, et al. New York: New York UP, 1961.
  • Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. 3 vols. Cambridge: Cambridge UP, 1983.
  • Bogard, Travis. Contour in Time: The Plays of Eugene O’Neill. New York: Oxford UP, 1972.
  • Falk, Doris V. Eugene O'Neill and the Tragic Tension. New Brunswick, NJ: Rutgers UP, 1958.
  • Fanon, Franz. Black Skin, White Masks. Trans. Charles Lam Markman. London: Pluto, 1986.
  • Goldberg, Isaac. O'Neill and His Plays: Four Decades of Criticism. Eds. Oscar Cargill, et al. New York: New York UP, 1961.
  • Hornstein, Lillian Herlands, et al. The Reader’s Companion to World Literature. New York: Mentor, 1984.
  • O’Neill, Eugene. The Emperor Jones. New York: Vintage, 1972.
  • ———. Hairy Ape. New York: Vintage, 1972.
  • Sheaffer, Louise. O'Neill: Son and Playwright. Boston: Little Brown, 1968.
  • Tisuanen, Timo. O'Neill Scenic Images. Princeton, NJ: Princeton UP, 1968.
There are 11 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Eusebio V. Llácer This is me

Publication Date October 1, 2003
Published in Issue Year 2003 Issue: 18

Cite

MLA Llácer, Eusebio V. “O’Neill’s The Emperor Jones and The Hairy Ape:The Alienation of the American Anti-Hero”. Journal of American Studies of Turkey, no. 18, 2003, pp. 35-48.

JAST - Journal of American Studies of Turkey