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CRISIS OF FEMININE IDENTITY: A CRITICAL STUDY OF OSCAR WILDE’S LADY WINDERMERE’S FAN FROM FEMINIST PERSPECTIVE

Year 2020, Volume: 5 Issue: 3, 325 - 330, 15.08.2020
https://doi.org/10.26809/joa.5.024

Abstract

This study explores the play Lady Windermere’s Fan by Oscar Wilde, and the feminist figures in the play and their role, to illustrate the dominant control of men in the Victorian period. And the discrimination towards women as a human being base on gender. This paper shows a piece of brief information about the author for what it has to do with Lady Windermere’s fan events. And demonstrates the feminism meaning and its impact on the events of the play, besides a short summary of the play. This paper focuses on the role of the fallen woman and how the author gradually transforms the audience's thinking about the fallen woman and contradicts the conventional view of it. And illustrate the inferiority view of women in the Victorian era and how the woman only meant to be part of domestic life. In addition to the motherhood and how a fallen woman acts with that in Victorian society according to Wilde’s point of view.

References

  • BUCKNER, P., & Francis, R. (Eds.). (2005). Rediscovering the British World. Canada: University of Calgary Press.
  • CUNNINGHAM, G. (1978). The new woman and the Victorian novel. London: The Macmillan press ltd.
  • ELLMANN, R. (1988). Oscar Wilde. New York, NY: Vintage Books.
  • FLANDERS, J. (2003). The Victorian House: Domestic Life from Childbirth to Deathbed. UK, London: HarperCollins Publishers Ltd.
  • HOLLAND, P. (2007). Redefining British theatre history. Basingstoke, Hampshire: Palgrave Macmillan.
  • NOCHLIN, L. (1978). Lost and Found: Once More the Fallen Woman. The Art Bulletin, 60(1), 139- 153. doi:10.2307/3049751
  • PATTERSON, M. (2003). Strategies of political theatre: post-war British playwrights. New York, NY: Cambridge University Press.
  • SUSAN M., C. (2005). Changing Ideals of Womanhood During the Nineteenth-Century Woman Movement. The American Transcendental Quarterly, 19(3), 188–204. Retrieved from https://scholarworks.bgsu.edu/cgi/viewcontent.cgi?article=1000&context=gsw_pub.
  • WALTERS, M. (2005). Feminism: a very short introduction. New York, United States: Oxford University Press.
  • WILDE, O. (1907). The writings of Oscar Wilde. New York, NY: J. F. Tapley Co. Printers and Binders.

CRISIS OF FEMININE IDENTITY: A CRITICAL STUDY OF OSCAR WILDE’S LADY WINDERMERE’S FAN FROM FEMINIST PERSPECTIVE

Year 2020, Volume: 5 Issue: 3, 325 - 330, 15.08.2020
https://doi.org/10.26809/joa.5.024

Abstract

This study explores the play Lady Windermere’s Fan by Oscar Wilde, and the feminist figures in the play and their role, to illustrate the dominant control of men in the Victorian period. And the discrimination towards women as a human being base on gender. This paper shows a piece of brief information about the author for what it has to do with Lady Windermere’s fan events. And demonstrates the feminism meaning and its impact on the events of the play, besides a short summary of the play. This paper focuses on the role of the fallen woman and how the author gradually transforms the audience's thinking about the fallen woman and contradicts the conventional view of it. And illustrate the inferiority view of women in the Victorian era and how the woman only meant to be part of domestic life. In addition to the motherhood and how a fallen woman acts with that in Victorian society according to Wilde’s point of view.

References

  • BUCKNER, P., & Francis, R. (Eds.). (2005). Rediscovering the British World. Canada: University of Calgary Press.
  • CUNNINGHAM, G. (1978). The new woman and the Victorian novel. London: The Macmillan press ltd.
  • ELLMANN, R. (1988). Oscar Wilde. New York, NY: Vintage Books.
  • FLANDERS, J. (2003). The Victorian House: Domestic Life from Childbirth to Deathbed. UK, London: HarperCollins Publishers Ltd.
  • HOLLAND, P. (2007). Redefining British theatre history. Basingstoke, Hampshire: Palgrave Macmillan.
  • NOCHLIN, L. (1978). Lost and Found: Once More the Fallen Woman. The Art Bulletin, 60(1), 139- 153. doi:10.2307/3049751
  • PATTERSON, M. (2003). Strategies of political theatre: post-war British playwrights. New York, NY: Cambridge University Press.
  • SUSAN M., C. (2005). Changing Ideals of Womanhood During the Nineteenth-Century Woman Movement. The American Transcendental Quarterly, 19(3), 188–204. Retrieved from https://scholarworks.bgsu.edu/cgi/viewcontent.cgi?article=1000&context=gsw_pub.
  • WALTERS, M. (2005). Feminism: a very short introduction. New York, United States: Oxford University Press.
  • WILDE, O. (1907). The writings of Oscar Wilde. New York, NY: J. F. Tapley Co. Printers and Binders.
There are 10 citations in total.

Details

Primary Language English
Subjects Sociology
Journal Section Research Article
Authors

Dulfqar Mhaibes Abdulrazzaq This is me 0000-0002-2614-6388

Mohammed Mahmood Abbas This is me 0000-0002-8109-9481

Publication Date August 15, 2020
Published in Issue Year 2020 Volume: 5 Issue: 3

Cite

APA Abdulrazzaq, D. M., & Abbas, M. M. (2020). CRISIS OF FEMININE IDENTITY: A CRITICAL STUDY OF OSCAR WILDE’S LADY WINDERMERE’S FAN FROM FEMINIST PERSPECTIVE. Journal of Awareness, 5(3), 325-330. https://doi.org/10.26809/joa.5.024