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Myra in Middle-Age: The Creatrix in Her Contexts

Year 2012, Issue: 35, 39 - 66, 01.06.2012

Abstract

In 1968, two versions of Myra Breckinridge appeared: the complete text in the United States; and, in Great Britain, a text with “certain excisions” allowed by the author.1 As the late Gore Vidal’s biographer, Fred Kaplan, noted, “In distant Australia, Myra itself became the text of a court case resulting in a ruling that allowed Australian readers to determine what books they would read” 589 . The publication in 1986 of the revised Myra Breckinridge and Myron together in one volume effected a late transformation of these novels about transformation.2 T

References

  • Altman, Dennis. Gore Vidal’s America. Cambridge: Polity Press, 2005. Print.
  • Apuleius. The Golden Ass. Trans. William Aldington. Rev. ed. Hertfordshire: Wordsworth Editions Ltd., 1996. Print.
  • Baker, Susan and Curtis S. Gibson. Gore Vidal: A Critical Companion. Westport, CT: Greenwood Press, 1997. Print.
  • Behrendt, Jorg. Homosexuality in the Work of Gore Vidal. Hamburg: LIT Verlag, 2002. Print.
  • Boyette, Purvis E. “Myra Breckinridge and Imitative Form.” Modern Fiction Studies 17:2 (Summer 1971): 229-238. Print.
  • Bram, Christopher. Eminent Outlaws: The Gay Writers Who Changed America. New York: Twelve, 2012. Print.
  • Carroll, Lewis. Alice’s Adventures in Wonderland and Through the LookingGlass. 1871. Ed. Hugh Haughton. Harmondsworth, Middlesex, Penguin Books, 2009. Print.
  • Chase, Richard. The American Novel and Its Tradition. Garden City, N.Y: Doubleday and Co., 1957. Print.
  • De Cervantes Saavedra, Miguel. The Adventures of Don Quixote. 1604, 1614.
  • Trans. J.M. Cohen. Harmondsworth, Middlesex: Penguin Books, 1950. Print.
  • De Laclos, Choderlos. Les Liaisons Dangereuses. 1924. Trans. Richard Aldington. London: Routledge and Kegan Paul, 1970. Print.
  • Delaney, Frank. “An all-American Apostate.” Sunday Times 29 Oct. 1989: G9. Print.
  • Eagleton, Terry. The Rape of Clarissa: Writing, Sexuality and Class Struggle in Samuel Richardson. Minneapolis: U. of Minnesota Press, 1982. Print.
  • Fielding, Henry. Shamela and Joseph Andrews. Oxford: Oxford UP., 1970. Print.
  • Frank, Marcie. How to Be An Intellectual in the Age of TV: The Lessons of Gore Vidal. Durham and London: Duke UP., 2005. Print.
  • Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981. Print.
  • Johnston, Sheila. “Book of the films.” The Independent (London). 2 Nov. 1989, 21. Print.
  • Kaplan, Fred. Gore Vidal: A Biography. London: Bloomsbury, 1999. Print.
  • Kappeler, Susanne. The Pornography of Representation. Cambridge: Polity Press, 1968. Print.
  • Katz, Ephraim. The International Film Encyclopedia. London: The Macmillan Press, 1980. Print.
  • Frank Kermode. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford UP., 1967. Print.
  • Kiernan, Robert F. Gore Vidal. New York: Frederick Ungar, 1982. Print.
  • Loos, Anita. “Introduction.” Gentlemen Prefer Blondes/Gentlemen Marry Brunettes. 1963. 10-16. London: Picador, 1982. Print.
  • MacKinnon, Catherine. “Pornography, Civil Rights and Speech.” Francis Biddle Memorial Lecture, Harvard Law School, 5 Apr. 1984.
  • Pornography and Sexual Violence: Evidence of the Links. 1-3. London: Everywoman, 1988. Print.
  • Mailer, Norman. The Deer Park. 1955. New York: Vintage, 1997. Print.
  • ---. The Prisoner of Sex. London: Weidenfeld and Nicolson, 1971. Print.
  • Malthus, Thomas. “A Summary View of the Principle of Population” (1830). Introduction to Malthus. Ed. D. V. Glass. 119-81. London: Watts and Co., 1953. Print.
  • Moore, Nicole. The Censor’s Library: Uncovering the Lost History of Australia’s Banned Books. St. Lucia: U. of Queensland Press, 2012. Print.
  • Neilson, Heather. “Encountering Gore Vidal.” An Interview with Gore Vidal conducted at his home in Beverly Hills in December 1985.
  • Antithesis: A Postgraduate Journal of the Humanities 1.2 (1987): 41-58. Print.
  • Peabody, Richard, and Lucinda Ebersole, eds. Conversations with Gore Vidal. Jackson: U. of Mississippi Press, 2005. Print.
  • Petronius. The Satyricon. Trans. J. P. Sullivan. Harmondsworth: Penguin Classics, 2012. Print.
  • Poirier, Richard. The Renewal of Literature: Emersonian Reflections. London and Boston: Faber and Faber, 1987. Print.
  • Richardson, Samuel. Clarissa, or the History of a Young Lady. Harmondsworth, Middlesex: Penguin Books, 1985. Print.
  • ---. Pamela; or, Virtue Rewarded. Harmondsworth, Middlesex: Penguin Books, 1980. Print.
  • Robbe-Grillet, Alain. La Jalousie. Trans. Richard Howard. London: John Calder, 1960. Print.
  • Ross, Mitchell S. The Literary Politicians. New York: Doubleday and Company, 1978. Print.
  • Ruas, Charles. Conversations with American Writers. London: Quartet Books, 1984. Print.
  • Sage, Lorna. “What a Frightful Bore it is to be Gore.” Observer Magazine, 15 Nov. 1987: 54-56. Print.
  • Sontag, Susan. “Notes on Camp.” Against Interpretation and Other Essays. 280-7. London: Eyre and Spottiswoode, 1967. Print.
  • Stanton, Robert J. and Gore Vidal, eds. Views from a Window: Conversations With Gore Vidal. Secaucus, NJ.: Lyle Stuart Inc., 1980. Print.
  • Stimpson, Catharine R. “My O My O Myra.” Gore Vidal: Writer Against the Grain.Ed. Jay Parini. 183-98. New York: Columbia UP, 1992. Print.
  • A Streetcar Named Desire. Dir. Eliz Kazan. Perf. Marlon Brando, Vivien Leigh, Karl Malden. Columbia Pictures, 1951. Film.
  • Tyler, Parker. The Hollywood Hallucination. New York: Creative Age Press, 1944. Print.
  • ---. Magic and Myth of the Movies. New York: Henry Holt and Company, 1947. Print.
  • ---. Magic and Myth of the Movies. London: Secker and Warburg, 1971. Print.
  • Vidal, Gore. The City and the Pillar. London: John Lehman, 1949. Print.
  • ---. Duluth. London: Panther Books, 1984. Print.
  • ---. Empire: A Novel. New York: Random House, 1987. Print.
  • ---. “French Letters: Theories of the New Novel.” United States: Essays 1952- 1992. 89-110. London: Andre Deutsch Ltd, 1993. Print.
  • ---. The Golden Age. New York: Doubleday, 2000. Print.
  • ---. “The Hacks of Academe” (1976). Matters of Fact and Fiction: Essays 1973-1976. 87-92. London: Heinemann, 1977. Print.
  • ---. Hollywood: A Novel of the Twenties. London: Andre Deutsch, 1989. Print.
  • ---. “The Holy Family” (1967). United States: Essays 1952-1992. 809-26. London: Andre Deutsch Ltd, 1993. Print.
  • ---. Kalki. London: Heinemann, 1978. Print.
  • ---. Letter to Heather Neilson, 2 Apr. 1988. Unpub. letter.
  • ---. Myra Breckinridge &Myron. New York: Random House, 1986. Print.
  • ---. Myra Breckinridge & Myron. London: Andre Deutsch, 1987. Print.
  • ---. Palimpsest: A Memoir. London: Andre Deutsch, 1995. Print.
  • ---. “Pornography” (1966). United States: Essays 1952-1992. 558-69. London: Andre Deutsch Ltd, 1993. Print.
  • ---. Screening History. London: Andre Deutsch, 1992. Print.
  • ---. “Women’s Liberation Meets Miller-Mailer-Manson Man” (1971). On Our Own Now. 364-77. St. Albans: Panther Books, 1986. Print.
  • Warren, Robert Penn. All the King’s Men. 1946. Orlando, Florida: Harcourt, Brace, Jovanovich, 1984. Print.
  • Weightman, John. The Concept of the Avant-Garde: Explorations in Modernism. London: Alcove Press, 1973. Print.
Year 2012, Issue: 35, 39 - 66, 01.06.2012

Abstract

References

  • Altman, Dennis. Gore Vidal’s America. Cambridge: Polity Press, 2005. Print.
  • Apuleius. The Golden Ass. Trans. William Aldington. Rev. ed. Hertfordshire: Wordsworth Editions Ltd., 1996. Print.
  • Baker, Susan and Curtis S. Gibson. Gore Vidal: A Critical Companion. Westport, CT: Greenwood Press, 1997. Print.
  • Behrendt, Jorg. Homosexuality in the Work of Gore Vidal. Hamburg: LIT Verlag, 2002. Print.
  • Boyette, Purvis E. “Myra Breckinridge and Imitative Form.” Modern Fiction Studies 17:2 (Summer 1971): 229-238. Print.
  • Bram, Christopher. Eminent Outlaws: The Gay Writers Who Changed America. New York: Twelve, 2012. Print.
  • Carroll, Lewis. Alice’s Adventures in Wonderland and Through the LookingGlass. 1871. Ed. Hugh Haughton. Harmondsworth, Middlesex, Penguin Books, 2009. Print.
  • Chase, Richard. The American Novel and Its Tradition. Garden City, N.Y: Doubleday and Co., 1957. Print.
  • De Cervantes Saavedra, Miguel. The Adventures of Don Quixote. 1604, 1614.
  • Trans. J.M. Cohen. Harmondsworth, Middlesex: Penguin Books, 1950. Print.
  • De Laclos, Choderlos. Les Liaisons Dangereuses. 1924. Trans. Richard Aldington. London: Routledge and Kegan Paul, 1970. Print.
  • Delaney, Frank. “An all-American Apostate.” Sunday Times 29 Oct. 1989: G9. Print.
  • Eagleton, Terry. The Rape of Clarissa: Writing, Sexuality and Class Struggle in Samuel Richardson. Minneapolis: U. of Minnesota Press, 1982. Print.
  • Fielding, Henry. Shamela and Joseph Andrews. Oxford: Oxford UP., 1970. Print.
  • Frank, Marcie. How to Be An Intellectual in the Age of TV: The Lessons of Gore Vidal. Durham and London: Duke UP., 2005. Print.
  • Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981. Print.
  • Johnston, Sheila. “Book of the films.” The Independent (London). 2 Nov. 1989, 21. Print.
  • Kaplan, Fred. Gore Vidal: A Biography. London: Bloomsbury, 1999. Print.
  • Kappeler, Susanne. The Pornography of Representation. Cambridge: Polity Press, 1968. Print.
  • Katz, Ephraim. The International Film Encyclopedia. London: The Macmillan Press, 1980. Print.
  • Frank Kermode. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford UP., 1967. Print.
  • Kiernan, Robert F. Gore Vidal. New York: Frederick Ungar, 1982. Print.
  • Loos, Anita. “Introduction.” Gentlemen Prefer Blondes/Gentlemen Marry Brunettes. 1963. 10-16. London: Picador, 1982. Print.
  • MacKinnon, Catherine. “Pornography, Civil Rights and Speech.” Francis Biddle Memorial Lecture, Harvard Law School, 5 Apr. 1984.
  • Pornography and Sexual Violence: Evidence of the Links. 1-3. London: Everywoman, 1988. Print.
  • Mailer, Norman. The Deer Park. 1955. New York: Vintage, 1997. Print.
  • ---. The Prisoner of Sex. London: Weidenfeld and Nicolson, 1971. Print.
  • Malthus, Thomas. “A Summary View of the Principle of Population” (1830). Introduction to Malthus. Ed. D. V. Glass. 119-81. London: Watts and Co., 1953. Print.
  • Moore, Nicole. The Censor’s Library: Uncovering the Lost History of Australia’s Banned Books. St. Lucia: U. of Queensland Press, 2012. Print.
  • Neilson, Heather. “Encountering Gore Vidal.” An Interview with Gore Vidal conducted at his home in Beverly Hills in December 1985.
  • Antithesis: A Postgraduate Journal of the Humanities 1.2 (1987): 41-58. Print.
  • Peabody, Richard, and Lucinda Ebersole, eds. Conversations with Gore Vidal. Jackson: U. of Mississippi Press, 2005. Print.
  • Petronius. The Satyricon. Trans. J. P. Sullivan. Harmondsworth: Penguin Classics, 2012. Print.
  • Poirier, Richard. The Renewal of Literature: Emersonian Reflections. London and Boston: Faber and Faber, 1987. Print.
  • Richardson, Samuel. Clarissa, or the History of a Young Lady. Harmondsworth, Middlesex: Penguin Books, 1985. Print.
  • ---. Pamela; or, Virtue Rewarded. Harmondsworth, Middlesex: Penguin Books, 1980. Print.
  • Robbe-Grillet, Alain. La Jalousie. Trans. Richard Howard. London: John Calder, 1960. Print.
  • Ross, Mitchell S. The Literary Politicians. New York: Doubleday and Company, 1978. Print.
  • Ruas, Charles. Conversations with American Writers. London: Quartet Books, 1984. Print.
  • Sage, Lorna. “What a Frightful Bore it is to be Gore.” Observer Magazine, 15 Nov. 1987: 54-56. Print.
  • Sontag, Susan. “Notes on Camp.” Against Interpretation and Other Essays. 280-7. London: Eyre and Spottiswoode, 1967. Print.
  • Stanton, Robert J. and Gore Vidal, eds. Views from a Window: Conversations With Gore Vidal. Secaucus, NJ.: Lyle Stuart Inc., 1980. Print.
  • Stimpson, Catharine R. “My O My O Myra.” Gore Vidal: Writer Against the Grain.Ed. Jay Parini. 183-98. New York: Columbia UP, 1992. Print.
  • A Streetcar Named Desire. Dir. Eliz Kazan. Perf. Marlon Brando, Vivien Leigh, Karl Malden. Columbia Pictures, 1951. Film.
  • Tyler, Parker. The Hollywood Hallucination. New York: Creative Age Press, 1944. Print.
  • ---. Magic and Myth of the Movies. New York: Henry Holt and Company, 1947. Print.
  • ---. Magic and Myth of the Movies. London: Secker and Warburg, 1971. Print.
  • Vidal, Gore. The City and the Pillar. London: John Lehman, 1949. Print.
  • ---. Duluth. London: Panther Books, 1984. Print.
  • ---. Empire: A Novel. New York: Random House, 1987. Print.
  • ---. “French Letters: Theories of the New Novel.” United States: Essays 1952- 1992. 89-110. London: Andre Deutsch Ltd, 1993. Print.
  • ---. The Golden Age. New York: Doubleday, 2000. Print.
  • ---. “The Hacks of Academe” (1976). Matters of Fact and Fiction: Essays 1973-1976. 87-92. London: Heinemann, 1977. Print.
  • ---. Hollywood: A Novel of the Twenties. London: Andre Deutsch, 1989. Print.
  • ---. “The Holy Family” (1967). United States: Essays 1952-1992. 809-26. London: Andre Deutsch Ltd, 1993. Print.
  • ---. Kalki. London: Heinemann, 1978. Print.
  • ---. Letter to Heather Neilson, 2 Apr. 1988. Unpub. letter.
  • ---. Myra Breckinridge &Myron. New York: Random House, 1986. Print.
  • ---. Myra Breckinridge & Myron. London: Andre Deutsch, 1987. Print.
  • ---. Palimpsest: A Memoir. London: Andre Deutsch, 1995. Print.
  • ---. “Pornography” (1966). United States: Essays 1952-1992. 558-69. London: Andre Deutsch Ltd, 1993. Print.
  • ---. Screening History. London: Andre Deutsch, 1992. Print.
  • ---. “Women’s Liberation Meets Miller-Mailer-Manson Man” (1971). On Our Own Now. 364-77. St. Albans: Panther Books, 1986. Print.
  • Warren, Robert Penn. All the King’s Men. 1946. Orlando, Florida: Harcourt, Brace, Jovanovich, 1984. Print.
  • Weightman, John. The Concept of the Avant-Garde: Explorations in Modernism. London: Alcove Press, 1973. Print.
There are 65 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Heather Neilson This is me

Publication Date June 1, 2012
Published in Issue Year 2012 Issue: 35

Cite

MLA Neilson, Heather. “Myra in Middle-Age: The Creatrix in Her Contexts”. Journal of American Studies of Turkey, no. 35, 2012, pp. 39-66.

JAST - Journal of American Studies of Turkey