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Talking about Collaborations: Personal Memories and a Critical Study of Robert Creeley’s Collaboration with Artist Arthur Okamura

Year 2008, Issue: 27, 101 - 122, 01.04.2008

Abstract

I first met Robert Creeley in 2004 on a hot October Indian summer afternoon. Walking through Brown University’s elegant campus, heading to Creeley’s office, I experienced a bizarre feeling of both fear and excitement. I was about to meet the “subject” of my doctoral dissertation. Someone who, up to that moment, had only been a picture in a book and a voice recorded on a file, downloaded from the Internet.

References

  • Butterick, George F., ed. Charles Olson and Robert Creeley: The Complete Correspondence. Vol. VII. Santa Barbara: Black Sparrow Press, 1980.
  • Cage, John. Theme & Variation. New York: Station Hill Press, 1982.
  • Clemente, Francesco and Robert Creeley. Tandoori Satori and Commonplace. Waltham: The Rose Art Museum of Brandeis University, 2004.
  • Creeley, Robert. The Collected Poems of Robert Creeley 1945-1975. Berkeley: U of California P, 1982.
  • ---. Autobiography. New York: Henuman Books, 1990.
  • ---. “Interview with Linda Wagner.” Tales Out of School: Selected Interviews (Poets on Poetry). Ann Arbor: U of Michigan P, 1993.
  • Eco, Umberto. Opera Aperta: Forma e Indeterminazione nelle Poetiche Contemporanee. 1962. Milano: Bompiani, 2000.
  • Laubiès, René and Robert Creeley. The Immoral Proposition. Karlsruhre: Jonathan Williams, 1953.
  • Lyotard, Jean-François. Discours, figure. Paris: Editions Klincksieck, 1971.
  • Maldinay, Henri. Regard, Parole, Espace. Lausanne: L’Age de l’homme, 1994.
  • Montefalcone, Barbara. “An Active and Defining Presence: Le visible et le lisible dans l’oeuvre collaborative de Robert Creeley.” Revue Lisa / Lisa e-journal 5.2 (2007) .
  • Okamura, Arthur, and Robert Creeley. 1°2°3°4°5°6°7°8°9°0°. San Francisco/Berkeley: Mudra/ Shambala, 1971.
Year 2008, Issue: 27, 101 - 122, 01.04.2008

Abstract

References

  • Butterick, George F., ed. Charles Olson and Robert Creeley: The Complete Correspondence. Vol. VII. Santa Barbara: Black Sparrow Press, 1980.
  • Cage, John. Theme & Variation. New York: Station Hill Press, 1982.
  • Clemente, Francesco and Robert Creeley. Tandoori Satori and Commonplace. Waltham: The Rose Art Museum of Brandeis University, 2004.
  • Creeley, Robert. The Collected Poems of Robert Creeley 1945-1975. Berkeley: U of California P, 1982.
  • ---. Autobiography. New York: Henuman Books, 1990.
  • ---. “Interview with Linda Wagner.” Tales Out of School: Selected Interviews (Poets on Poetry). Ann Arbor: U of Michigan P, 1993.
  • Eco, Umberto. Opera Aperta: Forma e Indeterminazione nelle Poetiche Contemporanee. 1962. Milano: Bompiani, 2000.
  • Laubiès, René and Robert Creeley. The Immoral Proposition. Karlsruhre: Jonathan Williams, 1953.
  • Lyotard, Jean-François. Discours, figure. Paris: Editions Klincksieck, 1971.
  • Maldinay, Henri. Regard, Parole, Espace. Lausanne: L’Age de l’homme, 1994.
  • Montefalcone, Barbara. “An Active and Defining Presence: Le visible et le lisible dans l’oeuvre collaborative de Robert Creeley.” Revue Lisa / Lisa e-journal 5.2 (2007) .
  • Okamura, Arthur, and Robert Creeley. 1°2°3°4°5°6°7°8°9°0°. San Francisco/Berkeley: Mudra/ Shambala, 1971.
There are 12 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Barbara Montefalcone This is me

Publication Date April 1, 2008
Published in Issue Year 2008 Issue: 27

Cite

MLA Montefalcone, Barbara. “Talking about Collaborations: Personal Memories and a Critical Study of Robert Creeley’s Collaboration With Artist Arthur Okamura”. Journal of American Studies of Turkey, no. 27, 2008, pp. 101-22.

JAST - Journal of American Studies of Turkey