This paper examines the relationship between gaze and subjectivity construction, focusing on Shadia in “The Museum” written by Lelia Aboulela. Through the theoretical lens of gaze, the influence of familial, Western ideological, and imperial gazes on Shadia’s self-perception is explored. The analysis reveals that these gazes initially render her passive and devoid of subjectivity. However, through gazing back, Shadia gradually reconstructs her subjectivity as a woman and as an African. Despite her efforts, the powerful imperial gaze in the museum context limits her ability to bridge the gap with Bryan. This study highlights the transformative potential and limitations of gazing practices and emphasizes the ongoing negotiation between individual agency and dominant gazes in shaping subjectivity.
| Primary Language | English |
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| Subjects | British and Irish Language, Literature and Culture |
| Journal Section | Articles |
| Authors | |
| Publication Date | June 30, 2025 |
| Submission Date | January 1, 2024 |
| Acceptance Date | May 10, 2025 |
| Published in Issue | Year 2025 Volume: 7 Issue: 1 |