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Year 2016, Issue: 44, 1 - 13, 01.04.2016

Abstract

References

  • Fishman, Donald. “The Cold War; Three Episodes in Waging a Cinematic Battle.” War and Film in America: Historical and Critical Essays. Ed. Marilyn, J. Matelski and Nancy Lynch Street. Jefferson: McFarland & Company, Inc., 2003. 43-66. Print.
  • Handel, Gerald., et al. Children and Society: The Sociology of Children and Childhood Socialization. New York: Oxford University Press, 2007. 319. Print.
  • Heins, Marjorie. Not in Front of the Children: “Indecency,” Censorship, and the Innocence of Youth. New York: Hill and Wang, 2002. 230. Print.
  • How I Live Now. Dir. Kevin Macdonald. Perf. Saoirse Ronan, Tom Holland, Harley Bird, and George MacKay. BFI Film Fund, 2013. DVD.
  • Lacy, Mark J., “War, Cinema, and Moral Anxiety.” Alternatives: Global, Local, Political. 28.5 (Nov. Dec. 2003): 611-636. Web. 25 Apr. 2014.
  • Marsden, John. Tomorrow, When the War Began. New York: Scholastic, Inc. 1993. 57-80. Print.
  • Matelski, Marilyn, J., Street, Nancy Lynch. War and Film in America: Historical and Critical Essays. Jefferson: McFarland & Company, Inc., 2003. Print.
  • Naremore, James. Film Adaptation. New Brunswick: Rutgers University Press, 2000. 57. Print.
  • Parker, Holt N. “Toward a Definition of Popular Culture.” History and Theory. 50 (May 2011): 147-170. Web. Apr. 2011.
  • Pyszczynski, Tom., et al. In The Wake of 9/11: The Psychology of Terror. Washington, DC: American Psychological Association, 2003. 27. Print.
  • Red Dawn. Dir.John Milius. Perf. Patrick Swayze, C. Thomas Howell, and Lea Thompson. MGM, 1984. DVD.
  • Red Dawn. Dir. Dan Bradley. Perf. Chris Hemsworth, Josh Peck, Isabel Lucas, and Josh Hutcherson. 20th Century Fox Home Entertainment, 2012. DVD.
  • Stam, Robert. “Beyond Fidelity: The Dialogics of Adaptation.” Film Adaptation. Ed. James Naremore. New Brunswick: Rutgers University Press, 2000. 54-76. Print.
  • Tomorrow When the War Began. Dir. Colin Friels. Perf. Caitlin Stasey, Rachel Hurd-Wood, and Lincoln Lewis. PARAMOUNT Pictures (Aust), 2010. DVD.

Overriding Values: Locating Post-9/11 Anxieties in Adaptation and Youth Culture

Year 2016, Issue: 44, 1 - 13, 01.04.2016

Abstract

Robert Stam’s “Beyond Fidelity: The Dialogics of Adaptation” contends that alterations in adapted texts can be attributed to “evershifting grids of interpretation” 57 . Adaptors may utilize a familiar text from the past, but the cultural climate they share with their audience will override the values and anxieties found in the earlier expression. Stam further explains “the greater the lapse of time…the more likely the reinterpretation [will occur] through the values of the present” 57 . The most recent adaptations of Tomorrow, When the War Began 2010 , Red Dawn 2012 , and How I Live Now 2013 invite a textual reformulation that demonstrates Stam’s suggestion. All three films, adaptations in their own right, allow post-9/11 cultural anxieties and ideologies to replace the post-Cold war anxieties that marked their earlier expression. Moreover, all three films specifically locate the more current anxieties and ideologies in youth and youth culture, which teen audiences will consider as they shape the world in which they live

References

  • Fishman, Donald. “The Cold War; Three Episodes in Waging a Cinematic Battle.” War and Film in America: Historical and Critical Essays. Ed. Marilyn, J. Matelski and Nancy Lynch Street. Jefferson: McFarland & Company, Inc., 2003. 43-66. Print.
  • Handel, Gerald., et al. Children and Society: The Sociology of Children and Childhood Socialization. New York: Oxford University Press, 2007. 319. Print.
  • Heins, Marjorie. Not in Front of the Children: “Indecency,” Censorship, and the Innocence of Youth. New York: Hill and Wang, 2002. 230. Print.
  • How I Live Now. Dir. Kevin Macdonald. Perf. Saoirse Ronan, Tom Holland, Harley Bird, and George MacKay. BFI Film Fund, 2013. DVD.
  • Lacy, Mark J., “War, Cinema, and Moral Anxiety.” Alternatives: Global, Local, Political. 28.5 (Nov. Dec. 2003): 611-636. Web. 25 Apr. 2014.
  • Marsden, John. Tomorrow, When the War Began. New York: Scholastic, Inc. 1993. 57-80. Print.
  • Matelski, Marilyn, J., Street, Nancy Lynch. War and Film in America: Historical and Critical Essays. Jefferson: McFarland & Company, Inc., 2003. Print.
  • Naremore, James. Film Adaptation. New Brunswick: Rutgers University Press, 2000. 57. Print.
  • Parker, Holt N. “Toward a Definition of Popular Culture.” History and Theory. 50 (May 2011): 147-170. Web. Apr. 2011.
  • Pyszczynski, Tom., et al. In The Wake of 9/11: The Psychology of Terror. Washington, DC: American Psychological Association, 2003. 27. Print.
  • Red Dawn. Dir.John Milius. Perf. Patrick Swayze, C. Thomas Howell, and Lea Thompson. MGM, 1984. DVD.
  • Red Dawn. Dir. Dan Bradley. Perf. Chris Hemsworth, Josh Peck, Isabel Lucas, and Josh Hutcherson. 20th Century Fox Home Entertainment, 2012. DVD.
  • Stam, Robert. “Beyond Fidelity: The Dialogics of Adaptation.” Film Adaptation. Ed. James Naremore. New Brunswick: Rutgers University Press, 2000. 54-76. Print.
  • Tomorrow When the War Began. Dir. Colin Friels. Perf. Caitlin Stasey, Rachel Hurd-Wood, and Lincoln Lewis. PARAMOUNT Pictures (Aust), 2010. DVD.
There are 14 citations in total.

Details

Primary Language English
Journal Section Research Article
Authors

Margaret Harvey This is me

Publication Date April 1, 2016
Published in Issue Year 2016 Issue: 44

Cite

MLA Harvey, Margaret. “Overriding Values: Locating Post-9/11 Anxieties in Adaptation and Youth Culture”. Journal of American Studies of Turkey, no. 44, 2016, pp. 1-13.

JAST - Journal of American Studies of Turkey