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Year 2013, Issue: 3, 121 - 126, 01.06.2013

Abstract

In this article, Chopin's Fantasie-Impromptu (Op. Posth.66) has been analyzed both structually and harmonically. Fantasie-Impromptu, is one of the most performed piece among Chopin's other works and the major beauty is because it is based on a balanced form. In this piece, each section is separated into sub-sections and outlined schematically. This study will absolutely make the pianists to perform this piece more consciously and needless to say, gain the ability and be able to carry out and express what the composer's conception was

References

  • Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc.
  • Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press
  • Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc.
  • Caplin, William E - Webster, James. (2009). Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press
  • Berry, Wallace. (1987). Structural Functions in Music. Dover Publications
  • Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus

Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi

Year 2013, Issue: 3, 121 - 126, 01.06.2013

Abstract

References

  • Stein, Leon. (1979). The Study and Analysis of Musical Forms. U.S.A: Summy-Birchard Inc.
  • Eigeldinger, Jean-Jacques. (1989). Chopin;Pianist and Teacher. Cambridge University Press
  • Spencer, Peter – Temko, Peter M. (1994). Practical Approach to the Study of Form in Music. Waveland Pr Inc.
  • Caplin, William E - Webster, James. (2009). Musical Form, Forms and MusikLehre; Three Methodologicial Reflections. Leuven University Press
  • Berry, Wallace. (1987). Structural Functions in Music. Dover Publications
  • Editor: Zimmermann, Ewald – Theopold, Hans M. (1974). Chopin Impromtus
There are 6 citations in total.

Details

Primary Language Turkish
Journal Section Makaleler
Authors

Metin Munzur This is me

Publication Date June 1, 2013
Published in Issue Year 2013 Issue: 3

Cite

APA Munzur, M. (2013). Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. Journal of Education and Future, 1(3), 121-126.
AMA Munzur M. Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. JEF. June 2013;1(3):121-126.
Chicago Munzur, Metin. “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal Ve Armonik Bakımdan Analizi”. Journal of Education and Future 1, no. 3 (June 2013): 121-26.
EndNote Munzur M (June 1, 2013) Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. Journal of Education and Future 1 3 121–126.
IEEE M. Munzur, “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi”, JEF, vol. 1, no. 3, pp. 121–126, 2013.
ISNAD Munzur, Metin. “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal Ve Armonik Bakımdan Analizi”. Journal of Education and Future 1/3 (June 2013), 121-126.
JAMA Munzur M. Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. JEF. 2013;1:121–126.
MLA Munzur, Metin. “Chopin’in ‘Fantasie İmpromptu’nun (Op. Posth. 66) Formal Ve Armonik Bakımdan Analizi”. Journal of Education and Future, vol. 1, no. 3, 2013, pp. 121-6.
Vancouver Munzur M. Chopin’in “Fantasie İmpromptu”nun (Op. Posth. 66) Formal ve Armonik Bakımdan Analizi. JEF. 2013;1(3):121-6.

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