The article discusses the relationship between sound frequencies, music, and human perception, focusing on the debate surrounding the tuning standard used in music. The paper begins by questioning the metaphysical and religious implications of sound as a creative force. It then delves into the physics of music and human hearing and continues emphasizing the role of frequencies in shaping tonality and timbre. The significance and effects of different tuning standards, particularly comparing 432Hz tuning to the more commonly used 440Hz standard, have also been reviewed. Additionally, the historical context and potential motives behind the adoption of the 440Hz tuning standard, suggesting military and commercial interests, have been investigated. By examining these aspects, the article aims to deepen our understanding of the effects of different musical tunings on human well-being and perception, calling for further research. Ultimately, the article serves as a call to action for further research in the field.
The article discusses the relationship between sound frequencies, music, and human perception, focusing on the debate surrounding the tuning standard used in music. The paper begins by questioning the metaphysical and religious implications of sound as a creative force. It then delves into the physics of music and human hearing and continues emphasizing the role of frequencies in shaping tonality and timbre. The significance and effects of different tuning standards, particularly comparing 432Hz tuning to the more commonly used 440Hz standard, have also been reviewed. Additionally, the historical context and potential motives behind the adoption of the 440Hz tuning standard, suggesting military and commercial interests, have been investigated. By examining these aspects, the article aims to deepen our understanding of the effects of different musical tunings on human well-being and perception, calling for further research. Ultimately, the article serves as a call to action for further research in the field.
Primary Language | English |
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Subjects | Music Cognition, Music (Other) |
Journal Section | Research article |
Authors | |
Publication Date | December 29, 2023 |
Submission Date | November 23, 2023 |
Acceptance Date | December 22, 2023 |
Published in Issue | Year 2023 Volume: 8 Issue: 2 |