Abstract
In this review, Folia, being a type of dance and musical form in 16th century is studied in terms of its melodic, rhythmic and harmonic features obtained during its historical development period. It is taken into consideration in two different periods as the early Folia and the late Folia. The texts prepared by musicologists and researchers based on documents and musical notes originated with regard to the Folia in 15-17th centuries are used as sources for this study. Characteristics on early Folia and late Folia are specified, and some sample notes regarding to these periods are demonstrated and in addition several composers using Folia and their compositions are exemplified. In order to draw attention to the mentioned points, some examples from the works and their composers who used folia are given. The books and articles having title of folia have been reviewed, the archives which belong to the folia-related people have been searched and interviews with the competent persons have been accomplished face to face. In this article Folia is taken into consideration as its own advances without comparing to the other dance types. As a conclusion, for 400 years Folia have been center of interest for the composers, performers characteristics to the new musical styles. with and researchers its unitive and adaptable
References
- • Hudson, R., (1982). The Folia, the saraband, the passacaglia, and the chaconne: the historical evolution of four forms that originated in music for the five-course Spanish guitar, Vol. 1, The Folia, compiled by Richard Hudson. Neuhausen-Stuttgart: American Institute of Musicology: Hanssler-Verlag. http://wresida.home.xs4all.nl/homepage/earlyFolia.html (Erişim tarihi 11.11.2014)
- • Gombosi, O., (1946). The Cultural and Folkloristic Background of the Folia.Papers of the American Musicological Society. Virginia: American Musicological Society, Inc.
- • Gombosi Otto Folia in MGG 4, Kassel and Basel 1955. ss:479-484.
- • Gombosi, O., (2003). The Harvard Dictionary of Music, Don Michael Randel, Harvard University Press, ss:322. http://imslp.org/wiki/De_musica_libri_septem_(Salinas,_Francisco_de
- • Hudson, R., (1973). “The Folia Melodies”, Acta Musicologica 45, ss: 98-119.
- • Hudson, R., (1972). “The Folia, Fedele, and Falsobordone”, Musical Quarterly 58, ss: 398-411.
- • The New Grove, Dictionary of Music and Musicians, Volume 9, Second Edition, Published by Oxford University Press, Nnc.198 Madison Avenue, New York, New York 10016,2001, ss:62. http://wresida.home.xs4all.nl/homepage/earlyFolia.html(Erişim tarihi 11.11.2014)
- • Esses, M., (1992). Dance and Instrumental Diferencias in Spain during the 17th and the early 18th centuries. Vol. 1, History and background, Music and Dance. Stuyvesant, New York: Pendragon Press.
Abstract
Bu çalışmada, 16. yüzyılda bir dans türü ve müzik formu olan Folia tarihsel gelişim süreci içinde melodik, ritmik ve armonik özellikleri açısından incelenmiştir. Tarihsel açıdan erken ve geç dönem Folia olmak üzere iki evrede ele alınmıştır. Kaynak olarak bu alandaki müzikolog ve araştırmacıların 15-17. yüzyıl belge ve notalarını esas alarak hazırladıkları metinlerden yararlanılmıştır. Ayrıca erken ve geç dönem Folia’nın karakteristik özellikleri belirtilmiş, bu dönemlere ait örnek notalar gösterilmiştir. Değinilen noktalara dikkat çekmek üzere Folia’yı kullanan besteciler ve eserlerinden örnekler verilmiştir. Folia başlığı taşıyan kitap ve makaleler incelenmiş, konu ile ilgili kişilerin arşivleri taranmış, bu konuda yetkin kişiler ile yüz yüze görüşülmüştür. Bu makalede Folia, diğer dans türleri ile karşılaştırılmadan sadece kendi gelişim özellikleri ile ele alınmıştır. Birleştirici ve yeni müzik stillerine adapte edilebilir özelliği ile 400 yıldan bu yana bestecilerin, icracıların ve araştırmacıların ilgi odağı olduğu sonucuna varılmıştır.
Keywords
References
- • Hudson, R., (1982). The Folia, the saraband, the passacaglia, and the chaconne: the historical evolution of four forms that originated in music for the five-course Spanish guitar, Vol. 1, The Folia, compiled by Richard Hudson. Neuhausen-Stuttgart: American Institute of Musicology: Hanssler-Verlag. http://wresida.home.xs4all.nl/homepage/earlyFolia.html (Erişim tarihi 11.11.2014)
- • Gombosi, O., (1946). The Cultural and Folkloristic Background of the Folia.Papers of the American Musicological Society. Virginia: American Musicological Society, Inc.
- • Gombosi Otto Folia in MGG 4, Kassel and Basel 1955. ss:479-484.
- • Gombosi, O., (2003). The Harvard Dictionary of Music, Don Michael Randel, Harvard University Press, ss:322. http://imslp.org/wiki/De_musica_libri_septem_(Salinas,_Francisco_de
- • Hudson, R., (1973). “The Folia Melodies”, Acta Musicologica 45, ss: 98-119.
- • Hudson, R., (1972). “The Folia, Fedele, and Falsobordone”, Musical Quarterly 58, ss: 398-411.
- • The New Grove, Dictionary of Music and Musicians, Volume 9, Second Edition, Published by Oxford University Press, Nnc.198 Madison Avenue, New York, New York 10016,2001, ss:62. http://wresida.home.xs4all.nl/homepage/earlyFolia.html(Erişim tarihi 11.11.2014)
- • Esses, M., (1992). Dance and Instrumental Diferencias in Spain during the 17th and the early 18th centuries. Vol. 1, History and background, Music and Dance. Stuyvesant, New York: Pendragon Press.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Music |
| Authors | |
| Publication Date | April 7, 2015 |
| Published in Issue | Year 2015 Volume: 10 Issue: 2 |