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Spatial Analysis of Leisure Experiences in the Context of Music Subcultures: The Case of Ankara

Year 2025, Volume: 22 Issue: 1, 89 - 103
https://doi.org/10.26466/opusjsr.1589079

Abstract

This study investigated the subcultural leisure experiences in metal music venues in Ankara, through an analysis of visitor reviews from the Google Maps application within the framework of Oldenburg's “third place” paradigm. The aim was to gain a more comprehensive understanding of the role of subcultural spaces in urban life and the dynamics of subcultural participation in the digital age. In this context, visitor reviews of the Always Rock Bar, Onaon Café, and Papaz Rock Bar were analyzed using conventional qualitative content analysis. The data were imported into MAXQDA Analytics Pro 2024 and subjected to coding in accordance with the characteristics of the “third place” paradigm. The findings revealed how these venues act as central meeting points where subcultural identities are strengthened and social networks are built. This study provides valuable insights into the importance of these places for the formation and sustainability of subcultural communities and underlines the relevance of the “third place” paradigm in non-Western urban contexts. Further recommendations for future research include the investigation of similar phenomena in other cultural settings and the combination of digital data with traditional ethnographic methods.

References

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  • Bennett, A. (2000). Popular music and youth culture: Music, identity and place. Palgrave Macmillan.
  • Bennett, A. (2011). The post-subcultural turn: Some reflections 10 years on. Journal of Youth Studies, 14(5), 493–506. https://doi.org/10.1080/13676261 .2011.559216
  • Bennett, A., & Rogers, I. (2016). In the scattered fields of memory: Unofficial live music venues, intangible heritage, and the recreation of the musical past. Space and Culture, 19(4), 490–501. https://doi.org/10.1177/1206331215623217
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  • Calvert, A. (2019). Gentrification of an Indianapolis community: The city planning process and resident narratives on change [Doctoral dissertation, University of Indianapolis].
  • Clarke, J., Hall, S., Jefferson, T., & Roberts, B. (2014). Subcultures, cultures and class. In Resistance through rituals: Youth subcultures in post-war Britain (2nd ed., pp. 3-59). Routledge.
  • Creswell, J. W., & Poth, C. N. (2018). Qualitative inquiry and research design: Choosing among five approaches (4th ed.). Sage.
  • Çerezcioğlu, A. (2013). Extreme metal scene’de kültürel sermaye: İzmir metal scene örneği. İnönü Üniversitesi Sanat ve Tasarım Dergisi, 3(7), 69–80.
  • Demirci, A. A. (2023). Türkiye'de ağır müziğin geçmişi. Karakarga Yayınları.
  • Denovan, A., & Macaskill, A. (2017). Building resilience to stress through leisure activities: A qualitative analysis. Annals of Leisure Research, 20(4), 446-466. https://doi.org/10.1080/11745398.2016.1211 943
  • Dorsey, A. & Collier, R. (2018). Origins of sociological theory. ED-Tech Press.
  • Driver, C. (2011). Embodying hardcore: Rethinking ‘subcultural’ authenticities. Journal of Youth Studies, 14(8), 975–990. https://doi.org/10.1080/ 13676261.2011.617733
  • Driver, C., & Bennett, A. (2015). Music scenes, space and the body. Cultural Sociology, 9(1), 99–115. https://doi.org/10.1177/1749975514546234
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  • Emms, R. (2018). Live underground heavy metal: The perseverance and decline of an art world [Doctoral dissertation]. University of Manchester.
  • Esgin, A. (2012). Bir müzik sosyolojisi var mıdır? Doğu Batı Dergisi, 15(62), 153-182.
  • Gülmez, S. (2024). Black metal müziğin farklı müzik türlerinin profesyonel müzisyenleri üzerindeki psiko-sosyal stereotipleri: Black metal ve grotesk imajı [Yüksek lisans tezi, Ege Üniversitesi].
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  • Güven, U. Z. (2019). Toplumsal dönüşüm çerçevesinde değişen anlam ve kullanımlarıyla "boş zaman" sosyolojisi. Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 59(2), 1125-1148. https://doi.org/10.33171/dtcfjournal.2019.59.2.18
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Müzik Altkültürleri Bağlamında Boş Zaman Deneyimlerinin Mekânsal Analizi: Ankara Örneği

Year 2025, Volume: 22 Issue: 1, 89 - 103
https://doi.org/10.26466/opusjsr.1589079

Abstract

Bu çalışma kapsamında altkültürel boş zaman deneyimleri, Ankara'daki metal müzik mekânlarının Google Haritalar uygulamasında yer alan yorumları üzerinden, Oldenburg'un “üçüncü mekân” paradigması bağlamında incelenmiştir. Altkültürel mekânların kent yaşamındaki rolü ve dijital çağda altkültürel katılımın dinamikleri hakkında daha kapsamlı bir anlayış geliştirilmesi amacı doğrultusunda; Always Rock Bar, Onaon Café ve Papaz Rock Bar mekânlarının ziyaretçi yorumları, geleneksel niteliksel içerik çözümlemesi çerçevesinde analiz edilmiştir. Yorum verileri, MAXQDA Analytics Pro 2024 programına aktarılmış ve “üçüncü mekân” kavramının özellikleri göz önünde bulundurularak tematik olarak kodlanmıştır. Bulgular, bu mekânların altkültürel kimliklerin pekiştirildiği ve toplumsal bağların inşa edildiği merkezi buluşma yerleri olarak işlev gördüğünü göstermiştir. Bu çalışma, altkültürel toplulukların oluşumu ve sürdürülebilirliği noktasında bu mekânların önemine dair önemli bilgiler sunmakta ve “üçüncü mekân” paradigmasının Batı dışı kentsel bağlamlarla uygunluğunu ortaya koymaktadır. Benzeri olguların daha farklı kültürel ortamlarda araştırılması ve dijital verilerin geleneksel etnografik yöntemlerle bir araya getirilerek kullanılması gelecekteki araştırmalar için sunulan öneriler arasında yer almaktadır

References

  • Adu, E. (2024). The road to cultural participation [Master's thesis, Utrecht University].
  • Alexander, B. (2019). Commercial, social and experiential convergence: Fashion’s third places. Journal of Services Marketing, 33(3), 257–272. https://doi.org/10.1108/JSM-04-2018-0116
  • Ata, Y. (2019). Popüler müzikte bir "ötekileştirme" örneği: Heavy metal’e yönelik olumsuz yargıların estetik, toplumsal ve ahlaki boyutları. Etnomüzikoloji Dergisi, 2(2), 179–200.
  • Baulch, E. (2007). Making scenes: Reggae, punk, and death metal in 1990s Bali. Duke University Press.
  • Bayu, Y. E., & Özmen, M. B. (2017, October 4). Gri değil siyah: Rock müziğin kalesi Ankara. Bilkent Post. https://bilkentpost.bilkent.edu.tr/index.php/2017/10/04/rock-muzigin-kalesi-ankara/
  • Bennett, A. (1999). Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste. Sociology, 33(3), 599–617. https://doi.org/10.1177/S0038038599000371
  • Bennett, A. (2000). Popular music and youth culture: Music, identity and place. Palgrave Macmillan.
  • Bennett, A. (2011). The post-subcultural turn: Some reflections 10 years on. Journal of Youth Studies, 14(5), 493–506. https://doi.org/10.1080/13676261 .2011.559216
  • Bennett, A., & Rogers, I. (2016). In the scattered fields of memory: Unofficial live music venues, intangible heritage, and the recreation of the musical past. Space and Culture, 19(4), 490–501. https://doi.org/10.1177/1206331215623217
  • Brown, A. R. (2015). Everything louder than everyone else: The origins and persistence of heavy metal music and its global cultural impact. In A. Bennett & S. Waksman (Eds.), The SAGE handbook of popular music (pp. 261–277). Sage.
  • Calvert, A. (2019). Gentrification of an Indianapolis community: The city planning process and resident narratives on change [Doctoral dissertation, University of Indianapolis].
  • Clarke, J., Hall, S., Jefferson, T., & Roberts, B. (2014). Subcultures, cultures and class. In Resistance through rituals: Youth subcultures in post-war Britain (2nd ed., pp. 3-59). Routledge.
  • Creswell, J. W., & Poth, C. N. (2018). Qualitative inquiry and research design: Choosing among five approaches (4th ed.). Sage.
  • Çerezcioğlu, A. (2013). Extreme metal scene’de kültürel sermaye: İzmir metal scene örneği. İnönü Üniversitesi Sanat ve Tasarım Dergisi, 3(7), 69–80.
  • Demirci, A. A. (2023). Türkiye'de ağır müziğin geçmişi. Karakarga Yayınları.
  • Denovan, A., & Macaskill, A. (2017). Building resilience to stress through leisure activities: A qualitative analysis. Annals of Leisure Research, 20(4), 446-466. https://doi.org/10.1080/11745398.2016.1211 943
  • Dorsey, A. & Collier, R. (2018). Origins of sociological theory. ED-Tech Press.
  • Driver, C. (2011). Embodying hardcore: Rethinking ‘subcultural’ authenticities. Journal of Youth Studies, 14(8), 975–990. https://doi.org/10.1080/ 13676261.2011.617733
  • Driver, C., & Bennett, A. (2015). Music scenes, space and the body. Cultural Sociology, 9(1), 99–115. https://doi.org/10.1177/1749975514546234
  • Ekşi Sözlük. (n.d.). Always rock. Retrieved October 11, 2024, from https://eksisozluk.com/always-rock--1962264
  • Ekşi Sözlük. (n.d.). On a on. Retrieved October 11, 2024, from https://eksisozluk.com/on-a-on--142187
  • Ekşi Sözlük. (n.d.). Papaz bar. Retrieved October 11, 2024, from https://eksisozluk.com/papaz-bar--2531721
  • Emms, R. (2018). Live underground heavy metal: The perseverance and decline of an art world [Doctoral dissertation]. University of Manchester.
  • Esgin, A. (2012). Bir müzik sosyolojisi var mıdır? Doğu Batı Dergisi, 15(62), 153-182.
  • Gülmez, S. (2024). Black metal müziğin farklı müzik türlerinin profesyonel müzisyenleri üzerindeki psiko-sosyal stereotipleri: Black metal ve grotesk imajı [Yüksek lisans tezi, Ege Üniversitesi].
  • Güven, U. Z., & Ergur, A. (2015). Dünyada ve Türkiye’de müzik sosyolojisinin yeri ve gelişimi. İstanbul Üniversitesi Sosyoloji Dergisi, 3(29), 1-27. https://doi.org/10.16917/sd.83542
  • Güven, U. Z. (2019). Toplumsal dönüşüm çerçevesinde değişen anlam ve kullanımlarıyla "boş zaman" sosyolojisi. Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 59(2), 1125-1148. https://doi.org/10.33171/dtcfjournal.2019.59.2.18
  • Hall, S., & Jefferson, T. (Eds.). (1976). Resistance through rituals: Youth subcultures in post-war Britain. Hutchinson. Headbangers Travel Guide. (n.d.). Venues around the world. Retrieved October 10, 2024, from https://headbangerstravelguide.com/map
  • Hebdige, D. (1979). Subculture: The meaning of style. Routledge.
  • Hodkinson, P. (2002). Goth: Identity, style and subculture. Berg.
  • Hsieh, H. F., & Shannon, S. E. (2005). Three approaches to qualitative content analysis. Qualitative Health Research, 15(9), 1277–1288. https://doi.org/10.1177/1049732305276687
  • Jeffres, L. W., Bracken, C. C., Jian, G., & Casey, M. F. (2009). The impact of third places on community quality of life. Applied Research in Quality of Life, 4(4), 333–345. https://doi.org/10.1007/s11482-009-9084-8
  • Kahn-Harris, K. (2007). Extreme metal: Music and culture on the edge. Berg.
  • Kozinets, R. V. (2015). Netnography: Redefined (2nd ed.). Sage.
  • Lee, S. S., & Peterson, R. A. (2004). Internet-based virtual music scenes: The case of P2 in alt. country music. In A. Bennett & R. A. Peterson (Eds.), Music scenes: Local, translocal, and virtual (pp. 187-204). Vanderbilt University Press.
  • LeVine, M. (2008). Heavy metal Islam: Rock, resistance, and the struggle for the soul of Islam. University of California Press.
  • Lutz, C. A. (2022). Making a scene: A scenes approach to a local music archives. The American Archivist, 85(1), 268-287. https://doi.org/10. 17723/2327-9702-85.1.268
  • McLeod, M. (2024). Waxing ecological: Defending and refining the ecosystem approach in popular music studies. Authorea Preprints. https://doi.org/10. 22541/au.172484728.88120996/v1
  • Miles, M. B., Huberman, A. M., & Saldaña, J. (2014). Qualitative data analysis: A methods sourcebook (3rd ed.). Sage.
  • Mizuno, F. R. (2007). Processos educativos desvelados em prática social de trabalhadores de uma indústria de grande porte de São Carlos: Na perspectiva da convivência e do diálogo. Cadernos de Pós-graduação, 6(1), 77-92. https://doi.org/10.5585/cpg.v6n1.1873
  • Mkono, M., & Tribe, J. (2017). Beyond reviewing: Uncovering the multiple roles of tourism social media users. Journal of Travel Research, 56(3), 287-298. https://doi.org/10.1177/0047287516636 236
  • Moss, G., McIntosh, K., & Protasiuk, E. (2023). Barista in the city: Subcultural lives, paid employment, and the urban context. Taylor & Francis.
  • Oldenburg, R., & Brissett, D. (1982). The third place. Qualitative Sociology, 5(4), 265–284. https://doi.org/10.1007/BF00986754
  • Oldenburg, R. (1999). The great good place: Cafes, coffee shops, bookstores, bars, hair salons and other hangouts at the heart of a community. Marlowe & Company.
  • Oldenburg, R. (2013). The café as a third place. In A. Tjora & G. Scambler (Eds.), Café society (pp. 7–21). Palgrave Macmillan.
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There are 76 citations in total.

Details

Primary Language English
Subjects Recreation Sociology, Sociology of Music
Journal Section Research Articles
Authors

Ahmet Elnur 0000-0002-3287-535X

Early Pub Date February 16, 2025
Publication Date
Submission Date November 21, 2024
Acceptance Date January 16, 2025
Published in Issue Year 2025 Volume: 22 Issue: 1

Cite

APA Elnur, A. (2025). Spatial Analysis of Leisure Experiences in the Context of Music Subcultures: The Case of Ankara. OPUS Journal of Society Research, 22(1), 89-103. https://doi.org/10.26466/opusjsr.1589079