Research Article
BibTex RIS Cite
Year 2022, Volume: 4 Issue: 2, 12 - 30, 02.11.2022

Abstract

References

  • Ashcroft, B., Griffiths, G., & Tiffin, H. (1989). The Empire Writes Back. Theory and Practice in Post-Colonial Literatures. London: Routledge.
  • Bhabha, H. K. (1994). The Location of Culture, London: Routledge.
  • Buchanan, B. (2003). Caryl Phillips: Colonialism, Cultural Hybridity and Racial Difference. In R. J. Lane, R. Mengham & P. Tew (Eds.) Contemporary British Fiction (pp. 174-190). Cambridge: Polity.
  • Desai, A., Phillips, C., & Stavans, I. (1994). The Other Voice. Transition, 64, 77–89. doi:10.2307/2935309
  • Guerin, L.W., Labor, E. G., Morgan, L., & Willingham, J. R. (1992). A Handbook of Crtical Approaches to Literature. New York: Harper&Row.
  • Hall, K. (2001). British Cultural Identities and the Legacy of the Empire. British Cultural Studies. (pp. 27-40). Oxford: Oxford UP.
  • Kureishi, H. (1996). The Rainbow Sign. My Beautiful Laundrette. (71-102). London: Faber and Faber.
  • Lahiri, S. (2001) South Asians in post-imperial Britain: Decolonisation and imperial legacy. In S. Ward. (Ed.), British Culture and the end of empire (pp. 200-216). Manchester: Manchester UP.
  • Levy, A. (2004). Small Island. Great Britain: Review.
  • ---. (2000, February 19). This is My England. Retrieved from https://www.theguardian.com/books/2000/feb/19/society1 Phillips, C. (2003). A Distant Shore. London: Vintage.
  • Phillips, C., & Sharpe, J. (1995). Of This Time, of That Place. Transition, 68, 154–161. doi:10.2307/2935298
  • Phillips, C, & Jaggi, M. (2004). Caryl Phillips with Maya Jaggi. In N. Susheila (Ed.) Writing Across Worlds Contemporary writers talk (pp. 113-124). London and New York: Routledge.
  • Slemon, S. (1995). Unsettling the Empire. Resistance theory for the Second World. In B. Ashcroft et al (Eds.) The Post-colonial Studies Reader (pp 104-110). New York: Routledge.
  • Szamosi, G. (1995). The Concept of National Identity. In N. Wadham-Smith (Ed.) British Studies Now (pp. 97-101). 1(5). The British Council.
  • Şengenç, H. (2019). Trauma of Slavery and Witnessing in Fred D’Aguiar’s Feeding the Ghosts. In A. Atilla, D. Waterman, & C. A. Sanz Mingo (Eds.), Literature, Narrative and Trauma (pp. 189-199). Bornova, Izmir: Ege Üniversitesi Basımevi.
  • Toplu, Ş. (2005). Home(land) or Motherland: Transnational Identities in Andrea Levy’s Fruit of the Lemon. Anthurium, 3(1), 15-20. doi: 10.33596/anth.35
  • Walkowitz, R. L. (2006). The Location of Literature: The Transnational Book and the Migrant Writer. Contemporary Literature, 47(4), 527-545.
  • Wilfred, L. G., Labor, E. G., Morgan, L., & Willingham, J. R. (1992). A Handbook of Crtical Approaches to Literature. New York: Harper & Row.

The Experience of Hybridity in Caryl Phillips’s A Distant Shore and Andrea Levy’s Small Island

Year 2022, Volume: 4 Issue: 2, 12 - 30, 02.11.2022

Abstract

Traumatized by the civil war in his homeland during the postcolonial period, the African Solomon takes refuge in England where he encounters hatred, violence, and death instead of finding home. He is an immigrant whose hybridity does not allow him a survival from the standard of Englishness. In contrast to Solomon’s unsuccessful hybridization, the Jamaican immigrants Hortense and Gilbert’s multiculturalism encourages them to raise voice against intolerant racism in the post-imperial England, the “mother country”, that attracted peoples of ex-colonies with its promise of a better life. By focusing on some key concepts of post-colonial literary theory, this paper proposes that Caryl Phillips and Andrea Levy differ in their treatments of hybridity although they are transnational Black writers.

Thanks

Karabük University LALTS Organizing Committee

References

  • Ashcroft, B., Griffiths, G., & Tiffin, H. (1989). The Empire Writes Back. Theory and Practice in Post-Colonial Literatures. London: Routledge.
  • Bhabha, H. K. (1994). The Location of Culture, London: Routledge.
  • Buchanan, B. (2003). Caryl Phillips: Colonialism, Cultural Hybridity and Racial Difference. In R. J. Lane, R. Mengham & P. Tew (Eds.) Contemporary British Fiction (pp. 174-190). Cambridge: Polity.
  • Desai, A., Phillips, C., & Stavans, I. (1994). The Other Voice. Transition, 64, 77–89. doi:10.2307/2935309
  • Guerin, L.W., Labor, E. G., Morgan, L., & Willingham, J. R. (1992). A Handbook of Crtical Approaches to Literature. New York: Harper&Row.
  • Hall, K. (2001). British Cultural Identities and the Legacy of the Empire. British Cultural Studies. (pp. 27-40). Oxford: Oxford UP.
  • Kureishi, H. (1996). The Rainbow Sign. My Beautiful Laundrette. (71-102). London: Faber and Faber.
  • Lahiri, S. (2001) South Asians in post-imperial Britain: Decolonisation and imperial legacy. In S. Ward. (Ed.), British Culture and the end of empire (pp. 200-216). Manchester: Manchester UP.
  • Levy, A. (2004). Small Island. Great Britain: Review.
  • ---. (2000, February 19). This is My England. Retrieved from https://www.theguardian.com/books/2000/feb/19/society1 Phillips, C. (2003). A Distant Shore. London: Vintage.
  • Phillips, C., & Sharpe, J. (1995). Of This Time, of That Place. Transition, 68, 154–161. doi:10.2307/2935298
  • Phillips, C, & Jaggi, M. (2004). Caryl Phillips with Maya Jaggi. In N. Susheila (Ed.) Writing Across Worlds Contemporary writers talk (pp. 113-124). London and New York: Routledge.
  • Slemon, S. (1995). Unsettling the Empire. Resistance theory for the Second World. In B. Ashcroft et al (Eds.) The Post-colonial Studies Reader (pp 104-110). New York: Routledge.
  • Szamosi, G. (1995). The Concept of National Identity. In N. Wadham-Smith (Ed.) British Studies Now (pp. 97-101). 1(5). The British Council.
  • Şengenç, H. (2019). Trauma of Slavery and Witnessing in Fred D’Aguiar’s Feeding the Ghosts. In A. Atilla, D. Waterman, & C. A. Sanz Mingo (Eds.), Literature, Narrative and Trauma (pp. 189-199). Bornova, Izmir: Ege Üniversitesi Basımevi.
  • Toplu, Ş. (2005). Home(land) or Motherland: Transnational Identities in Andrea Levy’s Fruit of the Lemon. Anthurium, 3(1), 15-20. doi: 10.33596/anth.35
  • Walkowitz, R. L. (2006). The Location of Literature: The Transnational Book and the Migrant Writer. Contemporary Literature, 47(4), 527-545.
  • Wilfred, L. G., Labor, E. G., Morgan, L., & Willingham, J. R. (1992). A Handbook of Crtical Approaches to Literature. New York: Harper & Row.
There are 18 citations in total.

Details

Primary Language English
Subjects Creative Arts and Writing
Journal Section Articles
Authors

Hilal Şengenç 0000-0002-0397-2038

Publication Date November 2, 2022
Published in Issue Year 2022 Volume: 4 Issue: 2

Cite

APA Şengenç, H. (2022). The Experience of Hybridity in Caryl Phillips’s A Distant Shore and Andrea Levy’s Small Island. Eurasian Journal of English Language and Literature, 4(2), 12-30.