Research Article

The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films

Number: 14 November 15, 2020
  • Sam Kendrick *
  • Joane Nagel
EN TR

The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films

Abstract

This paper argues that climate fiction (cli-fi) films constitute a contemporary stage for the enactment of heroic masculinity. In cli-fi films, the changing climate can be understood as a new frontier in which survival depends on traditional masculine traits of strength and bravery combined with more modern knowledge of science and nature. We identify the “Cowboy Scientist” as a heroic archetype in cli-fi films that embodies both traditional and technical attributes in an updated version of hegemonic masculinity. We examine depictions of heroic masculinity in two high-grossing cli-fi films with wide target audiences in the global film market: the US-made The Day After Tomorrow (2004) and the Australian-made Mad Max: Fury Road (2015). Through a critical analysis of gender and the environment in these films, we track the Cowboy Scientist as he battles human and environmental enemies, cleverly combines primal intuitions with scientific expertise, and saves the helpless and vulnerable through a series of heroic feats. Scholars have long recognized popular culture as an important area of study because it both reflects and shapes social norms and values. Our goal in this discussion of heroic masculinity in pop culture cli-fi representations is to contribute to ongoing conversations about the relationship between gender and climate change (seen most clearly in The Day After Tomorrow) and the resilience of hegemonic masculinity to triumph even in the presence of defiant femininity (as shown in Mad Max: Fury Road).

Keywords

References

  1. Bampatzimopoulos, S. (2015). Female Action Hero vs Male Dominance: The Female Representation in Mad Max: Fury Road. Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 55(2), 205–218.
  2. Bly, R. Iron John: A Book about Men. New York: Addison-Wesley, 1990.
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  4. Brady, A. (2017). The Man Who Coined ‘Cli-Fi’ Has Some Reading Suggestions for You: A Conversation with Dan Bloom. Retrieved from Chicago Review of Books website: https://chireviewofbooks.com/2017/02/08/the-man-who-coined-cli-fi-has-some-reading-suggestions-for-you/.
  5. Connell, R. (2019). Masculinities in Troubling Times: View from The South. Masculinities Journal, 12(Autumn), 5-13.
  6. Del Barco, M. (2015). The Women Pull No Punches In Fiery, Feminist “Mad Max.” Retrieved from npr website: https://www.npr.org/2015/05/15/406731120/the-women-pull-no-punches-in-fiery-feminist-mad-max
  7. Di Paolo, M. (2018). Fire and Snow: Climate Fiction from The Inklings to Game of Thrones. Albany, NY: State University of New York Press.
  8. Dockterman, E. (2015). Vagina Monologues Writer Eve Ensler: How Mad Max: Fury Road Became a “Feminist Action Film.” Retrieved from Time website: https://time.com/3850323/mad-max-fury-road-eve-ensler-feminist/

Details

Primary Language

English

Subjects

Philosophy, Political Science, Sociology

Journal Section

Research Article

Authors

Sam Kendrick * This is me
0000-0002-5682-4426
United States

Joane Nagel This is me
0000-0002-6452-0297
United States

Publication Date

November 15, 2020

Submission Date

February 27, 2020

Acceptance Date

November 14, 2020

Published in Issue

Year 2020 Number: 14

APA
Kendrick, S., & Nagel, J. (2020). The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films. Masculinities: A Journal of Identity and Culture, 14, 5-34. https://izlik.org/JA95DM99JH
AMA
1.Kendrick S, Nagel J. The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films. Masculinities Journal. 2020;(14):5-34. https://izlik.org/JA95DM99JH
Chicago
Kendrick, Sam, and Joane Nagel. 2020. “The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films”. Masculinities: A Journal of Identity and Culture, nos. 14: 5-34. https://izlik.org/JA95DM99JH.
EndNote
Kendrick S, Nagel J (November 1, 2020) The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films. Masculinities: A Journal of Identity and Culture 14 5–34.
IEEE
[1]S. Kendrick and J. Nagel, “The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films”, Masculinities Journal, no. 14, pp. 5–34, Nov. 2020, [Online]. Available: https://izlik.org/JA95DM99JH
ISNAD
Kendrick, Sam - Nagel, Joane. “The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films”. Masculinities: A Journal of Identity and Culture. 14 (November 1, 2020): 5-34. https://izlik.org/JA95DM99JH.
JAMA
1.Kendrick S, Nagel J. The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films. Masculinities Journal. 2020;:5–34.
MLA
Kendrick, Sam, and Joane Nagel. “The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films”. Masculinities: A Journal of Identity and Culture, no. 14, Nov. 2020, pp. 5-34, https://izlik.org/JA95DM99JH.
Vancouver
1.Sam Kendrick, Joane Nagel. The Cowboy Scientist Saves the Planet: Hegemonic Masculinity in Cli-Fi Films. Masculinities Journal [Internet]. 2020 Nov. 1;(14):5-34. Available from: https://izlik.org/JA95DM99JH