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The New Music Curriculum With a New Music Education Concept

Year 2019, Volume: 14 Issue: 3, 247 - 253, 08.07.2019

Abstract

The change and developments in the world have led to discussions on the
concept of contemporary music education. Changing learner profiles, music
teaching approaches adapted to present, and the changes in the way people
perceive music, there is now a need for revision in music curriculums.
Globalization and the rapid advances in technology at present point towards a
need to revise and change the contents of the curricula. The Turkish Republic
of Northern Cyprus Basic Education program development project was initiated in
2013, and the curricula for all courses came into force in 2016. In the first
part of the study, the structure of the TRNC new music curriculum, the learning
areas, and the relation between the curriculum and the learning outcomes are
discussed. Next, the characteristics of the intended student profile together
with the curriculum are explained, and the local and universal elements dealt
within the curriculum are exhibited. Finally, ideas and suggestions are
proposed. 

References

  • • Baxter, M., (2007). Global Music Making a Difference: Themes of Exploration, Action and Justice. Music Education Research, 9(2):267-279.
  • • Hernández-Bravo, J.R., Cardona-Moltó, M.C., and Hernández-Bravo, J.A., (2016). The Effects of an Individualized ICT-based Music Education Programmed on Primary School Students’ Musical Competence and Grades. Music Education Research, 18(2):176-194.
  • • Chen, H.F., (2016). New directions for Music Curriculum: An Examination of the Foundation and Goals of Art Programs in Selected Countries. International Society for Music Education 32nd World Conference on Music Education Glasgow, Scotland. Glasgow, Proceedings Book from ISME 2016.
  • • Christophersen, C., (2015). Changes and Challenges in Music Education: Reflections on a Norwegian Arts-in-education Programmer. Music Education Research, 17(4):365-380.
  • • Coşkun, Y.D., (2017). Öğretim Programları Arka Plan Raporu. Retrieved from egitimreformugirisimi.org.
  • • Hallam, S., (2010). The Power of Music: Its Impact on the Intellectual, Social and Personal Development of Children and Young People. International Journal and Music Education, 28(3):269-289.
  • • Karasar, N., (2003). Bilimsel Araştırma Yöntemi. (sekizinci basım). Ankara: Nobel Publishing.
  • • KKTC Milli Eğitim ve Kültür Bakanlığı, (2014). Müzik Eğitimi Öğretmen El Kitabı “İlköğretim İkinci Kademe 4. ve 5. Sınıflar. Lefkoşa: Okman Printing.
  • • KKTC Milli Eğitim ve Kültür Bakanlığı, (2017). Müzik Dersi Öğretim Programı 1-8. Sınıflar. Lefkoşa: Okman Printing.
  • • Lundquist, B.R. and Szego, C.K., (1998). In: B. Nettl, R. Santos & E. Solbu (Eds) Musics of the World’s Cultures: A Source Book for Music Educators (Nedlands, Western Australia, Callaway International Resource Centre for Music Education).
  • • Özen, N., (2004). Çalgı Eğitiminde Yararlanılan Müzik Eğitimi Yöntemleri. Gazi Eğitim Fakültesi Dergisi, 24(2):57-63.
  • • Özmenteş, G., (2007). 38 th Icanas International Congress of Asian and North African Studies Music Culture and Music Education, Papers Volume I, Ankara, Turkey.
  • • Roden, I., Kreutz, G., and Bongard, S., (2012). Effects of a School-Based Instrumental Music Program on Verbal and Visual Memory in Primary School Children: A Longitudinal Study. Frontiers in Neuroscience, 6, 572.
  • • Sevgi, A., (2003). Nasıl Bir Müzik Öğretmeni?. Cumhuriyetimizin 80. Yılında Müzik Sempozyumu Bildiri Kitabı, İnönü Üniversitesi, Pegem A Yayıncılık.
  • • Skelton, K.D., (2004). Should we study music and/or as culture? Music Education Research, 6(2):169-177.
  • • Uçan, A., (2005). Müzik Eğitimi Temel Kavramlar-Ilkeler-Yaklaşımlar Ve Türkiye’deki Durum. (Genişletilmiş 3. Basım). Ankara, Turkey, Evrensel Müzikevi.
Year 2019, Volume: 14 Issue: 3, 247 - 253, 08.07.2019

Abstract

References

  • • Baxter, M., (2007). Global Music Making a Difference: Themes of Exploration, Action and Justice. Music Education Research, 9(2):267-279.
  • • Hernández-Bravo, J.R., Cardona-Moltó, M.C., and Hernández-Bravo, J.A., (2016). The Effects of an Individualized ICT-based Music Education Programmed on Primary School Students’ Musical Competence and Grades. Music Education Research, 18(2):176-194.
  • • Chen, H.F., (2016). New directions for Music Curriculum: An Examination of the Foundation and Goals of Art Programs in Selected Countries. International Society for Music Education 32nd World Conference on Music Education Glasgow, Scotland. Glasgow, Proceedings Book from ISME 2016.
  • • Christophersen, C., (2015). Changes and Challenges in Music Education: Reflections on a Norwegian Arts-in-education Programmer. Music Education Research, 17(4):365-380.
  • • Coşkun, Y.D., (2017). Öğretim Programları Arka Plan Raporu. Retrieved from egitimreformugirisimi.org.
  • • Hallam, S., (2010). The Power of Music: Its Impact on the Intellectual, Social and Personal Development of Children and Young People. International Journal and Music Education, 28(3):269-289.
  • • Karasar, N., (2003). Bilimsel Araştırma Yöntemi. (sekizinci basım). Ankara: Nobel Publishing.
  • • KKTC Milli Eğitim ve Kültür Bakanlığı, (2014). Müzik Eğitimi Öğretmen El Kitabı “İlköğretim İkinci Kademe 4. ve 5. Sınıflar. Lefkoşa: Okman Printing.
  • • KKTC Milli Eğitim ve Kültür Bakanlığı, (2017). Müzik Dersi Öğretim Programı 1-8. Sınıflar. Lefkoşa: Okman Printing.
  • • Lundquist, B.R. and Szego, C.K., (1998). In: B. Nettl, R. Santos & E. Solbu (Eds) Musics of the World’s Cultures: A Source Book for Music Educators (Nedlands, Western Australia, Callaway International Resource Centre for Music Education).
  • • Özen, N., (2004). Çalgı Eğitiminde Yararlanılan Müzik Eğitimi Yöntemleri. Gazi Eğitim Fakültesi Dergisi, 24(2):57-63.
  • • Özmenteş, G., (2007). 38 th Icanas International Congress of Asian and North African Studies Music Culture and Music Education, Papers Volume I, Ankara, Turkey.
  • • Roden, I., Kreutz, G., and Bongard, S., (2012). Effects of a School-Based Instrumental Music Program on Verbal and Visual Memory in Primary School Children: A Longitudinal Study. Frontiers in Neuroscience, 6, 572.
  • • Sevgi, A., (2003). Nasıl Bir Müzik Öğretmeni?. Cumhuriyetimizin 80. Yılında Müzik Sempozyumu Bildiri Kitabı, İnönü Üniversitesi, Pegem A Yayıncılık.
  • • Skelton, K.D., (2004). Should we study music and/or as culture? Music Education Research, 6(2):169-177.
  • • Uçan, A., (2005). Müzik Eğitimi Temel Kavramlar-Ilkeler-Yaklaşımlar Ve Türkiye’deki Durum. (Genişletilmiş 3. Basım). Ankara, Turkey, Evrensel Müzikevi.
There are 16 citations in total.

Details

Primary Language English
Journal Section Articles
Authors

Alev Müezzinoğlu 0000-0003-1866-7623

Başak Gorgoretti 0000-0002-0656-0688

Publication Date July 8, 2019
Published in Issue Year 2019 Volume: 14 Issue: 3

Cite

APA Müezzinoğlu, A., & Gorgoretti, B. (2019). The New Music Curriculum With a New Music Education Concept. Fine Arts, 14(3), 247-253.
AMA Müezzinoğlu A, Gorgoretti B. The New Music Curriculum With a New Music Education Concept. Fine Arts. July 2019;14(3):247-253.
Chicago Müezzinoğlu, Alev, and Başak Gorgoretti. “The New Music Curriculum With a New Music Education Concept”. Fine Arts 14, no. 3 (July 2019): 247-53.
EndNote Müezzinoğlu A, Gorgoretti B (July 1, 2019) The New Music Curriculum With a New Music Education Concept. Fine Arts 14 3 247–253.
IEEE A. Müezzinoğlu and B. Gorgoretti, “The New Music Curriculum With a New Music Education Concept”, Fine Arts, vol. 14, no. 3, pp. 247–253, 2019.
ISNAD Müezzinoğlu, Alev - Gorgoretti, Başak. “The New Music Curriculum With a New Music Education Concept”. Fine Arts 14/3 (July 2019), 247-253.
JAMA Müezzinoğlu A, Gorgoretti B. The New Music Curriculum With a New Music Education Concept. Fine Arts. 2019;14:247–253.
MLA Müezzinoğlu, Alev and Başak Gorgoretti. “The New Music Curriculum With a New Music Education Concept”. Fine Arts, vol. 14, no. 3, 2019, pp. 247-53.
Vancouver Müezzinoğlu A, Gorgoretti B. The New Music Curriculum With a New Music Education Concept. Fine Arts. 2019;14(3):247-53.