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Alfred Stieglitz’s Camera Work, and the Early Cultivation of American Modernism

Year 2005, Issue: 22, 5 - 18, 01.10.2005

Abstract

Leadership in the early cultivation of modernism in America rested with a group of New York avant-garde artists either influenced by or inspired by the photographer and connoisseur Alfred Stieglitz, 1864-1946 . Stieglitz was a key stimulus to American artists who wanted to be informed of, as well as debate, the changes in painting going on in Europe in the early twentieth century. Under Stieglitz’s tutelage, a growing population of artists absorbed modernist ideas. In many ways, the success of the famous New York Armory Show of 1913 was a direct result of Stieglitz’s influence as were many of the artistic experiments with new stylistic forms that occurred in the decade before 1913.

References

  • Abrams, Ann U. The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America. Atlanta: Emory University Press, 1975.
  • Brennan, Marcia. Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics. Cambridge, Mass.: MIT Press, 2001.
  • Brown, Milton. American Painting From the Armory Show to the Depression. Princeton: Princeton University Press, 1955.
  • -----. The Story of the Armory Show. New York: The Joseph H. Hirshhorn Foundation, 1963.
  • Bruno, Guido. “The Passing of ‘291’.” Pearsons’ Magazine 38 (March 1918), 402-403.
  • Dijkstra, Bram. Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton: Princeton University Press, 1969.
  • Gabler, Neal. Life the Movie: How Entertainment Conquered Reality. New York: Alfred A. Knopf, 1998.
  • Howe, Irving. Literary Modernism. New York: Fawcett World Library, 1967.
  • Hughes, Robert. American Visions: The Epic History of Art in America. London: Harvill Press, 1997.
  • Hunter, Samuel. Modern American Painting and Sculpture. New York: Dell Publishing Company, 1959.
  • Kiefer, Geraldine W. Alfred Stieglitz: Scientist, Photographer, and Avatar of Modernism. New York: Garland Publishing, Inc., 1991.
  • Kreymborg, Alfred. Troubadour. [1925]. New York: Sagamore Press, 1957.
  • Larkin, Oliver. “Alfred Stieglitz and ‘291’.” Magazine of Art 40 (May 1947), 179-183.
  • Lovejoy, Arthur O. Essays in the History of Ideas. New York: G. P. Putnam’s Sons, 1948.
  • May, Henry F. The End of American Innocence. New York: Alfred A. Knopf, 1959.
  • Norman, Dorothy. Alfred Stieglitz: An American Seer. New York: Aperture Biography, 1990. Richardson, E. P. Painting in America. New York: Thomas A. Crowell, 1956.
  • Richardson, John Adkins. Modern Art and Scientific Thought. Urbana: University of Illinois Press, 1971.
  • Seligmann, Herbert J. Alfred Stieglitz Talking. New Haven: Yale University Press, 1966. Williams, William Carlos. “Recollections.” Art in America 51 (February 1963), 24-64.
Year 2005, Issue: 22, 5 - 18, 01.10.2005

Abstract

References

  • Abrams, Ann U. The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America. Atlanta: Emory University Press, 1975.
  • Brennan, Marcia. Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics. Cambridge, Mass.: MIT Press, 2001.
  • Brown, Milton. American Painting From the Armory Show to the Depression. Princeton: Princeton University Press, 1955.
  • -----. The Story of the Armory Show. New York: The Joseph H. Hirshhorn Foundation, 1963.
  • Bruno, Guido. “The Passing of ‘291’.” Pearsons’ Magazine 38 (March 1918), 402-403.
  • Dijkstra, Bram. Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton: Princeton University Press, 1969.
  • Gabler, Neal. Life the Movie: How Entertainment Conquered Reality. New York: Alfred A. Knopf, 1998.
  • Howe, Irving. Literary Modernism. New York: Fawcett World Library, 1967.
  • Hughes, Robert. American Visions: The Epic History of Art in America. London: Harvill Press, 1997.
  • Hunter, Samuel. Modern American Painting and Sculpture. New York: Dell Publishing Company, 1959.
  • Kiefer, Geraldine W. Alfred Stieglitz: Scientist, Photographer, and Avatar of Modernism. New York: Garland Publishing, Inc., 1991.
  • Kreymborg, Alfred. Troubadour. [1925]. New York: Sagamore Press, 1957.
  • Larkin, Oliver. “Alfred Stieglitz and ‘291’.” Magazine of Art 40 (May 1947), 179-183.
  • Lovejoy, Arthur O. Essays in the History of Ideas. New York: G. P. Putnam’s Sons, 1948.
  • May, Henry F. The End of American Innocence. New York: Alfred A. Knopf, 1959.
  • Norman, Dorothy. Alfred Stieglitz: An American Seer. New York: Aperture Biography, 1990. Richardson, E. P. Painting in America. New York: Thomas A. Crowell, 1956.
  • Richardson, John Adkins. Modern Art and Scientific Thought. Urbana: University of Illinois Press, 1971.
  • Seligmann, Herbert J. Alfred Stieglitz Talking. New Haven: Yale University Press, 1966. Williams, William Carlos. “Recollections.” Art in America 51 (February 1963), 24-64.
There are 18 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Ted Eversole This is me

Publication Date October 1, 2005
Published in Issue Year 2005 Issue: 22

Cite

MLA Eversole, Ted. “Alfred Stieglitz’s Camera Work, and the Early Cultivation of American Modernism”. Journal of American Studies of Turkey, no. 22, 2005, pp. 5-18.

JAST - Journal of American Studies of Turkey