This article draws attention, through quotations cited from contemporary fıgures, to the importance of the shadow plays of the 10th to 14th c. and of the attention drawn to the significance of shadows in the temporal world that is provided by Sura Al-Nahl and Sura Al-Furqan. This is because the key point about the shadow play was and remains its form and the hierarchy of existence that is expressed through its form. The shadow play was and remains a visible expression of tawheed, as "The mover of all was only One", as stated by al-Qadi al-Fadil to Salahad-Din Eyyub in the 12th century.
This article draws attention, through quotations cited from contemporary fıgures, to the importance of the shadow plays of the 10th to 14th c. and of the attention drawn to the significance of shadows in the temporal world that is provided by Sura Al-Nahl and Sura Al-Furqan. This is because the key point about the shadow play was and remains its form and the hierarchy of existence that is expressed through its form. The shadow play was and remains a visible expression of tawheed, as "The mover of all was only One", as stated by al-Qadi al-Fadil to Salahad-Din Eyyub in the 12th century.
| Primary Language | English |
|---|---|
| Subjects | Contemporary History of Middle East |
| Journal Section | Research Article |
| Authors | |
| Publication Date | June 30, 2011 |
| IZ | https://izlik.org/JA86YK57UZ |
| Published in Issue | Year 2011 Volume: 1 Issue: 1 |
Open Access and Copyright Policy
| Mediterranean Journal of Humanities (MJH) is licensed under CC BY-NC-SA 4.0. |
| MJH is an Open Access journal and provides immediate open access to its contents. |
Akdeniz University, Faculty of Letters
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Akdeniz İnsani Bilimler Dergisi (MJH), Akdeniz University, Faculty of Letters 07058 Campus, Konyaaltı, Antalya Türkiye
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