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In Sickness and in Health: “Performativity” and “Autopoiesis” in US Feminist Theater

Year 2010, Issue: 31, 79 - 96, 01.04.2010

Abstract

In 1973, John Wilson described the methods of persuasion used by contemporary social movements as “more often than not, unorthodox, dramatic” 227 emphasis added . In the same year, Richard Schechner identified seven areas where performance theory and the social sciences coincided: 1 Performance of everyday life, including gatherings of every kind. 2 The structure of sports, ritual, play, and public political behaviors. 3 Analysis of various modes of communication other than the written word ; semiotics. 4 Connections between human and animal behavior patterns with an emphasis on play and ritualized behavior. 5 Aspects of psychotherapy that emphasize person-to-person interaction, acting out, and body awareness. 6 Ethnography and prehistory—both of exotic and familiar cultures from the Western perspective . 7 Constitution of unified theories of performance, which are, in fact, theories of behavior. 16 emphasis added 2

References

  • Boston Women’s Health Book Collective. Our Bodies, Ourselves. A New Edition for a New Era. New York: Simon and Schuster, 2005.
  • Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” The Performance Studies Reader. Ed. H. Bial. London: Routledge, 2004. 154-166.
  • Carlson, Marvin. “Perspectives on Performance: Germany and America.” The Transformative Power of Performance: A New Aesthetics. By Erika Fischer-Lichte. London: Routledge, 2008. 1-10.
  • Ehrenreich, Barbara, and Deirdre English. For Their Own Good: Two Centuries of Experts’ Advice to Women. New York: Anchor Books, 2005.
  • Ensler, Eve. The Good Body. London: William Heinemann, 2001.
  • ---. Insecure at Last: A Political Memoir. New York: Villard, 2006.
  • Fernández-Morales, Marta. “Más allá de los cuerpos dóciles. El teatro de Eve Ensler como proyecto ‘boaliano’.” Futhark. Revista de investigación y cultura. Forthcoming.
  • ---. “Enter… the Hysterical Lady. Medical Discourse and Gender in the Plays of Lisa Loomer and Sarah Ruhl.” Paper accepted to be presented at the 2012 EAAS Conference (Izmir, Turkey).
  • ---. “The New Breast Cancer (Im)patient: Female Revolt against Biomedical Violence in U.S. Drama.” Performing Gender Violence: Plays by Contemporary American Women Dramatists. Eds. N. Hernando and B. Ozieblo. Houndmills: Palgrave Macmillan, 2011. 97-112.
  • ---. “Francotiradoras culturales: el teatro y la performance como herramientas del Movimiento por la Salud de las Mujeres en los Estados Unidos. T. Ortiz et al. (coords.). La experiencia de enfermar en perspectiva histórica. Granada: Universidad de Granada, 2008. 159-162.
  • ---. “Foucauldian Biopower in Contemporary Anglo-American Theater: Margaret Edson and Nell Dunn.” Barcelona English Language and Literature Studies 15 (2006). Web.
  • ---. “Lenguaje, género y espacios de poder. Puesta en escena del discurso médico en Wit, de Margaret Edson.” Mujeres, espacio & poder. Eds. M. Arriaga et. al. Sevilla: ArCiBel, 2006. 266-275.
  • Fischer-Lichte, Erika. The Transformative Power of Performance: A. New Aesthetics. London: Routledge, 2008.
  • Freeman, John. New Performance/New Writing. Houndmills: Palgrave Macmillan, 2007.
  • Gamson, William A. “Bystanders, Public Opinion, and the Media.” Eds. D. A. Snow, S. A. Soule, and H. Kriesi. The Blackwell Companion to Social Movements. Malden: Blackwell, 2007. 242-261.
  • Goodwin, Jeff, James Jasper, and Francesca Polletta. Passionate Politics: Emotions and Social Movements. Chicago: U of Chicago P, 2001.
  • ---. “Emotional Dimensions of Social Movements.” Eds. D. A. Snow, S. A. Soule, and H. Kriesi. The Blackwell Companion to Social Movements. Malden: Blackwell, 2007. 413-432.
  • Greene, Alexis. Women Who Write Plays: Interviews with American Dramatists. Hanover: Smith and Kraus, 2001.
  • Heddon, Deirdre. Autobiography and Performance. Houndmills: Palgrave Macmillan, 2008.
  • Howell, Anthony. The Analysis of Performance Art: A Guide to Its Theory and Practice. Amsterdam: Harwood, 2006.
  • Kapsalis, Terri. Public Privates: Performing Gynaecology from Both Ends of the Speculum. Durham: Duke UP, 1997.
  • Kleinman, Arthur. The Illness Narratives: Suffering, Healing and the Human Condition. New York: Basic Books, 1988.
  • Kron, Lisa. Well. New York: Theater Communications Group, 2006.
  • Morgen, Sandra. Into Our Own Hands: The Women’s Health Movement in the United States, 1969-1990. New Brunswick: Rutgers UP, 2002.
  • Park-Fuller, Linda. “A Clean Breast of It.” Voices Made Flesh: Performing Women’s Autobiography. Eds. L. C. Miller, J. Taylor, and M. H. Carver. Madison: U of Wisconsin P, 2003. 215-236.
  • Pavis, Patrice. Diccionario del teatro. Dramaturgia, estética, semiología. Barcelona: Paidós, 1998.
  • Román, David. Performance in America: Contemporary U.S. Culture and the Performing Arts. Durham: Duke UP, 2005.
  • Schechner, Richard. Performance Studies: An Introduction. New York: Routledge, 2006.
  • Schroeder, Patricia R. “Locked Behind the Proscenium: Feminist Strategies in Getting Out and My Sister in This House.” Feminist Theatre and Theory. Ed. H. Keyssar London: New Casebooks, 1996. 155-167.
  • Snow, David A., Sarah A. Soule, and Hanspeter Kriesi. “Mapping the Terrain.” The Blackwell Companion to Social Movements. Eds. D. A. Snow, S. A. Soule, and H. Kriesi. Malden: Blackwell, 2007. 3-16.
  • Spry, Tami. “Illustrated Woman. Autoperformance in Skins: A Daughter’s (Re)construction of Cancer and Tattoo Stories: A Postscript to ‘Skins.’” Voices Made Flesh: Performing Women’s Autobiography. Eds. L. C. Miller, J. Taylor, and M. H. Carver. Madison: U of Wisconsin P, 2003. 167-174.
  • ---. Skins: A Daughter’s (Re)construction of Cancer. Voices Made Flesh. Performing Women’s Autobiography. Eds. L. C. Miller, J. Taylor, and M. H. Carver. Madison: U of Wisconsin P, 2003. 175-178.
  • Taylor, Verta, and Nella Van Dyke. “Get Up, Stand Up: Tactical Repertoires of Social Movements.” Eds. D. A. Snow, S. A. Soule and H. Kriesi. The Blackwell Companion to Social Movements. Malden: Blackwell, 2007. 262-293.
  • Tuana, Nancy. “The Speculum of Ignorance: The Women’s Health Movement and Epistemologies of Ignorance.” University of Southern Indiana, 2006. 7 June 2011 .
  • Williams, Rhys S. “The Cultural Contexts of Collective Action: Constraints, Opportunities, and the Symbolic Life of Social Movements.” The Blackwell Companion to Social Movements. Eds. D. A. Snow, S. A. Soule, and H. Kriesi. Malden: Blackwell, 2007. 90-115.
  • Wilson, John. Introduction to Social Movements. New York: Basic Books, 1973.
Year 2010, Issue: 31, 79 - 96, 01.04.2010

Abstract

References

  • Boston Women’s Health Book Collective. Our Bodies, Ourselves. A New Edition for a New Era. New York: Simon and Schuster, 2005.
  • Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” The Performance Studies Reader. Ed. H. Bial. London: Routledge, 2004. 154-166.
  • Carlson, Marvin. “Perspectives on Performance: Germany and America.” The Transformative Power of Performance: A New Aesthetics. By Erika Fischer-Lichte. London: Routledge, 2008. 1-10.
  • Ehrenreich, Barbara, and Deirdre English. For Their Own Good: Two Centuries of Experts’ Advice to Women. New York: Anchor Books, 2005.
  • Ensler, Eve. The Good Body. London: William Heinemann, 2001.
  • ---. Insecure at Last: A Political Memoir. New York: Villard, 2006.
  • Fernández-Morales, Marta. “Más allá de los cuerpos dóciles. El teatro de Eve Ensler como proyecto ‘boaliano’.” Futhark. Revista de investigación y cultura. Forthcoming.
  • ---. “Enter… the Hysterical Lady. Medical Discourse and Gender in the Plays of Lisa Loomer and Sarah Ruhl.” Paper accepted to be presented at the 2012 EAAS Conference (Izmir, Turkey).
  • ---. “The New Breast Cancer (Im)patient: Female Revolt against Biomedical Violence in U.S. Drama.” Performing Gender Violence: Plays by Contemporary American Women Dramatists. Eds. N. Hernando and B. Ozieblo. Houndmills: Palgrave Macmillan, 2011. 97-112.
  • ---. “Francotiradoras culturales: el teatro y la performance como herramientas del Movimiento por la Salud de las Mujeres en los Estados Unidos. T. Ortiz et al. (coords.). La experiencia de enfermar en perspectiva histórica. Granada: Universidad de Granada, 2008. 159-162.
  • ---. “Foucauldian Biopower in Contemporary Anglo-American Theater: Margaret Edson and Nell Dunn.” Barcelona English Language and Literature Studies 15 (2006). Web.
  • ---. “Lenguaje, género y espacios de poder. Puesta en escena del discurso médico en Wit, de Margaret Edson.” Mujeres, espacio & poder. Eds. M. Arriaga et. al. Sevilla: ArCiBel, 2006. 266-275.
  • Fischer-Lichte, Erika. The Transformative Power of Performance: A. New Aesthetics. London: Routledge, 2008.
  • Freeman, John. New Performance/New Writing. Houndmills: Palgrave Macmillan, 2007.
  • Gamson, William A. “Bystanders, Public Opinion, and the Media.” Eds. D. A. Snow, S. A. Soule, and H. Kriesi. The Blackwell Companion to Social Movements. Malden: Blackwell, 2007. 242-261.
  • Goodwin, Jeff, James Jasper, and Francesca Polletta. Passionate Politics: Emotions and Social Movements. Chicago: U of Chicago P, 2001.
  • ---. “Emotional Dimensions of Social Movements.” Eds. D. A. Snow, S. A. Soule, and H. Kriesi. The Blackwell Companion to Social Movements. Malden: Blackwell, 2007. 413-432.
  • Greene, Alexis. Women Who Write Plays: Interviews with American Dramatists. Hanover: Smith and Kraus, 2001.
  • Heddon, Deirdre. Autobiography and Performance. Houndmills: Palgrave Macmillan, 2008.
  • Howell, Anthony. The Analysis of Performance Art: A Guide to Its Theory and Practice. Amsterdam: Harwood, 2006.
  • Kapsalis, Terri. Public Privates: Performing Gynaecology from Both Ends of the Speculum. Durham: Duke UP, 1997.
  • Kleinman, Arthur. The Illness Narratives: Suffering, Healing and the Human Condition. New York: Basic Books, 1988.
  • Kron, Lisa. Well. New York: Theater Communications Group, 2006.
  • Morgen, Sandra. Into Our Own Hands: The Women’s Health Movement in the United States, 1969-1990. New Brunswick: Rutgers UP, 2002.
  • Park-Fuller, Linda. “A Clean Breast of It.” Voices Made Flesh: Performing Women’s Autobiography. Eds. L. C. Miller, J. Taylor, and M. H. Carver. Madison: U of Wisconsin P, 2003. 215-236.
  • Pavis, Patrice. Diccionario del teatro. Dramaturgia, estética, semiología. Barcelona: Paidós, 1998.
  • Román, David. Performance in America: Contemporary U.S. Culture and the Performing Arts. Durham: Duke UP, 2005.
  • Schechner, Richard. Performance Studies: An Introduction. New York: Routledge, 2006.
  • Schroeder, Patricia R. “Locked Behind the Proscenium: Feminist Strategies in Getting Out and My Sister in This House.” Feminist Theatre and Theory. Ed. H. Keyssar London: New Casebooks, 1996. 155-167.
  • Snow, David A., Sarah A. Soule, and Hanspeter Kriesi. “Mapping the Terrain.” The Blackwell Companion to Social Movements. Eds. D. A. Snow, S. A. Soule, and H. Kriesi. Malden: Blackwell, 2007. 3-16.
  • Spry, Tami. “Illustrated Woman. Autoperformance in Skins: A Daughter’s (Re)construction of Cancer and Tattoo Stories: A Postscript to ‘Skins.’” Voices Made Flesh: Performing Women’s Autobiography. Eds. L. C. Miller, J. Taylor, and M. H. Carver. Madison: U of Wisconsin P, 2003. 167-174.
  • ---. Skins: A Daughter’s (Re)construction of Cancer. Voices Made Flesh. Performing Women’s Autobiography. Eds. L. C. Miller, J. Taylor, and M. H. Carver. Madison: U of Wisconsin P, 2003. 175-178.
  • Taylor, Verta, and Nella Van Dyke. “Get Up, Stand Up: Tactical Repertoires of Social Movements.” Eds. D. A. Snow, S. A. Soule and H. Kriesi. The Blackwell Companion to Social Movements. Malden: Blackwell, 2007. 262-293.
  • Tuana, Nancy. “The Speculum of Ignorance: The Women’s Health Movement and Epistemologies of Ignorance.” University of Southern Indiana, 2006. 7 June 2011 .
  • Williams, Rhys S. “The Cultural Contexts of Collective Action: Constraints, Opportunities, and the Symbolic Life of Social Movements.” The Blackwell Companion to Social Movements. Eds. D. A. Snow, S. A. Soule, and H. Kriesi. Malden: Blackwell, 2007. 90-115.
  • Wilson, John. Introduction to Social Movements. New York: Basic Books, 1973.
There are 36 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Marta Fernández-morales This is me

Publication Date April 1, 2010
Published in Issue Year 2010 Issue: 31

Cite

MLA Fernández-morales, Marta. “In Sickness and in Health: “Performativity” and ‘Autopoiesis’ in US Feminist Theater”. Journal of American Studies of Turkey, no. 31, 2010, pp. 79-96.

JAST - Journal of American Studies of Turkey