Research Article
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Academic perspectives on the use of digital platforms and mobile applications in vocal training

Year 2024, Volume: 9 Issue: 2, 389 - 404, 31.12.2024
https://doi.org/10.31811/ojomus.1564925

Abstract

This study aims to evaluate the effects of digital platforms and mobile applications on vocal training. Employing qualitative methods, the research analyzed the perspectives of 12 music academics working at various universities in Turkey. Data were collected through semi-structured interviews. The findings revealed that digital platforms provide students with flexibility, enabling time- and location-independent practice, support the development of technical skills, and offer access to an extensive musical repertoire. However, it was also concluded that fundamental elements of vocal training, such as vocal resonance, breath control, and articulation, are taught more effectively through one-on-one feedback under the supervision of an instructor. The study identified that digital platforms fail to fully provide such critical feedback and exhibit pedagogical limitations. The research concluded that digital platforms should be used in a balanced manner alongside traditional methods in vocal training, as academics predominantly view digital tools as supplementary aids. Furthermore, it was suggested that integrating artificial intelligence-supported systems and advanced sound technologies into the educational process could enhance the effectiveness of digital platforms. In this context, the contributions and limitations of digital technologies in vocal training were discussed, and various recommendations were proposed for future research.

References

  • Adams, W. C. (2015) Conducting semi-structured interviews. In J. S. Wholey, H. P. Harty, & K. E. Newcomer (Eds.), Handbook of practical program evaluation (p. 492-505). Jossey-Bass.
  • Alshammary, F., & Alhalafawy, W. (2023). Digital platforms and the improvement of learning outcomes: Evidence extracted from meta-analysis. Sustainability, 15(2), 1305, 1-21.
  • Barbot, B., & Lubart, T. (2012). Creative thinking in music: Its nature and assessment through musical exploratory behaviors. Psychology of Aesthetics, Creativity, and the Arts, 6(3), 231-242.
  • Denny, E., & Weckesser, A. (2022). How to do qualitative research?. BJOG (An International Journal of Obstetrics & Gynaecology), 129(7), 1166-1167.
  • Derda, I. (2022). Features of the professional vocalist training in the conditions of distance education. Aesthetics and Ethics of Pedagogical Action, 26, 251-260.
  • Doğanyiğit, S., & Islim, O. (2021). Virtual reality in vocal training: A case study. Music Education Research, 23(3), 391-401.
  • Fossey, E., Harvey, C., McDermott, F., & Davidson, L. (2002). Understanding and Evaluating Qualitative Research. Australian and New Zealand Journal of Psychiatry, 36(6), 717-732.
  • Hazlett, D., Duffy, O., & Moorhead, S. (2011). Review of the impact of voice training on the vocal quality of professional voice users: Implications for vocal health and recommendations for further research. Journal of Voice: Official Journal of the Voice Foundation, 25(2), 181-191.
  • Ilomäki, I., Laukkanen, A., Leppänen, K., & Vilkman, E. (2008). Effects of voice training and voice hygiene education on acoustic and perceptual speech parameters and self-reported vocal well-being in female teachers. Logopedics Phoniatrics Vocology, 33(2), 83-92.
  • Noor, U., Younas, M., Aldayel, H., Menhas, R., & Xu, Q. (2022). Learning behavior, digital platforms for learning and its impact on university student’s motivations and knowledge development. Frontiers in Psychology, 13. https://doi.org/10.3389/fpsyg.2022.933974
  • Phillips, K. (1985). The effects of group breath-control training on the singing ability of elementary students. Journal of Research in Music Education, 33(3), 179-191.
  • Salas-Pilco, S., Yang, Y., & Zhang, Z. (2022). Student engagement in online learning in Latin American higher education during the COVID‐19 pandemic: A systematic review. British Journal of Educational Technology, 53(3), 593-619.
  • Shi, Y. (2021). The use of mobile internet platforms and applications in vocal training: Synergy of technological and pedagogical solutions. Interactive Learning Environments, 31(6), 3780-3791.
  • Thomas, J., & Harden, A. (2008). Methods for the thematic synthesis of qualitative research in systematic reviews. BMC Medical Research Methodology, 8, 45. https://doi.org/10.1186/1471-2288-8-45
  • Thorpe, C., Callaghan, J., & Doorn, J. (1999). Visual feedback in teaching singing using speech technology. Journal of the Acoustical Society of America, 106(4), 2286-2286.
  • Vinze, V., Dhami, J., Desai, D., Dalvi, H., & Raut, P. (2021). Application of AI as singing trainer [Paper presentation]. 2021 International Conference on Advances in Computing, Communication, and Control (ICAC3), Mumbai, India.
  • Yüksel, P., & Yıldırım, S. (2015). Theoretical frameworks, methods, and procedures for conducting phenomenological studies in educational settings. Turkish Online Journal of Qualitative Inquiry, 6(1), 1-20.
  • Zhang, J., Xu, Z., Zhou, Y., Wang, P., Fu, P., Xu, X., & Zhang, D. (2021). An empirical comparative study on the two methods of eliciting singers’ emotions in singing: Self-imagination and VR training. Frontiers in Neuroscience, 15. https://doi.org/10.3389/fnins.2021.693468
  • Zhang, Z. (2016). Mechanics of human voice production and control. The Journal of the Acoustical Society of America, 140(4), 2614-2635.

Şan eğitiminde dijital platformların ve mobil uygulamaların kullanımına yönelik akademisyen görüşleri

Year 2024, Volume: 9 Issue: 2, 389 - 404, 31.12.2024
https://doi.org/10.31811/ojomus.1564925

Abstract

Bu çalışma, dijital platformların ve mobil uygulamaların ses eğitimine etkilerini değerlendirmeyi amaçlamaktadır. Nitel yöntemlerin kullanıldığı araştırmada, Türkiye’deki çeşitli üniversitelerde görev yapan 12 müzik akademisyeninin görüşleri analiz edilmiştir. Veriler yarı yapılandırılmış görüşmeler yoluyla toplanmıştır. Bulgular, dijital platformların öğrencilere zaman ve mekandan bağımsız çalışma imkanı sağlayarak esneklik sunduğunu, teknik becerilerin geliştirilmesini desteklediğini ve geniş bir müzikal repertuara erişim sağladığını ortaya koymuştur. Bununla birlikte, ses rezonansı, nefes kontrolü ve artikülasyon gibi ses eğitiminin temel unsurlarının, bir eğitmen gözetiminde birebir geri bildirimle daha etkili bir şekilde öğretildiği sonucuna varılmıştır. Çalışmada, dijital platformların bu tür kritik geri bildirimleri tam anlamıyla sağlayamadığı ve pedagojik sınırlılıklar sergilediği tespit edilmiştir. Araştırma, ses eğitiminde dijital platformların geleneksel yöntemlerle dengeli bir şekilde kullanılmasının gerektiğini, akademisyenlerin dijital araçları ağırlıklı olarak tamamlayıcı birer yardımcı olarak gördüklerini ortaya koymuştur. Ayrıca, yapay zeka destekli sistemlerin ve ileri ses teknolojilerinin eğitim sürecine entegre edilmesinin dijital platformların etkinliğini artırabileceği önerilmiştir. Bu bağlamda, ses eğitiminde dijital teknolojilerin katkıları ve sınırlamaları tartışılmış ve gelecekteki araştırmalar için çeşitli öneriler sunulmuştur.

References

  • Adams, W. C. (2015) Conducting semi-structured interviews. In J. S. Wholey, H. P. Harty, & K. E. Newcomer (Eds.), Handbook of practical program evaluation (p. 492-505). Jossey-Bass.
  • Alshammary, F., & Alhalafawy, W. (2023). Digital platforms and the improvement of learning outcomes: Evidence extracted from meta-analysis. Sustainability, 15(2), 1305, 1-21.
  • Barbot, B., & Lubart, T. (2012). Creative thinking in music: Its nature and assessment through musical exploratory behaviors. Psychology of Aesthetics, Creativity, and the Arts, 6(3), 231-242.
  • Denny, E., & Weckesser, A. (2022). How to do qualitative research?. BJOG (An International Journal of Obstetrics & Gynaecology), 129(7), 1166-1167.
  • Derda, I. (2022). Features of the professional vocalist training in the conditions of distance education. Aesthetics and Ethics of Pedagogical Action, 26, 251-260.
  • Doğanyiğit, S., & Islim, O. (2021). Virtual reality in vocal training: A case study. Music Education Research, 23(3), 391-401.
  • Fossey, E., Harvey, C., McDermott, F., & Davidson, L. (2002). Understanding and Evaluating Qualitative Research. Australian and New Zealand Journal of Psychiatry, 36(6), 717-732.
  • Hazlett, D., Duffy, O., & Moorhead, S. (2011). Review of the impact of voice training on the vocal quality of professional voice users: Implications for vocal health and recommendations for further research. Journal of Voice: Official Journal of the Voice Foundation, 25(2), 181-191.
  • Ilomäki, I., Laukkanen, A., Leppänen, K., & Vilkman, E. (2008). Effects of voice training and voice hygiene education on acoustic and perceptual speech parameters and self-reported vocal well-being in female teachers. Logopedics Phoniatrics Vocology, 33(2), 83-92.
  • Noor, U., Younas, M., Aldayel, H., Menhas, R., & Xu, Q. (2022). Learning behavior, digital platforms for learning and its impact on university student’s motivations and knowledge development. Frontiers in Psychology, 13. https://doi.org/10.3389/fpsyg.2022.933974
  • Phillips, K. (1985). The effects of group breath-control training on the singing ability of elementary students. Journal of Research in Music Education, 33(3), 179-191.
  • Salas-Pilco, S., Yang, Y., & Zhang, Z. (2022). Student engagement in online learning in Latin American higher education during the COVID‐19 pandemic: A systematic review. British Journal of Educational Technology, 53(3), 593-619.
  • Shi, Y. (2021). The use of mobile internet platforms and applications in vocal training: Synergy of technological and pedagogical solutions. Interactive Learning Environments, 31(6), 3780-3791.
  • Thomas, J., & Harden, A. (2008). Methods for the thematic synthesis of qualitative research in systematic reviews. BMC Medical Research Methodology, 8, 45. https://doi.org/10.1186/1471-2288-8-45
  • Thorpe, C., Callaghan, J., & Doorn, J. (1999). Visual feedback in teaching singing using speech technology. Journal of the Acoustical Society of America, 106(4), 2286-2286.
  • Vinze, V., Dhami, J., Desai, D., Dalvi, H., & Raut, P. (2021). Application of AI as singing trainer [Paper presentation]. 2021 International Conference on Advances in Computing, Communication, and Control (ICAC3), Mumbai, India.
  • Yüksel, P., & Yıldırım, S. (2015). Theoretical frameworks, methods, and procedures for conducting phenomenological studies in educational settings. Turkish Online Journal of Qualitative Inquiry, 6(1), 1-20.
  • Zhang, J., Xu, Z., Zhou, Y., Wang, P., Fu, P., Xu, X., & Zhang, D. (2021). An empirical comparative study on the two methods of eliciting singers’ emotions in singing: Self-imagination and VR training. Frontiers in Neuroscience, 15. https://doi.org/10.3389/fnins.2021.693468
  • Zhang, Z. (2016). Mechanics of human voice production and control. The Journal of the Acoustical Society of America, 140(4), 2614-2635.
There are 19 citations in total.

Details

Primary Language English
Subjects Music Education, Music Technology and Recording
Journal Section Research article
Authors

Alper Şakalar 0000-0002-0137-9089

Sevda Gürel 0000-0003-0496-7852

Publication Date December 31, 2024
Submission Date October 10, 2024
Acceptance Date December 4, 2024
Published in Issue Year 2024 Volume: 9 Issue: 2

Cite

APA Şakalar, A., & Gürel, S. (2024). Academic perspectives on the use of digital platforms and mobile applications in vocal training. Online Journal of Music Sciences, 9(2), 389-404. https://doi.org/10.31811/ojomus.1564925