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Year 2025, Volume: 3 Issue: 1, 51 - 69, 27.06.2025
https://doi.org/10.26650/JTADP.25.003

Abstract

References

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  • Berger, J. (1972). Ways of Seeing. Penguin Books. google scholar
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  • Deleuze, G. (1994). Difference and Repetition. Columbia University Press. google scholar
  • Deleuze, G., & Guattari, F. (1987). Introduction: rhizome. A Thousand Plateaus: Capitalism and SchizophrenİA, 2, 3-25. google scholar
  • Denzin, N. K., & Lincoln, Y. S. (Eds.). (2018). Part V: The art and practices of interpretation, evaluation, and representation (pp. 1307-1319). google scholar
  • In The SAGE Handbook of Qualitative Research (5th ed.). SAGE Publications. google scholar
  • Evans, R. (1995). The Projective Cast: Architecture and Its Three Geometries. MIT Press. google scholar
  • Foucault, M. (1970). The Order of Things: An Archaeology of the Human Sciences. Pantheon Books. google scholar
  • Foucault, M. (1980). Power/Knowledge: Selected lnterviews and Other Writings, 1972-1977, edited by C. Gordon. & Trans.). Vintage. google scholar
  • Foucault, M. (1983). This Is Not a Pipe. (J. Harkness, Trans.). University of California Press. google scholar
  • Frampton, K. (2007). Modern Architecture: A Critical History (4th ed.). Thames and Hudson. google scholar
  • Geertz, C. (1973). Interpretation of Cultures: Selected Essays. Basic Books. google scholar
  • Gropius, W. (2002). The New Architecture and the Bauhaus. MIT Press. google scholar
  • Kester, G., & Rattenbury, K. (Eds.). (2002). This is Not Architecture: Media Constructions. Routledge. google scholar
  • Le Corbusier. (2013a). The Modulor. (Originally published 1961). Dover Publications. google scholar
  • Le Corbusier. (2013b). Towards a New Architecture. (Originally published 1923). Dover Publications. google scholar
  • Libeskind, D. (1991). End Space. Architectural Association. google scholar
  • Libeskind, D., & Crichton, S. (2004). Breaking Ground. Riverhead Books. google scholar
  • Oxford English Dictionary. (2023). Representation. Oxford University Press. google scholar
  • Panofsky, E. (1991). Perspective as a Symbolic Form (C. S. Wood, Trans.). New York, NY: Zone Books. (Original work published 1927) google scholar
  • Pawley, M. (1998). Archigram: The Book. Architectural Press. google scholar
  • Pink, S. (2007). Visual Ethnography (2nd ed.). SAGE Publications. https://doi.org/10.4135/9780857025029 google scholar
  • Perez-Gomez, A. (1983). Architecture and the Crisis of Modern Science. Cambridge, MA: MIT Press; 2007. google scholar
  • Ranciere, J. (2009). The Emancipated Spectator. Verso Books. google scholar
  • Robbins, E. (1994). Why Architects Draw. MIT Press; 2007. google scholar
  • Sadler, S. (2005). Archigram: Architecture Without Architecture. MIT Press. google scholar
  • Tanyeli, U. (1994). Mimarlık düşüncesi üzerine denemeler [Essays on architectural thought]. YEM Yayın. (In Turkish) google scholar
  • Tanyeli, U. (2001). Mimarisiz temsiliyetten temsiliyetin mimosine [From representation without architecture to the architecture of repre-sentation]. In M. Ekincioğlu (Ed.), Daniel Libeskind (pp. 7-16). İstanbul: Boyut Yayın. google scholar
  • Tanyeli, U. (2017). Yıkarak yapmak: Anarşist bir mimarlık kuramı için altlık [Building by destroying: A basis for an anarchist architectural theory].” Metis Yayınları. google scholar
  • Tanyeli, U., & Köksal, A. (Eds.). (2002). Walter Gropius ve Bauhaus [Walter Gropius and the Bauhaus]. Boyut Yayın Grubu. google scholar

The Meanings Attributed to Representation in Architecture

Year 2025, Volume: 3 Issue: 1, 51 - 69, 27.06.2025
https://doi.org/10.26650/JTADP.25.003

Abstract

Architectural representation has been an essential aspect of architecture throughout history. All the tools involved in design, project planning, and narration contribute to the creation of these representations. Architectural products are no longer defined solely as constructed buildings; instead, all drawings and narratives, whether realised or not, gain meaning through architectural representation.

With modernisation, the perception of a chaotic world led to the emergence of structured systems of order and representation-conceptual and visual frameworks rooted in Enlightenment rationalism and later formalised in architectural modernism. These systems aimed to universalise perception by standardising meaning, form, and spatial organisation, often based on the assumption of a shared human experience. This pursuit of coherence produced a trans-temporal design logic that claimed objective validity while also embedding ideological constraints within architectural thinking.

Beyond merely serving as tools for architects to materialise their ideas, architectural representation has evolved into a means of creating envisioned worlds-sometimes utopian, sometimes dystopian, and occasionally feared. Thus, the production of perception and representation in architecture has become a mechanism for establishing universal reality and asserting power.

However, power structures cannot fully suppress the diversity of meaning within perceptions and representations. This study critically examines the classical conception of representation in architecture, particularly how new meanings were added to representation during the 1960s. By exploring these shifts, this study seeks to understand the evolution of architectural representation and how contemporary practices have diverged from traditional models, embracing more diverse and individualised forms of expression.

References

  • Barthes, R. (1977). Image, music, and text. (S. Heath, Trans.). Fontana Press. google scholar
  • Berger, J. (1972). Ways of Seeing. Penguin Books. google scholar
  • Cook, P. (1999). Archigram: Architecture Without Architecture. Princeton Architectural Press. google scholar
  • Deleuze, G. (1994). Difference and Repetition. Columbia University Press. google scholar
  • Deleuze, G., & Guattari, F. (1987). Introduction: rhizome. A Thousand Plateaus: Capitalism and SchizophrenİA, 2, 3-25. google scholar
  • Denzin, N. K., & Lincoln, Y. S. (Eds.). (2018). Part V: The art and practices of interpretation, evaluation, and representation (pp. 1307-1319). google scholar
  • In The SAGE Handbook of Qualitative Research (5th ed.). SAGE Publications. google scholar
  • Evans, R. (1995). The Projective Cast: Architecture and Its Three Geometries. MIT Press. google scholar
  • Foucault, M. (1970). The Order of Things: An Archaeology of the Human Sciences. Pantheon Books. google scholar
  • Foucault, M. (1980). Power/Knowledge: Selected lnterviews and Other Writings, 1972-1977, edited by C. Gordon. & Trans.). Vintage. google scholar
  • Foucault, M. (1983). This Is Not a Pipe. (J. Harkness, Trans.). University of California Press. google scholar
  • Frampton, K. (2007). Modern Architecture: A Critical History (4th ed.). Thames and Hudson. google scholar
  • Geertz, C. (1973). Interpretation of Cultures: Selected Essays. Basic Books. google scholar
  • Gropius, W. (2002). The New Architecture and the Bauhaus. MIT Press. google scholar
  • Kester, G., & Rattenbury, K. (Eds.). (2002). This is Not Architecture: Media Constructions. Routledge. google scholar
  • Le Corbusier. (2013a). The Modulor. (Originally published 1961). Dover Publications. google scholar
  • Le Corbusier. (2013b). Towards a New Architecture. (Originally published 1923). Dover Publications. google scholar
  • Libeskind, D. (1991). End Space. Architectural Association. google scholar
  • Libeskind, D., & Crichton, S. (2004). Breaking Ground. Riverhead Books. google scholar
  • Oxford English Dictionary. (2023). Representation. Oxford University Press. google scholar
  • Panofsky, E. (1991). Perspective as a Symbolic Form (C. S. Wood, Trans.). New York, NY: Zone Books. (Original work published 1927) google scholar
  • Pawley, M. (1998). Archigram: The Book. Architectural Press. google scholar
  • Pink, S. (2007). Visual Ethnography (2nd ed.). SAGE Publications. https://doi.org/10.4135/9780857025029 google scholar
  • Perez-Gomez, A. (1983). Architecture and the Crisis of Modern Science. Cambridge, MA: MIT Press; 2007. google scholar
  • Ranciere, J. (2009). The Emancipated Spectator. Verso Books. google scholar
  • Robbins, E. (1994). Why Architects Draw. MIT Press; 2007. google scholar
  • Sadler, S. (2005). Archigram: Architecture Without Architecture. MIT Press. google scholar
  • Tanyeli, U. (1994). Mimarlık düşüncesi üzerine denemeler [Essays on architectural thought]. YEM Yayın. (In Turkish) google scholar
  • Tanyeli, U. (2001). Mimarisiz temsiliyetten temsiliyetin mimosine [From representation without architecture to the architecture of repre-sentation]. In M. Ekincioğlu (Ed.), Daniel Libeskind (pp. 7-16). İstanbul: Boyut Yayın. google scholar
  • Tanyeli, U. (2017). Yıkarak yapmak: Anarşist bir mimarlık kuramı için altlık [Building by destroying: A basis for an anarchist architectural theory].” Metis Yayınları. google scholar
  • Tanyeli, U., & Köksal, A. (Eds.). (2002). Walter Gropius ve Bauhaus [Walter Gropius and the Bauhaus]. Boyut Yayın Grubu. google scholar
There are 31 citations in total.

Details

Primary Language English
Subjects Architecture (Other)
Journal Section Research Articles
Authors

Pelin Işık 0000-0001-6436-8013

Publication Date June 27, 2025
Submission Date April 7, 2025
Acceptance Date June 1, 2025
Published in Issue Year 2025 Volume: 3 Issue: 1

Cite

APA Işık, P. (2025). The Meanings Attributed to Representation in Architecture. Journal of Technology in Architecture, Design and Planning, 3(1), 51-69. https://doi.org/10.26650/JTADP.25.003
AMA Işık P. The Meanings Attributed to Representation in Architecture. JTADP. June 2025;3(1):51-69. doi:10.26650/JTADP.25.003
Chicago Işık, Pelin. “The Meanings Attributed to Representation in Architecture”. Journal of Technology in Architecture, Design and Planning 3, no. 1 (June 2025): 51-69. https://doi.org/10.26650/JTADP.25.003.
EndNote Işık P (June 1, 2025) The Meanings Attributed to Representation in Architecture. Journal of Technology in Architecture, Design and Planning 3 1 51–69.
IEEE P. Işık, “The Meanings Attributed to Representation in Architecture”, JTADP, vol. 3, no. 1, pp. 51–69, 2025, doi: 10.26650/JTADP.25.003.
ISNAD Işık, Pelin. “The Meanings Attributed to Representation in Architecture”. Journal of Technology in Architecture, Design and Planning 3/1 (June2025), 51-69. https://doi.org/10.26650/JTADP.25.003.
JAMA Işık P. The Meanings Attributed to Representation in Architecture. JTADP. 2025;3:51–69.
MLA Işık, Pelin. “The Meanings Attributed to Representation in Architecture”. Journal of Technology in Architecture, Design and Planning, vol. 3, no. 1, 2025, pp. 51-69, doi:10.26650/JTADP.25.003.
Vancouver Işık P. The Meanings Attributed to Representation in Architecture. JTADP. 2025;3(1):51-69.