BibTex RIS Cite

David Greig: Küresel Sorunlara Bölgesel Yanıtlar

Year 2009, Issue: 22, 69 - 79, 01.12.2009

Abstract

İngiltere‟ye parallel olarak, geçtiğimiz on yılda, İskoçya‟da pek çok tiyatro oyunu
yazılmıştır. Bu çalışma uluslararası tiyatro alanında başarı göstermiş „yeni dönem‟ İskoç oyun
yazarı David Greig ve 1999 yılında yazdığı The Cosmonaut’s Last Message to the Woman He
Once Loved in the Former Soviet Union isimli oyununa dikkat çekmektedir. Greig, İskoçya‟da
sanat adına büyük adım atan yeni dönem oyun yazarlarını temsil ederken, günümüz küresel
sorunlarını bölgesel yaklaşımlarla çözmektedir.

References

  • Austin, Jeremy. (15 February 2005)."The Cosmonaut‟s Last Message to the Woman He Once Loved in the Former Soviet Union". The Stage Online.
  • Bakewell, Joan. (27 December 2005). "Interview with David Greig" http://www.bbc.co.uk/religion/
  • Billingham, Peter. (2007). At the Sharp End: Uncovering the work of Five Contemporary Dramatists. London: Methuen.
  • Billington, Michael. (14 May 1999). "Star stuck, earthbound" The Guardian.
  • Blanford, Steve. (2007). Film, Drama and the Break-Up of Britain. Intellect Books: University of Chicago Press.
  • Chaudhuri, Una. (1997). Staging Place: The Geography of Modern Drama. University of Michigan Press.
  • D‟Monte, Rebecca and Graham Saunders eds. (2007). Cool Britania?: British Political Drama in the 1990s. New York: Palgrave MacMillan.
  • Gardner, Lyn. (12 May 1999). "Vicky‟s odyssey". The Guardian.
  • Greig, David. (1999). The Cosmonaunt’s Last Message to the Woman He Once Loved in the Former Soviet Union. London: Methuen.
  • Greig, David. (2007). "Rough Theatre". Cool Britania?: British Political Drama in the 1990s. New York: Palgrave MacMillan: 208-221.
  • Greig, David. (28 April 2003). "A Tyrant for all Time". The Guardian.
  • Howard, Philip. (1998). Scotland Plays. London: Nick Hern Books.
  • Logan, Brian. (26 April 2000). "It‟s easier to bring a Belgian play to London than a Scottish one: An interview with David Greig". The Guardian.
  • Monji, Jana. (19 October 2005). "The Cosmonaut‟s Last Message to the Woman He Once Loved in the Former Soviet Union". Curtain Up, Los Angeles Review - The Internet Theater Magazine of Reviews. www.curtainup.com.
  • Pattie, David. (2007). "Lost in Europe: David Greig‟s One Way Street and Europe". Cool Britania?: British Political Drama in the 1990s. New York: Palgrave MacMillan: 149-153.
  • Randall, Stevenson. (1987). "Scottish Theatre 1950-1980". The History of Scottish Literature. Ed. Cairns Craig. Aberdeen: Aberdeen University Press: 349-367.
  • Rebellato, Dan. (2002). "Introduction". David Greig: Plays One. London: Methuen Drama: ix-xxiii.
  • Thorn, M., (18 October 2004). Oxford Theatre Guild. Press release.
  • Urban, Ken. (2001). "An Ethics of Catastrophe: The Theatre of Sarah Kane". Performing Arts Journa:, 36-46.
  • Urban, Ken. (2004): "Towards a Theory of Cruel Britannia: Coolness, Cruelty and the Nineties". New Theatre Quarterly: 354-72.
  • Wallace, Clare. (2006). Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama. Prague: Litteraria Pragensia.
  • Watson, Keith. (19 October1999). "Power of words". The Guardian.
  • Zenzinger, Peter. (2005). "David Greig‟s Scottish View of the New Europe: A Study of Three Plays" Literary Views on Post-Wall Europe. Trier: WVT: 261-282.

DAVID GREIG: GLOBAL CHALLENGES AND REGIONAL RESPONSES

Year 2009, Issue: 22, 69 - 79, 01.12.2009

Abstract

Parallel to the UK, the last decade in Scotland has been a remarkably productive period for new writing for the stage thus this paper draws the attention to a Scottish playwright David Greig who has become an international success before long and his play The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union (1999) which exemplifies the flourishing artistic practice in Scotland as a regional response in an age of global challenges.

References

  • Austin, Jeremy. (15 February 2005)."The Cosmonaut‟s Last Message to the Woman He Once Loved in the Former Soviet Union". The Stage Online.
  • Bakewell, Joan. (27 December 2005). "Interview with David Greig" http://www.bbc.co.uk/religion/
  • Billingham, Peter. (2007). At the Sharp End: Uncovering the work of Five Contemporary Dramatists. London: Methuen.
  • Billington, Michael. (14 May 1999). "Star stuck, earthbound" The Guardian.
  • Blanford, Steve. (2007). Film, Drama and the Break-Up of Britain. Intellect Books: University of Chicago Press.
  • Chaudhuri, Una. (1997). Staging Place: The Geography of Modern Drama. University of Michigan Press.
  • D‟Monte, Rebecca and Graham Saunders eds. (2007). Cool Britania?: British Political Drama in the 1990s. New York: Palgrave MacMillan.
  • Gardner, Lyn. (12 May 1999). "Vicky‟s odyssey". The Guardian.
  • Greig, David. (1999). The Cosmonaunt’s Last Message to the Woman He Once Loved in the Former Soviet Union. London: Methuen.
  • Greig, David. (2007). "Rough Theatre". Cool Britania?: British Political Drama in the 1990s. New York: Palgrave MacMillan: 208-221.
  • Greig, David. (28 April 2003). "A Tyrant for all Time". The Guardian.
  • Howard, Philip. (1998). Scotland Plays. London: Nick Hern Books.
  • Logan, Brian. (26 April 2000). "It‟s easier to bring a Belgian play to London than a Scottish one: An interview with David Greig". The Guardian.
  • Monji, Jana. (19 October 2005). "The Cosmonaut‟s Last Message to the Woman He Once Loved in the Former Soviet Union". Curtain Up, Los Angeles Review - The Internet Theater Magazine of Reviews. www.curtainup.com.
  • Pattie, David. (2007). "Lost in Europe: David Greig‟s One Way Street and Europe". Cool Britania?: British Political Drama in the 1990s. New York: Palgrave MacMillan: 149-153.
  • Randall, Stevenson. (1987). "Scottish Theatre 1950-1980". The History of Scottish Literature. Ed. Cairns Craig. Aberdeen: Aberdeen University Press: 349-367.
  • Rebellato, Dan. (2002). "Introduction". David Greig: Plays One. London: Methuen Drama: ix-xxiii.
  • Thorn, M., (18 October 2004). Oxford Theatre Guild. Press release.
  • Urban, Ken. (2001). "An Ethics of Catastrophe: The Theatre of Sarah Kane". Performing Arts Journa:, 36-46.
  • Urban, Ken. (2004): "Towards a Theory of Cruel Britannia: Coolness, Cruelty and the Nineties". New Theatre Quarterly: 354-72.
  • Wallace, Clare. (2006). Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama. Prague: Litteraria Pragensia.
  • Watson, Keith. (19 October1999). "Power of words". The Guardian.
  • Zenzinger, Peter. (2005). "David Greig‟s Scottish View of the New Europe: A Study of Three Plays" Literary Views on Post-Wall Europe. Trier: WVT: 261-282.
There are 23 citations in total.

Details

Other ID JA52YA37KJ
Journal Section Articles
Authors

DİLEK İnan This is me

Publication Date December 1, 2009
Published in Issue Year 2009 Issue: 22

Cite

APA İnan, D. (2009). David Greig: Küresel Sorunlara Bölgesel Yanıtlar. Muğla Üniversitesi Sosyal Bilimler Enstitüsü Dergisi(22), 69-79.
AMA İnan D. David Greig: Küresel Sorunlara Bölgesel Yanıtlar. İLKE. December 2009;(22):69-79.
Chicago İnan, DİLEK. “David Greig: Küresel Sorunlara Bölgesel Yanıtlar”. Muğla Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 22 (December 2009): 69-79.
EndNote İnan D (December 1, 2009) David Greig: Küresel Sorunlara Bölgesel Yanıtlar. Muğla Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 22 69–79.
IEEE D. İnan, “David Greig: Küresel Sorunlara Bölgesel Yanıtlar”, İLKE, no. 22, pp. 69–79, December 2009.
ISNAD İnan, DİLEK. “David Greig: Küresel Sorunlara Bölgesel Yanıtlar”. Muğla Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 22 (December 2009), 69-79.
JAMA İnan D. David Greig: Küresel Sorunlara Bölgesel Yanıtlar. İLKE. 2009;:69–79.
MLA İnan, DİLEK. “David Greig: Küresel Sorunlara Bölgesel Yanıtlar”. Muğla Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 22, 2009, pp. 69-79.
Vancouver İnan D. David Greig: Küresel Sorunlara Bölgesel Yanıtlar. İLKE. 2009(22):69-7.