Systematic Reviews and Meta Analysis
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Year 2025, Volume: 4 Issue: 1, 20 - 28, 31.01.2025

Abstract

References

  • Alkalay-Gut, K. (2000). “Aesthetic and Decadent Poetry.” Cambridge Companion to Victorian Poetry. Joseph Bristow (Ed.). Cambridge University Press.
  • Ciardi, J. (1975). How Does a Poem Mean? Williams, M. (Ed). Houghton Mifflin Company.
  • de Beauvoir, S. (2001). “The Second Sex.” Cain, W. E. et al. (Eds.). The Norton Anthology of Theory and Criticism. The USA: The Norton & Company.
  • Cixous, H. (2001). “The Laugh of the Medusa.” Cain, W. E. et al. (Eds.). The Norton Anthology of Theory and Criticism. The Norton & Company.
  • Cixous, H. (1994). “Preface.” The Hélène Cixous Reader. Susan Sellers (Ed.). Routledge.
  • Cixous, H. (1994). “The Newly Born Woman.” The Hélène Cixous Reader. Susan Sellers (Ed.). Routledge.
  • Ekmekçi, Ç. (2021). “Marianne’s Body Politics in Angela Carter’s Heroes and Villains.” Folklor/Edebiyat, 27 (106 Özel Ek), 267-284. https://doi.org/10.22559/folklor.1410
  • Felski, R. (2003). Literature After Feminism. The University of Chicago.
  • Gilbert, Sandra M. and Gubar, S. (2020). The Madwoman in the Attic: The Woman Writer and the Nineteenth Century Literary Imagination. Yale University Press.
  • Leighton, A. (1992). “Introduction.” Victorian Women Poets: Writing Against the Heart. University Press of Virginia.
  • Rappoport, J. (2010). “The Price of Redemption in ‘Goblin Market.’” Studies in English Literature, 1500-1900. 50:4, Rice University Press, pp. 853-875.
  • Rice, P., & Waugh, P. (2001). “Feminism.” Modern Literary Theory: A Reader, 4th Edition. Oxford University Press.
  • Rossetti, C. (2008). Christina Rossetti: Poems and Prose. Simon Humphries (Ed.). Oxford University Press.
  • Weil, Kari. (2006). “French Feminism’s Ecriture Feminine.” The Cambridge Companion to Feminist Literary Theory. Ellen Rooney (Ed.). Cambridge University Press.
  • Woolf, V. (1993). “Professions for Women.” A Bloomsbury Group Reader. S.P. Rosembaum (Ed.). Blackwell.
  • Woolf, V. (1997). A Room of One’s Own. Grafton.

Female Body as the Mere Source of Animating Power in Christina Rossetti’s Goblin Market

Year 2025, Volume: 4 Issue: 1, 20 - 28, 31.01.2025

Abstract

Poetry transforms into a safe harbor to address sensitive socio-cultural issues during the Victorian period. Having grown weary of being trapped within the categories set by male dominant world, the Victorian women poets pioneer to fulfill their potential. They subvert male domination simply by addressing the pathriarchal systems that shape gender dynamics in their writings. Therefore, writing is not only a resistance to this hegemony, but also an animating power for the women to reconstruct their identity.

Ethical Statement

Çalışmanın tüm süreçlerinin araştırma ve yayın etiğine uygun olduğunu, etik kurallara ve bilimsel atıf gösterme ilkelerine uyduğumu beyan ederim.

References

  • Alkalay-Gut, K. (2000). “Aesthetic and Decadent Poetry.” Cambridge Companion to Victorian Poetry. Joseph Bristow (Ed.). Cambridge University Press.
  • Ciardi, J. (1975). How Does a Poem Mean? Williams, M. (Ed). Houghton Mifflin Company.
  • de Beauvoir, S. (2001). “The Second Sex.” Cain, W. E. et al. (Eds.). The Norton Anthology of Theory and Criticism. The USA: The Norton & Company.
  • Cixous, H. (2001). “The Laugh of the Medusa.” Cain, W. E. et al. (Eds.). The Norton Anthology of Theory and Criticism. The Norton & Company.
  • Cixous, H. (1994). “Preface.” The Hélène Cixous Reader. Susan Sellers (Ed.). Routledge.
  • Cixous, H. (1994). “The Newly Born Woman.” The Hélène Cixous Reader. Susan Sellers (Ed.). Routledge.
  • Ekmekçi, Ç. (2021). “Marianne’s Body Politics in Angela Carter’s Heroes and Villains.” Folklor/Edebiyat, 27 (106 Özel Ek), 267-284. https://doi.org/10.22559/folklor.1410
  • Felski, R. (2003). Literature After Feminism. The University of Chicago.
  • Gilbert, Sandra M. and Gubar, S. (2020). The Madwoman in the Attic: The Woman Writer and the Nineteenth Century Literary Imagination. Yale University Press.
  • Leighton, A. (1992). “Introduction.” Victorian Women Poets: Writing Against the Heart. University Press of Virginia.
  • Rappoport, J. (2010). “The Price of Redemption in ‘Goblin Market.’” Studies in English Literature, 1500-1900. 50:4, Rice University Press, pp. 853-875.
  • Rice, P., & Waugh, P. (2001). “Feminism.” Modern Literary Theory: A Reader, 4th Edition. Oxford University Press.
  • Rossetti, C. (2008). Christina Rossetti: Poems and Prose. Simon Humphries (Ed.). Oxford University Press.
  • Weil, Kari. (2006). “French Feminism’s Ecriture Feminine.” The Cambridge Companion to Feminist Literary Theory. Ellen Rooney (Ed.). Cambridge University Press.
  • Woolf, V. (1993). “Professions for Women.” A Bloomsbury Group Reader. S.P. Rosembaum (Ed.). Blackwell.
  • Woolf, V. (1997). A Room of One’s Own. Grafton.
There are 16 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture
Journal Section Reviews
Authors

Sinem Ekmekçi 0000-0001-6558-2126

Publication Date January 31, 2025
Submission Date September 19, 2024
Acceptance Date January 27, 2025
Published in Issue Year 2025 Volume: 4 Issue: 1

Cite

APA Ekmekçi, S. (2025). Female Body as the Mere Source of Animating Power in Christina Rossetti’s Goblin Market. Manisa Celal Bayar University International Journal of English Language Studies, 4(1), 20-28.